現(xiàn)代插畫(huà)藝術(shù)的無(wú)界化研究
發(fā)布時(shí)間：2018-09-19 08:05
【摘要】：社會(huì)飛速發(fā)展到今天，插畫(huà)藝術(shù)已經(jīng)不再是單純作為輔助文字的形式出現(xiàn)，它的載體也不僅僅是書(shū)籍或報(bào)紙雜志。插畫(huà)可以說(shuō)已經(jīng)成為了一門(mén)獨(dú)立的跨學(xué)科專(zhuān)業(yè)，在藝術(shù)和商業(yè)的領(lǐng)域中大放光彩。隨著工業(yè)時(shí)代的來(lái)臨，印刷技術(shù)的出現(xiàn)使插畫(huà)藝術(shù)的發(fā)展進(jìn)行了一場(chǎng)很大的變革，插畫(huà)的傳播變的更為便利和廣泛。而攝影技術(shù)的出現(xiàn)使插畫(huà)面臨了一段時(shí)期的蕭條，照片逐漸替代了插畫(huà)在雜志書(shū)籍中的地位。但在經(jīng)歷了攝影圖片占領(lǐng)雜志廣告的時(shí)代之后，人們不再滿足于那些現(xiàn)實(shí)精準(zhǔn)的圖片，從而對(duì)現(xiàn)代插畫(huà)有了更多的期待和要求。如今，人們對(duì)于插畫(huà)藝術(shù)的興趣正在全面復(fù)蘇。插畫(huà)既不是單純的藝術(shù)，也不是廣泛意義上的平面設(shè)計(jì)。90年代中后期隨著電腦技術(shù)的普及，更多使用電腦進(jìn)行插畫(huà)設(shè)計(jì)的新銳作者涌現(xiàn)，軟件和手繪板結(jié)合使用，使得數(shù)碼插畫(huà)能夠高效率生產(chǎn)跟上市場(chǎng)的需求，而效果也逼近手繪插畫(huà)。而現(xiàn)代插畫(huà)的表現(xiàn)形式也不僅僅是二維平面的了，甚至于三維、四維�，F(xiàn)代插畫(huà)藝術(shù)不再局限于書(shū)本、雜志、廣告等平面媒介，在網(wǎng)絡(luò)甚至于空間環(huán)境中都可以看見(jiàn)插畫(huà)的“身影”。插畫(huà)表現(xiàn)手法也變的多種多樣，從傳統(tǒng)手繪向數(shù)碼藝術(shù)發(fā)展，還出現(xiàn)攝影、拼貼、立體化，混搭等表現(xiàn)形式，在大家都追求個(gè)性化的今天，插畫(huà)這一藝術(shù)形式深受廣大愛(ài)好者們的喜愛(ài)。 插畫(huà)藝術(shù)的應(yīng)用領(lǐng)域也變的更為廣闊，它所能夠帶來(lái)的藝術(shù)價(jià)值和商業(yè)價(jià)值是不可限量的。在后工業(yè)社會(huì)文化背景下，我們的社會(huì)成為了一個(gè)信息大爆炸的非物質(zhì)社會(huì)，人們開(kāi)始追求藝術(shù)化的生活方式，在此之下蘊(yùn)育出了品牌與插畫(huà)家的跨界合作，同時(shí)越來(lái)越多的藝術(shù)家圍繞著插畫(huà)作品展開(kāi)一系列的活動(dòng)，生產(chǎn)周邊產(chǎn)品，逐漸形成相對(duì)獨(dú)立的產(chǎn)業(yè)。這些插畫(huà)師由插畫(huà)形象開(kāi)發(fā)獨(dú)立商品，建立以插畫(huà)形象為基礎(chǔ)的獨(dú)立品牌。沒(méi)有材料限制，沒(méi)有手法限制，沒(méi)有媒介限制，現(xiàn)代插畫(huà)以其包容性、大眾性和靈活性將各個(gè)學(xué)科無(wú)界限化的融合在一起，經(jīng)過(guò)不斷變化發(fā)展，已形成形式多樣且風(fēng)格鮮明的視覺(jué)形式，達(dá)到傳遞信息以及勸說(shuō)、告知、教育和娛樂(lè)大眾的目的。在當(dāng)今復(fù)雜多變卻又開(kāi)放的社會(huì)環(huán)境中，作為最直接和最具表現(xiàn)力的藝術(shù)形式之一，插畫(huà)將藝術(shù)與商業(yè)緊密結(jié)合在一起。在這樣一個(gè)文化碰撞，技術(shù)高度發(fā)展的時(shí)代，插畫(huà)己經(jīng)突破原有的樣式，發(fā)展成新興的藝術(shù)形式并影響著我們的生活文化，而各類(lèi)媒介的出現(xiàn)讓插畫(huà)的發(fā)展達(dá)到了一個(gè)新的高度。 本文提出了一個(gè)插畫(huà)“無(wú)界化”的概念，通過(guò)對(duì)于現(xiàn)代插畫(huà)與傳統(tǒng)插畫(huà)的對(duì)比，從現(xiàn)代社會(huì)的文化、經(jīng)濟(jì)、政治背景深入研究插畫(huà)，分析研究現(xiàn)代插畫(huà)從功能、創(chuàng)作思維、藝術(shù)特征、應(yīng)用等方面的新特點(diǎn)，來(lái)闡述插畫(huà)這一藝術(shù)形式在當(dāng)今社會(huì)中的作用、藝術(shù)價(jià)值、商業(yè)價(jià)值。指出目前為何會(huì)出現(xiàn)插畫(huà)無(wú)界化的現(xiàn)象，分析并提出這一現(xiàn)象帶來(lái)的新氣象，并且對(duì)插畫(huà)的發(fā)展趨勢(shì)進(jìn)行了分析和展望。對(duì)插畫(huà)和插畫(huà)教育今后的發(fā)展方向進(jìn)行預(yù)測(cè)，為了迎合時(shí)代的發(fā)展，現(xiàn)代插畫(huà)藝術(shù)培養(yǎng)應(yīng)自成一派，啟用跨學(xué)科的學(xué)習(xí)模式，使用建構(gòu)式的學(xué)習(xí)方法，不斷創(chuàng)新，打破固有思維，培養(yǎng)現(xiàn)代社會(huì)所需要的專(zhuān)業(yè)插畫(huà)人才。插畫(huà)不再是依附于平面設(shè)計(jì)下的一個(gè)分支，也不是為藝術(shù)界所“不恥”的一門(mén)藝術(shù)類(lèi)別。中國(guó)現(xiàn)代插畫(huà)將出現(xiàn)表現(xiàn)方式無(wú)界化，傳播媒介無(wú)界化，，各個(gè)領(lǐng)域與插畫(huà)藝術(shù)家跨界合作的共同發(fā)展新時(shí)代。
[Abstract]:With the rapid development of society today, illustration art is no longer a mere form of auxiliary writing, and its carrier is not only books or newspapers and magazines.Illustration has become an independent interdisciplinary profession, in the arts and commercial fields of great brilliance.With the advent of the industrial age, the emergence of printing technology. The development of illustration art has undergone a great change, and the spread of illustration has become more convenient and widespread. The emergence of photography technology makes illustration face a period of depression. Photography gradually replaces illustration in magazines and books. Nowadays, people's interest in illustration art is reviving. Illustration is neither simple art nor graphic design in a broad sense. With the popularization of computer technology in the mid and late 1990s, more and more people use computers to design new illustrations. The emergence of cutting-edge authors and the combination of software and hand-drawn boards have enabled digital illustrations to be produced efficiently to meet the needs of the market, and the effect is close to hand-painted illustrations. The network and even the space environment can see the illustration of the "figure". Illustration has become a variety of ways of expression, from traditional hand-painted to digital art development, but also photography, collage, three-dimensional, mix and other forms of expression, in everyone's pursuit of individualization today, illustration this art form by the majority of fans love.
The application field of illustration art has become broader, and the artistic and commercial value it can bring is limitless. Under the background of post-industrial society and cultural background, our society has become a Non-material Society of information explosion, and people begin to pursue artistic life style. Under this background, brand and illustrator have been bred. At the same time, more and more artists carry out a series of activities around illustrations to produce peripheral products and gradually form a relatively independent industry. Modern illustration, with its inclusiveness, popularity and flexibility, integrates various disciplines without boundaries. Through constant change and development, it has formed a variety of visual forms with distinct styles, which can convey information and persuade, inform, educate and entertain the masses. In today's complex and changeable but open social environment, as One of the most direct and expressive forms of art, illustration combines art with commerce closely. In such an era of cultural collision and highly developed technology, illustration has broken through the original style, developed into a new art form and influenced our life and culture, and the emergence of various media so that the development of illustration to achieve. A new height.
This paper puts forward the concept of "unbounded" illustration, through the comparison between modern illustration and traditional illustration, from the cultural, economic and political background of modern society in-depth study of illustration, analysis and study of modern illustration from the function, creative thinking, artistic characteristics, application and other aspects of the new characteristics, to elaborate the illustration of this art form in today's society. The role of the meeting, artistic value, commercial value. Points out why there is an unbounded phenomenon of illustration, analyzes and puts forward the new climate brought about by this phenomenon, and analyzes and prospects the development trend of illustration. Predicts the future development direction of illustration and illustration education, in order to meet the development of the times, modern illustration art. It is no longer a branch attached to graphic design, nor an art category "unscrupulous" for the art community. Modern Chinese illustrators will There is a new era of unbounded expression, unbounded media, and cross-border cooperation between various fields and illustrators.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J218.5
本文編號(hào)：2249529
[Abstract]:With the rapid development of society today, illustration art is no longer a mere form of auxiliary writing, and its carrier is not only books or newspapers and magazines.Illustration has become an independent interdisciplinary profession, in the arts and commercial fields of great brilliance.With the advent of the industrial age, the emergence of printing technology. The development of illustration art has undergone a great change, and the spread of illustration has become more convenient and widespread. The emergence of photography technology makes illustration face a period of depression. Photography gradually replaces illustration in magazines and books. Nowadays, people's interest in illustration art is reviving. Illustration is neither simple art nor graphic design in a broad sense. With the popularization of computer technology in the mid and late 1990s, more and more people use computers to design new illustrations. The emergence of cutting-edge authors and the combination of software and hand-drawn boards have enabled digital illustrations to be produced efficiently to meet the needs of the market, and the effect is close to hand-painted illustrations. The network and even the space environment can see the illustration of the "figure". Illustration has become a variety of ways of expression, from traditional hand-painted to digital art development, but also photography, collage, three-dimensional, mix and other forms of expression, in everyone's pursuit of individualization today, illustration this art form by the majority of fans love.
The application field of illustration art has become broader, and the artistic and commercial value it can bring is limitless. Under the background of post-industrial society and cultural background, our society has become a Non-material Society of information explosion, and people begin to pursue artistic life style. Under this background, brand and illustrator have been bred. At the same time, more and more artists carry out a series of activities around illustrations to produce peripheral products and gradually form a relatively independent industry. Modern illustration, with its inclusiveness, popularity and flexibility, integrates various disciplines without boundaries. Through constant change and development, it has formed a variety of visual forms with distinct styles, which can convey information and persuade, inform, educate and entertain the masses. In today's complex and changeable but open social environment, as One of the most direct and expressive forms of art, illustration combines art with commerce closely. In such an era of cultural collision and highly developed technology, illustration has broken through the original style, developed into a new art form and influenced our life and culture, and the emergence of various media so that the development of illustration to achieve. A new height.
This paper puts forward the concept of "unbounded" illustration, through the comparison between modern illustration and traditional illustration, from the cultural, economic and political background of modern society in-depth study of illustration, analysis and study of modern illustration from the function, creative thinking, artistic characteristics, application and other aspects of the new characteristics, to elaborate the illustration of this art form in today's society. The role of the meeting, artistic value, commercial value. Points out why there is an unbounded phenomenon of illustration, analyzes and puts forward the new climate brought about by this phenomenon, and analyzes and prospects the development trend of illustration. Predicts the future development direction of illustration and illustration education, in order to meet the development of the times, modern illustration art. It is no longer a branch attached to graphic design, nor an art category "unscrupulous" for the art community. Modern Chinese illustrators will There is a new era of unbounded expression, unbounded media, and cross-border cooperation between various fields and illustrators.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J218.5
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 韓笑;;論哥特電影造型[J];裝飾;2009年11期
本文編號(hào)：2249529
本文鏈接：http://sikaile.net/wenyilunwen/huihuayishu/2249529.html
最近更新
教材專(zhuān)著
