發(fā)布時間：2018-09-18 14:26

【摘要】：在當(dāng)代的油畫界，眾多油畫家們在油畫語言的探索中主動借鑒和吸收中國傳統(tǒng)繪畫中的寫意精神來豐富自己的繪畫語言深度和凸現(xiàn)自己的文化特質(zhì)，將中國的寫意精神用不同的方式和情感嫁接在畫布上，使凝重艱澀的畫布上充溢著中國文人的氣質(zhì)和魅力。越來越多的油畫家把視線轉(zhuǎn)向傳統(tǒng)繪畫的內(nèi)在精神這個極其寶貴的、潛力巨大的領(lǐng)域。使中國油畫在語言上的民族化探究步伐也在不斷地成熟和向前邁進(jìn)。 詹建俊，作為中國當(dāng)代美術(shù)史上里程碑式的人物，在當(dāng)代中國油畫藝壇上具有獨特意義和價值，為中國油畫開辟了一片新領(lǐng)域。詹建俊追求油畫的寫意性，吸收與融合了中國畫中的寫意觀念與寫意的精神內(nèi)涵，，從而發(fā)展出一種具有寫意精神的油畫作品。詹建俊早期的藝術(shù)追求洋溢著青春浪漫的激情與時代理想的革命豪情，其作品情感與自然交相輝映，具有強烈的象征性，創(chuàng)造出情景交融、恢弘寬廣的意境。這一時期，詹建俊的代表作有《起家》、《狼牙山五壯士》等。這些畫產(chǎn)生了巨大的影響，甚至影響了幾代藝術(shù)青年�！拔母铩睍r期，詹建俊被迫中斷藝術(shù)探索多年。70年代后期，詹建俊沿紅軍長征路寫生，畫出不少風(fēng)景與人像畫的佳作�！拔母铩苯Y(jié)束后，詹建俊的藝術(shù)創(chuàng)作進(jìn)入旺盛時期，所創(chuàng)作的作品流露出一種經(jīng)歷風(fēng)雨后的人生感悟和高尚的道德情操，呈現(xiàn)一種平靜淡定的人生柔情和積極向上的健康的人生態(tài)度，代表作有《高原的歌》、《回望》、《寂靜的石湖林》、《飛雪》、《潮》等等。他的寫意油畫作品具有典型中國文人畫的味道，在形式和內(nèi)容上能體現(xiàn)中國畫的特有面貌。詹建俊的油畫作品展示給我們的是一片帶有中國優(yōu)秀文化的、具有中華民族特色的、體現(xiàn)改革開放以來中國人昂揚的精神面貌的畫面，呈現(xiàn)出高度吸取優(yōu)秀藝術(shù)傳統(tǒng)營養(yǎng)的畫面。這實際上是對中國本土精神的延伸，通過對傳統(tǒng)藝術(shù)精神的吸收，使其油畫獨具風(fēng)格，對促進(jìn)油畫藝術(shù)多種手法的進(jìn)步做出了重大貢獻(xiàn)。 詹建俊還是一位辛勤的美術(shù)教育家，在教學(xué)過程中堅持董希文先生的教學(xué)理念，并根據(jù)新時期的特點進(jìn)行了發(fā)展。他在教學(xué)中特別強調(diào)專業(yè)的敬業(yè)精神和嚴(yán)謹(jǐn)?shù)闹螌W(xué)態(tài)度。詹建俊自1980年至1999年任第三工作室主任，是自從1956年工作室成立起唯一一位跨越“文革”前后兩個時期的在工作室任教時間最長的教員。在教學(xué)中嚴(yán)于律己，做到為人師表，是工作室健康發(fā)展的可靠保證。詹建俊還是一位藝術(shù)活動家和組織者，幾十年來為中國油畫藝術(shù)的發(fā)展做出了特殊貢獻(xiàn)。
[Abstract]:In the field of contemporary oil painting, many oil painters actively learn from and absorb the spirit of freehand brushwork in the exploration of oil painting language to enrich their painting language depth and highlight their own cultural characteristics. The Chinese freehand brushwork spirit is grafted on the canvas in different ways and emotions, which makes the heavy and difficult canvas overflowing with the temperament and charm of the Chinese literati. More and more oil painters turn their attention to the inner spirit of traditional painting, an extremely valuable and potential field. So that the Chinese oil painting in the language of nationalization of the pace of exploration is constantly maturing and moving forward. Zhan Jianjun, as a landmark figure in the history of Chinese contemporary art, has unique significance and value in contemporary Chinese oil painting, which opens up a new field for Chinese oil painting. Zhan Jianjun pursues the freehand brushwork of the oil painting, absorbs and merges the freehand brushwork idea and the freehand brushwork spirit in the Chinese painting, thus develops a kind of oil painting work with the freehand brushwork spirit. Zhan Jianjun's early artistic pursuit was filled with the passion of youth and romance and the revolutionary passion of the ideal of the times. In this period, Zhan Jianjun's masterpieces include Start-up, Langya Mountain, five strong Men, and so on. These paintings have had a great impact, even affecting several generations of art youth. During the "Cultural Revolution", Zhan Jianjun was forced to break off his artistic exploration for many years. In the late 1970s, Zhan Jianjun sketched along the long March of the Red Army and drew many excellent works of scenery and portraits. After the end of the Cultural Revolution, Zhan Jianjun's artistic creation entered a prosperous period, and his works revealed a kind of life feeling and noble moral sentiment after the wind and rain. Presents a calm and calm life tenderness and a positive and healthy life attitude, representative works are: song of Plateau, look back, Silent Stone Lake Forest, Snow, Tide, and so on. His freehand brushwork has the taste of typical Chinese literati painting and can embody the unique appearance of Chinese painting in form and content. Zhan Jianjun's oil paintings show us a picture of Chinese culture, Chinese characteristics, and the spiritual outlook of the Chinese people since the reform and opening up. Showing a high absorption of excellent traditional art nutrition screen. This is in fact an extension of the Chinese native spirit, through the absorption of the traditional artistic spirit, making its oil painting unique style, to promote the progress of oil painting art made great contributions. Zhan Jianjun is also a painstaking art educator. In the course of teaching, he insists on the teaching idea of Mr. Dong Xiwen and develops according to the characteristics of the new period. In his teaching, he places special emphasis on professional professionalism and rigorous academic attitude. Zhan Jianjun was the director of the third studio from 1980 to 1999. He is the only teacher who has been teaching in the studio for the longest time since the studio was established in 1956. Strict discipline in teaching, be a role model, is a reliable guarantee for the healthy development of the studio. Zhan Jianjun is also an art activist and organizer who has made special contributions to the development of Chinese oil painting for decades.
【學(xué)位授予單位】：山東工藝美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

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