【摘要】：肖像畫除了是對人物形象的記錄，也承載了不同時期的審美和文化。長期以來女性成為了“美”的最好詮釋對象，服飾也是人物形象表達(dá)中非常重要的元素之一。本文以法國19世紀(jì)女性肖像畫中通過服飾的描繪所表現(xiàn)的時尚和趣味為切入點(diǎn)，有針對性的篩選收集多位畫家繪畫中的女性形象和服飾資料，結(jié)合當(dāng)時的時尚文化和社會審美以及畫家對女性的觀察、自身的審美趣味、技法表現(xiàn)等來探討這些因素對畫家藝術(shù)主張和畫面的藝術(shù)性的影響，分析他們的作品的不同之處，同時也看到他們之間的傳承和創(chuàng)新，以此加深對他們作品的認(rèn)識，以及我們在藝術(shù)創(chuàng)作中得到的一些反思和啟示。本文第一部分對兩大風(fēng)格迥異的繪畫流派的時代背景、藝術(shù)特色和主要畫家進(jìn)行介紹，并引出他們之間的交集——女性肖像和時尚趣味。第二部分以安格爾的女性肖像重要作品為例，分析古典主義的古典時尚在上半葉的表現(xiàn)。第三部分，結(jié)合印象派繪畫中的女性形象，梳理印象派畫家對現(xiàn)代時尚的表現(xiàn)方式，，并與當(dāng)時的主題類似的古典寫實(shí)作品進(jìn)行一些對比。最后一部分分析安格爾肖像畫中古典時尚的內(nèi)因和印象派畫家在對女性形象的描繪中對古典傳統(tǒng)的傳承和創(chuàng)新及其成因，并揭示他們時尚趣味的異同，引出他們帶來的影響與啟示。
[Abstract]:Portrait painting is not only a record of the characters, but also carries the aesthetic and culture of different periods. For a long time, women have become the best interpretation of beauty, dress is also one of the most important elements in the expression of characters. Based on the fashion and interest in the depiction of dress in the 19th century female portraits in France, this paper selects and collects the images and dress materials of many painters. Combined with the fashion culture and social aesthetics at that time, the artists' observation of women, their own aesthetic taste, and the expression of techniques and so on, this paper discusses the influence of these factors on the artist's artistic proposition and the artistry of the picture, and analyzes the differences of their works. At the same time, we also see the inheritance and innovation between them, so as to deepen the understanding of their works, as well as our artistic creation in some reflection and inspiration. The first part of this paper introduces the background, artistic features and main painters of the two painting schools with different styles, and introduces the intersection between them-female portraits and fashion tastes. The second part takes Angel's important works of female portrait as an example to analyze the performance of classical fashion in the first half. The third part, combing the female image of Impressionist painting, combing the expression of modern fashion by Impressionist painters, and comparing it with classical realistic works with similar themes at that time. The last part analyzes the internal causes of classical fashion in Angel's portrait painting and the inheritance and innovation of classical tradition in the portrayal of female images by Impressionist painters, and reveals the similarities and differences of their fashion tastes. Draw their influence and enlightenment.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J211.25

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 孫龍輝;;印象派繪畫與巴黎現(xiàn)代生活[J];藝術(shù)百家;2012年03期

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