傳統(tǒng)民間年畫在當代水墨人物畫創(chuàng)作中的意義
發(fā)布時間:2018-09-17 16:27
【摘要】:繪畫創(chuàng)作講求不斷推陳出新,水墨人物畫創(chuàng)作更是要不斷超越創(chuàng)作者或畫家的既有成果,將藝術水平推向新的高度。然而,中國現(xiàn)當代水墨人物畫創(chuàng)作卻受到素描、油畫等西方繪畫形式的強烈沖擊,在創(chuàng)作中呈現(xiàn)西方思維定勢,作品完全用西方繪畫的焦點透視、高度寫實、臨摹照片的方法來繪制中國水墨人物畫,背離了傳統(tǒng)水墨人物畫創(chuàng)作的基本要義。 面對現(xiàn)狀,筆者嘗試從傳統(tǒng)視角出發(fā),回歸中國民間豐富藝術資源寶庫,從中探尋能為當代水墨人物畫創(chuàng)作提供有益借鑒的藝術形式。在翻閱了大量關于民間藝術的文獻資料、實物作品后發(fā)現(xiàn):現(xiàn)當代關于傳統(tǒng)年畫在當代水墨人物畫創(chuàng)作中的資源性價值的研究并不多;而傳統(tǒng)年畫作為民間自古以來一直喜聞樂見的藝術形式,是一個擁有豐富文化內涵并具有重要借鑒價值的傳統(tǒng)繪畫資源,值得去探究。 為此,本文主旨在于通過對中國當代水墨人物畫創(chuàng)作現(xiàn)狀的分析,發(fā)現(xiàn)創(chuàng)作中存在的問題,以此為基礎,提出當代水墨人物畫應向中國傳統(tǒng)民間藝術汲取營養(yǎng),從中國民間年畫中借鑒題材、造型、色彩、結構、意蘊,為當代水墨人物畫創(chuàng)作補充新的“血液”,實現(xiàn)當代水墨人物畫創(chuàng)作的新發(fā)展。
[Abstract]:The creation of painting emphasizes the innovation of the old, and the creation of ink figure painting should constantly surpass the existing achievements of the creators or painters and push the artistic level to a new height. However, the creation of modern and contemporary Chinese ink figure painting is strongly impacted by the Western painting forms, such as sketch, oil painting, and so on. In its creation, it presents a fixed pattern of Western thinking. The works are completely perspective with the focus of Western painting and highly realistic. The method of copying photos to draw Chinese ink figure painting deviates from the basic meaning of traditional painting. In the face of the present situation, the author tries to return to the wealth of Chinese folk art resources from the traditional perspective, from which to explore the art form that can provide useful reference for the creation of contemporary ink figure painting. After reading a large number of literature on folk art, it is found that: there are few researches on the resource value of traditional New year painting in the creation of contemporary ink figure painting; The traditional New year painting as a folk art form has been popular since ancient times, is a rich cultural connotation and has important reference value of traditional painting resources, it is worth to explore. Therefore, the purpose of this paper is to find out the existing problems in the creation of Chinese contemporary ink figure painting through the analysis of the present situation of its creation, and to propose that the contemporary ink figure painting should draw nourishment from the Chinese traditional folk art. Drawing lessons from Chinese folk New year paintings, such as subject matter, shape, color, structure and implication, can supplement the new "blood" for the creation of contemporary ink figure painting, and realize the new development of contemporary ink figure painting creation.
【學位授予單位】:四川師范大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:J212
本文編號:2246480
[Abstract]:The creation of painting emphasizes the innovation of the old, and the creation of ink figure painting should constantly surpass the existing achievements of the creators or painters and push the artistic level to a new height. However, the creation of modern and contemporary Chinese ink figure painting is strongly impacted by the Western painting forms, such as sketch, oil painting, and so on. In its creation, it presents a fixed pattern of Western thinking. The works are completely perspective with the focus of Western painting and highly realistic. The method of copying photos to draw Chinese ink figure painting deviates from the basic meaning of traditional painting. In the face of the present situation, the author tries to return to the wealth of Chinese folk art resources from the traditional perspective, from which to explore the art form that can provide useful reference for the creation of contemporary ink figure painting. After reading a large number of literature on folk art, it is found that: there are few researches on the resource value of traditional New year painting in the creation of contemporary ink figure painting; The traditional New year painting as a folk art form has been popular since ancient times, is a rich cultural connotation and has important reference value of traditional painting resources, it is worth to explore. Therefore, the purpose of this paper is to find out the existing problems in the creation of Chinese contemporary ink figure painting through the analysis of the present situation of its creation, and to propose that the contemporary ink figure painting should draw nourishment from the Chinese traditional folk art. Drawing lessons from Chinese folk New year paintings, such as subject matter, shape, color, structure and implication, can supplement the new "blood" for the creation of contemporary ink figure painting, and realize the new development of contemporary ink figure painting creation.
【學位授予單位】:四川師范大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:J212
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相關期刊論文 前4條
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