【摘要】：“觀看”是我們認(rèn)識世界的最主觀動(dòng)作,藝術(shù)由觀看出發(fā),人類在通過圖像的視覺表達(dá)認(rèn)知?dú)v史、社會(huì)、人文的變遷。通過“觀看”察覺事物的形體、物態(tài)從而達(dá)到心靈的疏通與認(rèn)識。“觀看”是進(jìn)入意識的最直觀通道。由藝術(shù)家通過自身“觀看”到“自我觀看”的主觀梳理,使繪畫藝術(shù)引領(lǐng)了大眾觀看的視角。當(dāng)今藝術(shù)已經(jīng)逐漸脫離了單一的載體,眾多形式的新藝術(shù)并沒有終極和縮窄“觀看”的范圍,相反“觀看”的作用在藝術(shù)的發(fā)展中恰恰起到了一種更開闊的視角,新藝術(shù)形式形成的新視角下“觀看”帶領(lǐng)無數(shù)雙眼睛體驗(yàn)著藝術(shù)觀看的轉(zhuǎn)化。“觀看”是一種本能,也是一種主觀的認(rèn)知,以“觀看”認(rèn)識的邏輯為線索,本文表達(dá)出我對“觀看”的思考與認(rèn)知,用“觀看”所產(chǎn)生的視覺經(jīng)驗(yàn)傳達(dá)我對于認(rèn)知的闡釋。
[Abstract]:"viewing" is the most subjective action of our understanding of the world. From the view of art, human beings express the changes of history, society and humanity through the visual expression of images. Through "watching" to perceive the form and state of things, so as to achieve the mind of the dredging and understanding. Viewing is the most intuitive way into consciousness. The subjective combing from the artist's own "watching" to "self-viewing" leads the art of painting to the perspective of public viewing. Nowadays, art has gradually separated itself from a single carrier. Many forms of new art do not have the ultimate and narrow scope of "viewing". On the contrary, the role of "watching" has precisely played a broader perspective in the development of art. Under the new visual angle of the formation of new art form, "watching" leads countless double eyes to experience the transformation of art viewing. "watching" is a kind of instinct and subjective cognition. Taking the logic of "watching" as the clue, this paper expresses my thinking and cognition of "watching", and conveys my interpretation of cognition with the visual experience produced by "watching".
【學(xué)位授予單位】：吉林藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J205
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本文編號：2244496