發(fā)布時(shí)間：2018-09-10 21:26

【摘要】：神話是民間藝術(shù)形式的一種,是古代人民在對(duì)自然認(rèn)識(shí)水平有限的情況下,對(duì)其所接觸的自然現(xiàn)象、社會(huì)現(xiàn)象,幻想出來(lái)的具有藝術(shù)意味的解釋和描述的集體口頭創(chuàng)作,包括神鬼故事和神化或鬼化的英雄傳說(shuō)等。一直以來(lái),神話都是文人墨客和民間藝人進(jìn)行藝術(shù)創(chuàng)作的重要題材來(lái)源,哲學(xué)家卡西爾(Ernst Cassirer,1874—1945)曾經(jīng)說(shuō)過(guò)：“藝術(shù)在它的起源中,在它的萌芽時(shí)期,似乎就是與神話聯(lián)結(jié)在一起的,即使在后來(lái)的發(fā)展過(guò)程中,它也從未完全擺脫神話與宗教思維的影響和力量”。 世界各地流傳的神話故事對(duì)該地區(qū)藝術(shù)創(chuàng)作都產(chǎn)生了不同程度的影響。在西方近現(xiàn)代油畫(huà)作品中,神話題材汕畫(huà)占據(jù)相當(dāng)重要的地位,特別是從文藝復(fù)興時(shí)期開(kāi)始,不少以神話為題材的杰出作品陸續(xù)問(wèn)世。追溯中國(guó)繪畫(huà)史,以神話傳說(shuō)為題材的作品從先秦時(shí)期就開(kāi)始出現(xiàn),并作為主要題材之一發(fā)展、傳承下來(lái)。油畫(huà)傳入中國(guó)后,一些藝術(shù)家們也開(kāi)始以嘗試以中國(guó)傳統(tǒng)神話為題材創(chuàng)作油畫(huà)作品。本文對(duì)以中西方神話為題材的油畫(huà)創(chuàng)作進(jìn)行了初步的研究與探討,分析了兩個(gè)國(guó)家、不同民族以神話題材為主的油畫(huà)(或繪畫(huà))創(chuàng)作的內(nèi)容、特征和發(fā)展歷程,以及這些藝術(shù)作品所反映的不同民族之間的文化、性格、價(jià)值取向差異等。最后得出結(jié)論：從人類(lèi)文明的根源——神話傳說(shuō)來(lái)研究繪畫(huà)藝術(shù),將神話傳說(shuō)融入到油畫(huà)創(chuàng)作中,是一條可持續(xù)的、有生命力的創(chuàng)作之路。 對(duì)中國(guó)的藝術(shù)家們來(lái)說(shuō),如何將油畫(huà)這種外來(lái)的藝術(shù)表達(dá)形式與中華民族的古老神話傳說(shuō)相結(jié)合起來(lái),使油畫(huà)與積淀數(shù)千年的傳統(tǒng)文化相互碰撞、相互交融；使創(chuàng)作出的作品既具有西方技法的精髓,又具有中華文化的傳統(tǒng),是我這篇論文所要闡述和表達(dá)的核心內(nèi)容。西方藝術(shù)家可以以神話為題材,創(chuàng)作偉大的、流芳百世的油畫(huà)藝術(shù)作品,中國(guó)藝術(shù)家們也應(yīng)將代表民族文化精髓的神話傳說(shuō)通過(guò)油畫(huà)這種藝術(shù)語(yǔ)言來(lái)表達(dá),為中國(guó)油畫(huà)創(chuàng)作注入更多本民族的傳統(tǒng)文化符號(hào)。
[Abstract]:Myth is a form of folk art. It is a collective oral creation of artistic interpretation and description of the natural phenomena, social phenomena, imaginary artistic interpretations and descriptions made by the ancient people under the condition of limited understanding of nature. Including the story of gods and ghosts and deified or ghost hero legends and so on. Myth has always been an important source of subject matter for writers and folk artists in their artistic creation. The philosopher Ernst Cassirer,1874-1945 once said, "Art in its origin, in its infancy, It seems to be linked to mythology, which, even in its later development, was never completely free from the influence and power of mythology and religious thinking. The mythological stories circulating all over the world have influenced the artistic creation of the region to varying degrees. In the western modern oil painting, the mythical theme Shantou painting occupies a very important position, especially since the Renaissance period, many outstanding works with myth as the subject matter have appeared one after another. Tracing back to the history of Chinese painting, the works with mythology and legends began to appear in the pre-Qin period, and as one of the main themes, they were developed and passed down. After oil painting was introduced into China, some artists began to try to use Chinese traditional mythology as the subject matter of oil paintings. This article has carried on the preliminary research and the discussion to the oil painting creation which takes the Chinese and the western mythology as the subject matter, has analyzed the content, the characteristic and the development course of the oil painting (or painting) which is mainly based on the myth theme in two countries and different nationalities. And these works of art reflect the difference of culture, character, value orientation and so on. Finally, the conclusion is drawn: it is a sustainable and vital way to study the art of painting from the root of human civilization-mythology and legend, and to integrate myth and legend into oil painting. For Chinese artists, how to combine the foreign art expression form of oil painting with the ancient myth and legend of the Chinese nation, so that oil painting and the traditional culture accumulated for thousands of years collide with each other and blend with each other; Making the works have the essence of western techniques and the tradition of Chinese culture is the core content of my thesis. Western artists can use mythology as the subject matter to create great, everlasting oil paintings. Chinese artists should also express the myths and legends that represent the essence of national culture through the artistic language of oil painting. Chinese oil painting for the injection of more traditional cultural symbols of the nation.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J213

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本文編號(hào)：2235655