【摘要】：清代是年畫發(fā)展的高峰期,受國家以孝治天下的政治政策引導(dǎo),年畫慈孝圖像呈多元化發(fā)展。對(duì)慈孝理念來說,這些圖像具有恒常性傳播的功用,能夠融通藝術(shù)審美與社會(huì)生活,并促進(jìn)傳統(tǒng)慈孝禮教與民俗生活互動(dòng),因此有效地維護(hù)了民眾與國家之間的文化認(rèn)同與價(jià)值歸屬。
[Abstract]:Qing Dynasty was the peak period of the development of New year's Pictures. Under the guidance of the state's political policy of governing the world with filial piety, the pictures of New year's paintings showed a pluralistic development. For the concept of filial piety, these images have the function of constant transmission, which can blend art aesthetics with social life, and promote the interaction between traditional filial piety and folk life. Therefore, it effectively maintains the cultural identity and value attribution between the people and the country.
【作者單位】： 山東大學(xué)藝術(shù)學(xué)院;
【基金】：國家科技支撐計(jì)劃項(xiàng)目“中國民間美術(shù)非物質(zhì)文化遺產(chǎn)的信息化保護(hù)和傳承及關(guān)鍵技術(shù)集成與示范”(項(xiàng)目編號(hào):2014BAK09B04) 山東省文化藝術(shù)科學(xué)重點(diǎn)課題(項(xiàng)目編號(hào):1506064) 中國博士后科學(xué)基金面上項(xiàng)目(項(xiàng)目編號(hào):2015M582067) 山東大學(xué)基本科研業(yè)務(wù)費(fèi)資助項(xiàng)目(項(xiàng)目編號(hào):2015GN021)的階段性成果
【分類號(hào)】：J218.3

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