【摘要】：在中國(guó)現(xiàn)當(dāng)代繪畫(huà)發(fā)展中,有這樣一批年輕藝術(shù)家成長(zhǎng)在特殊大環(huán)境的時(shí)代背景下,形成了全新的繪畫(huà)創(chuàng)作模式,引領(lǐng)了新的繪畫(huà)創(chuàng)作語(yǔ)言的潮流,彌補(bǔ)了傳統(tǒng)繪畫(huà)形式的不足。使得“80后”藝術(shù)家越來(lái)越被藝術(shù)界所關(guān)注。他們的繪畫(huà)作品給中國(guó)繪畫(huà)界輸入了新鮮血液,關(guān)注“80后”藝術(shù)家的現(xiàn)在就是關(guān)注中國(guó)繪畫(huà)發(fā)展的未來(lái)。 文章中,首先,深入分析他們的成長(zhǎng)背景和現(xiàn)狀發(fā)展。其次,探尋他們深層次的精神內(nèi)涵和挖掘繪畫(huà)創(chuàng)作理念的碰撞。再次,分析出圖像、圖像化的界定及“80”后繪畫(huà)的圖像化的形成因素。進(jìn)而研究他們繪畫(huà)的創(chuàng)作主題、圖像化特點(diǎn)及這代人產(chǎn)生的影響。同時(shí),本文列舉了當(dāng)今具有代表性的“80后”畫(huà)家,并對(duì)其作品進(jìn)行了深入研究,全方位、清晰地呈現(xiàn)出“80后”藝術(shù)家繪畫(huà)圖像化特征表現(xiàn)。 通過(guò)對(duì)“80后”藝術(shù)家的研究,筆者分析并總結(jié)出,“80后”繪畫(huà)作品在圖式上顯現(xiàn)著明顯的卡通化、圖式化、游戲化、拼貼和并置的圖像化的特征�！�80后”藝術(shù)家的繪畫(huà)創(chuàng)作在內(nèi)容上打破常規(guī),敢于創(chuàng)新,擺脫傳統(tǒng)的繪畫(huà)理念,不被世俗觀念所束縛,他們能夠接納新鮮事物并與時(shí)俱進(jìn),將時(shí)尚元素交融于繪畫(huà)創(chuàng)作當(dāng)中,適應(yīng)中西方當(dāng)下自由創(chuàng)作形態(tài)。傳統(tǒng)技法已經(jīng)不是他們繪畫(huà)當(dāng)中追求的重點(diǎn)。而本人作為“80后”群體中從事繪畫(huà)創(chuàng)作的一員,通過(guò)此次論文的探究、分析及整理寫(xiě)作,使我對(duì)自己今后的繪畫(huà)創(chuàng)作和發(fā)展方向有了深入的思考。
[Abstract]:In the development of modern and contemporary Chinese painting, such a group of young artists grew up under the background of a special environment, formed a new painting creation mode, and led the trend of a new language of painting creation. It makes up for the deficiency of traditional painting form. So that the "80's" artists are more and more concerned by the art world. Their paintings have given fresh blood to the Chinese painting circle, and the present is the future of the development of Chinese painting. In this paper, first of all, in-depth analysis of their growth background and current development. Secondly, explore their deep spiritual connotation and excavate the collision of painting creation idea. Thirdly, the paper analyzes the definition of image, the definition of image and the forming factors of image after 80. And then study the theme of their painting, the characteristics of the image and the impact of this generation. At the same time, this article enumerates the representative "80 generation" painter, and has carried on the thorough research to its work, the omni-directional, presents clearly "after 80" artist's picture characteristic performance. Through the research on the artists of the post-80s, the author analyzes and summarizes that the painting works of the post-80s have obvious cartonization, schematization and gameplay on the schemata. Collage and juxtaposition of picturesque features. "post-80s" artists' painting creation in the content broke with the routine, dare to innovate, get rid of the traditional painting concept, not by the worldly constraints, they can accept new things and keep pace with the times, Blend fashion elements in painting creation, adapt to the current free form of creation in China and the West. Traditional techniques have not been the focus of their paintings. As a member of the "post-80s" group engaged in painting creation, through the research of this paper, analysis and arrangement of writing, I have a deep thinking about my future painting creation and development direction.
【學(xué)位授予單位】：青島大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

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本文編號(hào)：2230119