當(dāng)代工筆花鳥畫寫意性研究
發(fā)布時(shí)間：2018-09-05 15:14
【摘要】：藝術(shù)創(chuàng)作是主客觀相統(tǒng)一的活動(dòng)，被稱為視覺藝術(shù)的中國畫更加重視主觀感受的表達(dá)，以繪畫的形式來抒情達(dá)意，這就是我們所說的抒寫心中之意——“寫意性”。 作為中國傳統(tǒng)繪畫重要組成部分的工筆花鳥畫在唐宋時(shí)期最為繁榮，宋元文人畫出現(xiàn)后，其發(fā)展相對緩慢，，直至上個(gè)世紀(jì)又開始迅速發(fā)展起來。 工筆花鳥畫是中華民族現(xiàn)存的最古老的繪畫藝術(shù)，有著悠久的歷史，容易被大眾接受、關(guān)注和喜愛，很多非專業(yè)人士在業(yè)余時(shí)間開始學(xué)習(xí)工筆花鳥畫創(chuàng)作，這推動(dòng)了工筆花鳥畫在當(dāng)代的發(fā)展。但是由于對工筆花鳥畫的理解不夠透徹，或者是受寫意畫和工筆畫這兩個(gè)繪畫門類的名稱叫法影響，部分人認(rèn)為只有寫意畫才具有寫意性，而用筆相對工整的工筆畫沒有寫意性，只單純的看到其表象上的客觀再現(xiàn)，忽視了其承載著的精神層面，造成了部分工筆花鳥畫表現(xiàn)的東西太多，面面俱到，產(chǎn)生一種膩煩、俗氣之感的這樣一種現(xiàn)象，這是阻礙工筆花鳥畫在當(dāng)代順利發(fā)展的不良因素。 因此，越來越多的工筆花鳥畫家開始思考如何才能使工筆花鳥畫在這個(gè)全球一體化的世界中取得更好的發(fā)展和成績，同時(shí)能在受到各種形式繪畫門類的沖擊后仍然可以站穩(wěn)腳跟。在各國文化交流這樣一個(gè)時(shí)代大背景下，迫使我們必須重新審視工筆花鳥畫這一延續(xù)千年的民族文化，做到承其精華、在演進(jìn)中求變，創(chuàng)造出一個(gè)既是中華民族的，又是世界的藝術(shù)。 中國工筆畫承載的是中國畫的寫意精神，研究工筆花鳥畫的寫意性因素，不僅有利于工筆花鳥畫的發(fā)展，而且能更好的繼承與發(fā)展工筆花鳥畫的寫意性這一特征，悠久的傳統(tǒng)給我們留下了寶貴的財(cái)富，尤其在這個(gè)大力發(fā)展傳統(tǒng)文化產(chǎn)業(yè)的時(shí)代，我們更要發(fā)揚(yáng)這一具有中國獨(dú)特風(fēng)味的工筆花鳥畫。寫意性從起源、發(fā)展到后來文人畫的高峰，我們可以體會到寫意性在中國繪畫里面的影響和價(jià)值。寫意性因素在工筆花鳥畫的發(fā)展中具有不可估量的作用，如何更好的運(yùn)用寫意性是每個(gè)時(shí)代都應(yīng)思考的問題，我們應(yīng)該重視寫意性因素的運(yùn)用。 本文將從概念上梳理什么是寫意性，及寫意性是否存在于工筆花鳥畫當(dāng)中，分析寫意性因素在當(dāng)代工筆花鳥畫中是通過哪些方面如何表現(xiàn)的，最后對寫意性有利于當(dāng)代工筆花鳥畫的發(fā)展這一問題進(jìn)行思考。
[Abstract]:Art creation is a unified activity of subjectivity and objectivity. Chinese painting, known as visual art, pays more attention to the expression of subjective feelings and expresses feelings in the form of painting. This is what we call freehand brushwork.
As an important part of traditional Chinese painting, fine brush flower-and-bird painting was the most prosperous in Tang and Song Dynasties. After the emergence of literati painting in Song and Yuan Dynasties, its development was relatively slow, until the last century began to develop rapidly.
Meticulous flower-and-bird painting is the oldest existing painting art of the Chinese nation. It has a long history and is easy to be accepted, concerned and loved by the public. Many non-professionals begin to learn meticulous flower-and-bird painting in their spare time, which promotes the development of meticulous flower-and-bird painting in the contemporary era. Influenced by the name of the two categories of painting: freehand brushwork and meticulous brushwork, some people believe that only freehand brushwork can have freehand brushwork, while Meticulous Brushwork with relatively neat brushwork has no freehand brushwork. They simply see its objective representation on the surface, neglecting its spiritual level, resulting in some Meticulous Brushwork flower-and-bird paintings showing too much. Many, all-round, produce a sense of boredom, vulgarity of such a phenomenon, which is hindering the smooth development of meticulous flower and bird painting in contemporary undesirable factors.
Therefore, more and more meticulous flower-and-bird painters begin to think about how to make meticulous flower-and-bird paintings in this globalized world to achieve better development and achievements, while still able to stand firm after the impact of various forms of painting. Re-examine the fine brush flower and bird painting, a national culture that lasts for thousands of years, so as to inherit its essence, seek change in the process of evolution, and create an art that is both the Chinese nation and the world.
Chinese meticulous painting bears the freehand spirit of Chinese painting. Studying the freehand factors of meticulous flower-and-bird painting is not only conducive to the development of meticulous flower-and-bird painting, but also can better inherit and develop the freehand characteristics of meticulous flower-and-bird painting. The long tradition has left us valuable wealth, especially in this vigorous development of traditional cultural industry. In this era, we should carry forward this fine brush flower-and-bird painting with Chinese unique flavor. Freehand brushwork from the origin, development to the later peak of literati painting, we can experience the influence and value of freehand brushwork in Chinese painting. Freehand brushwork factors in the development of fine brush flower-and-bird painting has an inestimable role, how to better use of writing. Meaning is a problem that should be considered in every era. We should pay attention to the use of freehand elements.
This paper will sort out the concept of freehand brushwork, and whether freehand brushwork exists in fine brushwork flower-and-bird painting, analyze how freehand brushwork factors are expressed in contemporary fine brushwork flower-and-bird painting, and finally think about the problem that freehand brushwork is conducive to the development of contemporary fine brushwork flower-and-bird painting.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212
[Abstract]:Art creation is a unified activity of subjectivity and objectivity. Chinese painting, known as visual art, pays more attention to the expression of subjective feelings and expresses feelings in the form of painting. This is what we call freehand brushwork.
As an important part of traditional Chinese painting, fine brush flower-and-bird painting was the most prosperous in Tang and Song Dynasties. After the emergence of literati painting in Song and Yuan Dynasties, its development was relatively slow, until the last century began to develop rapidly.
Meticulous flower-and-bird painting is the oldest existing painting art of the Chinese nation. It has a long history and is easy to be accepted, concerned and loved by the public. Many non-professionals begin to learn meticulous flower-and-bird painting in their spare time, which promotes the development of meticulous flower-and-bird painting in the contemporary era. Influenced by the name of the two categories of painting: freehand brushwork and meticulous brushwork, some people believe that only freehand brushwork can have freehand brushwork, while Meticulous Brushwork with relatively neat brushwork has no freehand brushwork. They simply see its objective representation on the surface, neglecting its spiritual level, resulting in some Meticulous Brushwork flower-and-bird paintings showing too much. Many, all-round, produce a sense of boredom, vulgarity of such a phenomenon, which is hindering the smooth development of meticulous flower and bird painting in contemporary undesirable factors.
Therefore, more and more meticulous flower-and-bird painters begin to think about how to make meticulous flower-and-bird paintings in this globalized world to achieve better development and achievements, while still able to stand firm after the impact of various forms of painting. Re-examine the fine brush flower and bird painting, a national culture that lasts for thousands of years, so as to inherit its essence, seek change in the process of evolution, and create an art that is both the Chinese nation and the world.
Chinese meticulous painting bears the freehand spirit of Chinese painting. Studying the freehand factors of meticulous flower-and-bird painting is not only conducive to the development of meticulous flower-and-bird painting, but also can better inherit and develop the freehand characteristics of meticulous flower-and-bird painting. The long tradition has left us valuable wealth, especially in this vigorous development of traditional cultural industry. In this era, we should carry forward this fine brush flower-and-bird painting with Chinese unique flavor. Freehand brushwork from the origin, development to the later peak of literati painting, we can experience the influence and value of freehand brushwork in Chinese painting. Freehand brushwork factors in the development of fine brush flower-and-bird painting has an inestimable role, how to better use of writing. Meaning is a problem that should be considered in every era. We should pay attention to the use of freehand elements.
This paper will sort out the concept of freehand brushwork, and whether freehand brushwork exists in fine brushwork flower-and-bird painting, analyze how freehand brushwork factors are expressed in contemporary fine brushwork flower-and-bird painting, and finally think about the problem that freehand brushwork is conducive to the development of contemporary fine brushwork flower-and-bird painting.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212
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相關(guān)期刊論文 前10條
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9 徐s
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