【摘要】：《秋庭戲嬰圖》這幅作品呈現(xiàn)的主調(diào)是儒雅之美，它并非世俗的，而是一個(gè)具有較高修養(yǎng)和水平的畫家的作為。它以獨(dú)特的表現(xiàn)力度，顯示了極高的藝術(shù)成就與研究?jī)r(jià)值。本文在以往美術(shù)史對(duì)蘇漢臣《秋庭戲嬰圖》研究、美學(xué)對(duì)虛與實(shí)探究?jī)?nèi)容的基礎(chǔ)上，通過(guò)對(duì)這幅作品繪畫元素與繪畫語(yǔ)言的分析，研究其中虛與實(shí)的處理，，尤其是對(duì)畫作中虛的作為做研究。立足于中國(guó)傳統(tǒng)繪畫上，“實(shí)”主要是指畫面上可觀察出的元素，包括構(gòu)圖、造型、線等；“虛”主要是指畫面上具有可意會(huì)性的元素，一般存在于若有若無(wú)之間，或是涵蓄在作品呈現(xiàn)出的文化屬性中。虛和實(shí)相互存在于畫面的各個(gè)元素之中，不僅包括技術(shù)層面、意境層面，還能體現(xiàn)出文化涵養(yǎng)。研究目的是尋找這幅畫為何能夠作為宋代院體人物畫較高成就的代表作品之一，并揭示其獨(dú)特價(jià)值對(duì)當(dāng)今繪畫創(chuàng)作的啟示。 本文核心內(nèi)容共分為四個(gè)部分，分別為《秋庭戲嬰圖》的概述、虛與實(shí)在中國(guó)畫中的共性概念、《秋庭戲嬰圖》的繪畫元素中虛與實(shí)的具體研究、研究《秋庭戲嬰圖》中虛與實(shí)的實(shí)踐意義。首先，在分析畫面上從作品的歷史背景、畫面內(nèi)容、畫面深意來(lái)分析這幅畫的特點(diǎn)及形成原因。其次，從共性上給虛、實(shí)的概念下定義，并通過(guò)研究多幅同類繪畫作品中的繪畫語(yǔ)言，闡釋何謂繪畫中的虛與實(shí)。再次，針對(duì)《秋庭戲嬰圖》中的各個(gè)繪畫元素，從繪畫本體上去挖掘其表現(xiàn)水平和內(nèi)在魅力。在這一版塊結(jié)合其他作品比對(duì)分析并探尋它的獨(dú)特性和價(jià)值。最后，從文化屬性和技術(shù)結(jié)構(gòu)角度分別判定《秋庭戲嬰圖》中虛與實(shí)的表現(xiàn)價(jià)值，并揭示研究其價(jià)值對(duì)以后繪畫引起的效應(yīng)，以及對(duì)當(dāng)今繪畫創(chuàng)作實(shí)踐的啟示。
[Abstract]:The main tone of this work is the beauty of elegance, which is not worldly, but the work of a painter with higher cultivation and level. With its unique performance, it shows a high artistic achievement and research value. On the basis of the study of Su Hanchen's Qiu Ting Opera Baby Picture in the past art history, and the aesthetic research on the content of virtual and practical exploration, this paper, through the analysis of the painting elements and the painting language of this work, studies the treatment of the virtual and the real. In particular, the study of the painting in the empty act. Based on traditional Chinese painting, "reality" mainly refers to the elements that can be observed on the screen, including composition, modeling, line, etc. Or in the cultural properties of the works. Virtual and real exist in each element of the picture, including not only the technical level, the artistic conception level, but also the cultural conservation. The purpose of this study is to find out why this painting can be regarded as one of the representative works of the higher achievement of the style figure painting of the Song Dynasty, and to reveal its unique value to the inspiration of contemporary painting creation. The core content of this paper is divided into four parts: the outline of Qiu Ting Opera Baby Chart, the common concepts of virtual and real Chinese paintings, and the concrete research on the virtual and real elements in the painting elements of Qiu Ting Opera Baby Chart. Study on the practical significance of deficiency and reality in Qiuting Opera. First of all, from the historical background, the content of the picture, the deep meaning of the picture to analyze the characteristics of the painting and the reasons for its formation. Secondly, it defines the concept of hypocrisy and reality from the general point of view, and explains what is virtual and real in painting by studying the painting language of many similar paintings. Thirdly, in view of each painting element in Qiu Ting Opera Baby Chart, it excavates its performance level and inherent charm from painting itself. This section combines other works to analyze and explore its uniqueness and value. Finally, from the angle of cultural attribute and technical structure, the author determines the performance value of "Qiu Ting Opera Baby Chart", and reveals the effect of studying its value on the later painting, and the inspiration to the practice of painting creation nowadays.
【學(xué)位授予單位】：沈陽(yáng)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

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本文編號(hào)：2224347