【摘要】：同心結(jié)是用錦緞等編結(jié)成的一種裝飾品。在古代中國(guó),相愛的男女之間,有互贈(zèng)同心結(jié)的風(fēng)俗。這一風(fēng)俗在唐詩(shī)作品中被充分表現(xiàn),由此可知同心結(jié)的外形、佩帶方法及其豐富的文化內(nèi)涵。同心結(jié)因可以表達(dá)男女相愛之情而成為護(hù)符或吉祥符,在古代宮廷中成為廣受歡迎的一種文化現(xiàn)象。這一文化現(xiàn)象在當(dāng)時(shí)的宮廷美術(shù)中也成為常見的表現(xiàn)題材,包括金銀器、銅鏡、染織品等有不少作品以鴛鴦、喜鵲叼同心結(jié)為紋樣。含綬鳥紋是唐代美術(shù)中非常典型的紋樣,實(shí)際上就是在此文化土壤中孕育出來(lái)的。古代的美術(shù)的表現(xiàn)與文學(xué)的精神密切關(guān)聯(lián)。通過(guò)對(duì)二者的對(duì)照研究,古代世界豐富多姿的事物更鮮明地呈現(xiàn)在我們面前。
[Abstract]:A concentric knot is an ornament made of brocade, etc. In ancient China, men and women in love had the custom of giving one another a knot. This custom is fully manifested in Tang poetry works, so we can see the appearance, wearing method and rich cultural connotation of concentric knot. Concentric knot can express love between men and women and become amulet or auspicious symbol. It became a popular cultural phenomenon in ancient court. This cultural phenomenon also became a common theme in court art at that time, including gold and silver objects, bronze mirrors, dyed and woven products, and many works in which mandarin ducks and magpies United as patterns. It is a typical pattern in Tang Dynasty, in fact, it was bred in this cultural soil. The performance of ancient art is closely related to the spirit of literature. Through a comparative study of the two, the rich and varied things in the ancient world appear more vividly in front of us.
【作者單位】： 秋田公立美術(shù)大學(xué);東京大學(xué);
【分類號(hào)】：I207.22;J209.2

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