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康定斯基繪畫構(gòu)成的研究

發(fā)布時(shí)間:2018-08-27 18:39
【摘要】:本篇論文主要研究康定斯基抽象繪畫的構(gòu)成,并在抽象繪畫的發(fā)展歷程和創(chuàng)作形式上給予了詳細(xì)的介紹,深入的探討和研究了抽象繪畫創(chuàng)作的表現(xiàn)語言,打開了新藝術(shù)的創(chuàng)造思維。一件成功的作品在于其構(gòu)成形式的表現(xiàn)上,畫面中單一元素與整體的布局,各元素之間的分布排列的關(guān)系和位置是否得當(dāng),都是衡量一件作品好壞的重要因素。在形式構(gòu)成方面的理論應(yīng)用,在中國盡管有許多人研究,但仍需完善;而西方對抽象繪畫的的研究卻比較系統(tǒng)和深入,多方面的進(jìn)行探究油畫的表現(xiàn)語言和構(gòu)成形式,找到一種適合的創(chuàng)作方法。本文分為四個部分:第一章緒論簡要闡述康定斯基繪畫構(gòu)成,以及康定斯基出現(xiàn)繪畫構(gòu)成在中外研究現(xiàn)狀;第二章概括康定斯基繪畫構(gòu)成形成的歷史背景,各藝術(shù)流派和學(xué)說等與其藝術(shù)理論產(chǎn)生的關(guān)系;第三章從康定斯基理論的三個層面來深入研究康定斯基的繪畫構(gòu)成,即點(diǎn)線面的構(gòu)圖與康定斯基繪畫中隱含的深層含義;第四章主要從美學(xué)思想、音樂的通感理論和宗教觀念來理解康定斯基的抽象繪畫;最后總結(jié),結(jié)合當(dāng)今藝術(shù)創(chuàng)作發(fā)展的現(xiàn)狀對我國當(dāng)代抽象油畫創(chuàng)新的思考,主要體現(xiàn)在抽象表現(xiàn)油畫的構(gòu)成上。在西方人們對精神內(nèi)存的關(guān)注逐步得到重視,同時(shí)在中西方藝術(shù)文化的交流中相互借鑒,共同推動藝術(shù)的發(fā)展。在當(dāng)前的國際環(huán)境下,任何一門藝術(shù)都不能獨(dú)立發(fā)展,它們總是相互依存、相互借鑒。隨著社會與科技的不斷發(fā)展進(jìn)步,康定斯基的繪畫構(gòu)成理論是對傳統(tǒng)繪畫形式的一次大的創(chuàng)新與突破,藝術(shù)家應(yīng)該在傳統(tǒng)藝術(shù)的繼承上不斷發(fā)展新藝術(shù),取其精華,去其糟粕,不斷充實(shí)自己更新觀念,緊跟藝術(shù)思潮的變化。通過對康定斯基繪畫構(gòu)成的研究,使我們對其抽象繪畫有了更準(zhǔn)確的定位,而其內(nèi)容、形式結(jié)構(gòu),表現(xiàn)內(nèi)涵的創(chuàng)作手法對當(dāng)今油畫構(gòu)成來說有一個啟迪作用。由于本人學(xué)術(shù)水平有限,資料的查閱也有限,文中若有表述不當(dāng)之處,我將真誠的接受各位導(dǎo)師和專家的評定。
[Abstract]:This paper mainly studies the composition of Kandinsky abstract painting, and gives a detailed introduction to the development process and creation form of abstract painting, and deeply discusses and studies the expression language of abstract painting creation. Opened the creative thinking of the new art. A successful work lies in its form of expression. The layout of a single element and the whole in the picture, and whether the distribution and arrangement of each element is appropriate or not, are all important factors to judge the quality of a piece of work. Although there are many people in China to study the application of the theory of formal composition, it still needs to be perfected. However, the study of abstract painting in the West is more systematic and in-depth, exploring the expressive language and the form of composition of oil painting in a variety of ways. Find a suitable way to create. This article is divided into four parts: the first chapter is a brief introduction to the composition of Kandinsky painting, as well as the present situation of Kandinsky painting composition in China and abroad, the second chapter summarizes the historical background of the formation of Kandinsky painting composition. The third chapter studies the composition of Kandinsky's painting from three aspects, that is, the composition of point line and surface and the deep meaning of Kandinsky's painting. The fourth chapter mainly from the aesthetic thought, the music synaesthesia theory and the religious concept to understand Kandinsky's abstract painting, finally summarizes, unifies the present artistic creation development present situation to our country contemporary abstract oil painting innovation ponder, Mainly reflected in the abstract performance of the composition of the oil painting. In the West, people pay more and more attention to the mental memory, and learn from each other in the exchange of Chinese and western art and culture, so as to promote the development of art. In the current international environment, no art can develop independently, they always depend on each other and learn from each other. With the continuous development and progress of society and science and technology, Kandinsky's painting composition theory is a great innovation and breakthrough to the traditional painting form. Artists should develop new art continuously in the inheritance of traditional art, take its essence and discard its dross. Constantly enrich themselves to renew their ideas and keep up with the changes of the artistic trend of thought. Through the study of the composition of Kandinsky's painting, we have a more accurate positioning of his abstract painting, and its content, form structure, expression connotation of the creative methods of today's oil painting composition has an enlightening effect. Due to my limited academic level, limited access to information, if there are misrepresentation, I will sincerely accept the assessment of your instructors and experts.
【學(xué)位授予單位】:山西大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J205

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 陳輝;裝飾圖形中的點(diǎn)、線、面與黑白灰[J];裝飾;1997年03期

2 吳冠中;繪畫的形式美[J];美術(shù);1979年05期



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