在創(chuàng)作中對“現(xiàn)代繪畫”語言的探索
發(fā)布時間：2018-08-25 11:06
【摘要】：論文開題由西方現(xiàn)代繪畫逐漸引入到中國現(xiàn)代繪畫。主要結合了我的創(chuàng)作對現(xiàn)代繪畫進行的探索。具體舉例探索了在中國畫范圍內我創(chuàng)作的運用,包括了從選題內容及構圖到具體的技法探索與分析等幾個方面,其中著重論述了我創(chuàng)作中筆法、墨法和水法的具體探索運用。本文中對現(xiàn)代繪畫的理解與定義,是在文藝中吸取藝術靈感、素材與方法等,飽涵創(chuàng)新性質的藝術表現(xiàn)形式。現(xiàn)代繪畫是指強調單純化,追求畫面的裝飾性,擺脫了傳統(tǒng)繪畫的視覺規(guī)律和空間概念的繪畫發(fā)展方向[1]�，F(xiàn)代繪畫語言是相對于傳統(tǒng)古典繪畫語言的,兩者之間最本質的不同是相比之下傳統(tǒng)古典的繪畫語言在純粹性上的不足。傳統(tǒng)繪畫帶有更多的功利性,更注重表達某種寓意�，F(xiàn)代繪畫語言在繼承傳統(tǒng)的基礎上融入現(xiàn)代繪畫元素,更加注重主觀表現(xiàn),使畫者能夠更加輕易的擺脫規(guī)律性的束縛,能更加自由的去表現(xiàn)畫面。對現(xiàn)代繪畫有自己的理解,在自己的人物畫創(chuàng)作中去探索,擴大筆墨等新的表現(xiàn)方式的運用,將傳統(tǒng)的審美觀念與當下的生活、文化、社會相結合,在繪畫的發(fā)展中吸收與借鑒西方的藝術表現(xiàn)方式,形成獨特的審美精神,并在其引導下,逐步完善畫面的藝術風格�？v觀現(xiàn)代繪畫語言的發(fā)展史,我們會發(fā)現(xiàn)更需要畫者突出的是:在繼承傳統(tǒng)繪畫的前提下,推陳出新,融合其包容性與創(chuàng)新性向前發(fā)展。任何繪畫表現(xiàn)手法皆是可寄情遣興的藝術形式,在這樣的背景下,既不應束縛于已有的傳統(tǒng)模式,也不應模仿西方藝術的發(fā)展軌跡,而應該在時代精神的引導下,立足于中國傳統(tǒng)哲學思想,對中國傳統(tǒng)藝術精神進行深入探索,對西方藝術觀念和形式也要有選擇性的吸收與發(fā)展。在不斷創(chuàng)新的同時依然根系傳統(tǒng),從而使畫面更加豐富多姿。
[Abstract]:The title of the thesis was gradually introduced into modern Chinese painting by western modern painting. Mainly combined with my creation of modern painting exploration. This paper probes into the application of my creation in the scope of Chinese painting with concrete examples, including several aspects, such as the content and composition of the subject, the exploration and analysis of the specific techniques, and so on, among which the author emphatically discusses the specific exploration and application of the strokes, ink and water methods in my creation. The understanding and definition of modern painting in this paper is to absorb the artistic inspiration, material and method in literature and art, which is full of innovative artistic forms. Modern painting is the direction of painting that emphasizes simplicity, pursues the decoration of the picture and gets rid of the visual law and the concept of space of the traditional painting. Modern painting language is relative to the traditional classical painting language, the most essential difference between the two is compared with the traditional classical painting language in the purity of the deficiencies. Traditional painting has more utilitarian, more emphasis on expressing a certain moral. Modern painting language on the basis of inheriting the traditional integration of modern painting elements, pay more attention to subjective performance, so that painters can more easily get rid of the shackles of regularity, can more freely to show the picture. We have our own understanding of modern painting, explore in our own figure painting creation, expand the use of new ways of expression, such as pen and ink, and combine traditional aesthetic concepts with current life, culture and society. In the development of painting, we can absorb and draw lessons from the western artistic expression, form the unique aesthetic spirit, and gradually perfect the artistic style of the picture under its guidance. Looking at the history of modern painting language, we will find that the most important thing is that under the premise of inheriting the traditional painting, we can bring forth the new from the old and integrate its inclusiveness and innovation to develop forward. Any method of expression of painting is an artistic form which can be inspired by emotion. Under such a background, it should not be bound to the existing traditional mode, nor should it imitate the development track of western art, but should be guided by the spirit of the times. Based on the Chinese traditional philosophy, the spirit of Chinese traditional art should be deeply explored, and the western artistic concepts and forms should be absorbed and developed selectively. In constant innovation while still root tradition, thus making the picture more colorful.
【學位授予單位】：山東藝術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J204
本文編號：2202690
[Abstract]:The title of the thesis was gradually introduced into modern Chinese painting by western modern painting. Mainly combined with my creation of modern painting exploration. This paper probes into the application of my creation in the scope of Chinese painting with concrete examples, including several aspects, such as the content and composition of the subject, the exploration and analysis of the specific techniques, and so on, among which the author emphatically discusses the specific exploration and application of the strokes, ink and water methods in my creation. The understanding and definition of modern painting in this paper is to absorb the artistic inspiration, material and method in literature and art, which is full of innovative artistic forms. Modern painting is the direction of painting that emphasizes simplicity, pursues the decoration of the picture and gets rid of the visual law and the concept of space of the traditional painting. Modern painting language is relative to the traditional classical painting language, the most essential difference between the two is compared with the traditional classical painting language in the purity of the deficiencies. Traditional painting has more utilitarian, more emphasis on expressing a certain moral. Modern painting language on the basis of inheriting the traditional integration of modern painting elements, pay more attention to subjective performance, so that painters can more easily get rid of the shackles of regularity, can more freely to show the picture. We have our own understanding of modern painting, explore in our own figure painting creation, expand the use of new ways of expression, such as pen and ink, and combine traditional aesthetic concepts with current life, culture and society. In the development of painting, we can absorb and draw lessons from the western artistic expression, form the unique aesthetic spirit, and gradually perfect the artistic style of the picture under its guidance. Looking at the history of modern painting language, we will find that the most important thing is that under the premise of inheriting the traditional painting, we can bring forth the new from the old and integrate its inclusiveness and innovation to develop forward. Any method of expression of painting is an artistic form which can be inspired by emotion. Under such a background, it should not be bound to the existing traditional mode, nor should it imitate the development track of western art, but should be guided by the spirit of the times. Based on the Chinese traditional philosophy, the spirit of Chinese traditional art should be deeply explored, and the western artistic concepts and forms should be absorbed and developed selectively. In constant innovation while still root tradition, thus making the picture more colorful.
【學位授予單位】：山東藝術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J204
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，本文編號：2202690
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