【摘要】：我國(guó)北方少數(shù)民族世世代代都在廣闊美麗的大草原上生活繁衍,由于草原獨(dú)有的氣候特征和地理環(huán)境，他們一直過(guò)著游牧生活，其悠久的文化傳統(tǒng)在發(fā)展過(guò)程中創(chuàng)造出了具有獨(dú)特藝術(shù)特征的草原文化，對(duì)北方草原繪畫創(chuàng)作產(chǎn)生很大影響。草原題材繪畫以全新的生命張力和人性化深度，成為人物畫創(chuàng)作的重要題材，吸引了很多畫家，，也創(chuàng)作出了很多優(yōu)秀的作品。 三萬(wàn)多年前，內(nèi)蒙古大草原上就已經(jīng)出現(xiàn)了精美的巖畫，這些巖畫用簡(jiǎn)潔樸素的圖案勾勒出多彩多姿草原生活，可以說(shuō)是草原繪畫藝術(shù)的萌芽。二十世紀(jì)八十年代，提出了“北方草原畫派”的說(shuō)法，從此，草原繪畫藝術(shù)進(jìn)入了創(chuàng)作高潮。北方草原繪畫經(jīng)過(guò)了魏晉南北朝時(shí)期的慢慢發(fā)展，到了隋唐時(shí)期達(dá)到高峰。建國(guó)后，社會(huì)經(jīng)濟(jì)的快速發(fā)展為蒙古族題材繪畫創(chuàng)作帶來(lái)了極大的活力，也決定了美術(shù)創(chuàng)作需要向藝術(shù)深度與精神深度拓進(jìn)，涌現(xiàn)出很多優(yōu)秀的繪畫人才，創(chuàng)造了許多優(yōu)秀的美術(shù)作品，草原繪畫藝術(shù)不斷呈現(xiàn)出新的面貌。 畫家在草原題材繪畫創(chuàng)作過(guò)程中用畫筆描繪了北方少數(shù)民族的風(fēng)俗習(xí)慣和生活場(chǎng)景，從獨(dú)具特色的民族服飾、圖案入手，展現(xiàn)了少數(shù)民族的民族特點(diǎn)和文化風(fēng)貌，表達(dá)出畫家獨(dú)有的審美取向和民族情懷。但是在草原繪畫作品創(chuàng)作過(guò)程中，也存在很多問(wèn)題，比如，許多該題材繪畫作品過(guò)于概念化、片面化，以為只要對(duì)蒙古族人民的生活及服裝服飾進(jìn)行客觀精細(xì)的描繪，就能夠表現(xiàn)出其民族特征，而往往忽略了深層次的表達(dá)，失去了少數(shù)民族獨(dú)特的文化韻味，也失去了民族題材作品的靈魂。 本文首先探求草原游牧民族題材繪畫的發(fā)展歷史，然后分析草原題材繪畫的創(chuàng)作要素，最后通過(guò)本人創(chuàng)作實(shí)踐，對(duì)草原題材藝術(shù)作品的創(chuàng)作方法和過(guò)程進(jìn)行討論和思考。本文創(chuàng)新之處是在草原題材藝術(shù)創(chuàng)作中著重個(gè)人的情緒體驗(yàn)和對(duì)民族特征的獨(dú)特理解，通過(guò)對(duì)少數(shù)民族與草原關(guān)系的深刻理解以及對(duì)服裝、造型、裝飾和色彩的豐富運(yùn)用，展現(xiàn)出草原題材藝術(shù)作品的獨(dú)特魅力。
[Abstract]:The ethnic minorities in northern China have lived and multiplied on the vast and beautiful prairie for generations. Due to the unique climatic characteristics and geographical environment of the grasslands, they have been living a nomadic life. Its long cultural tradition has created the grassland culture with unique artistic characteristics in the process of development, which has a great influence on the painting creation of the northern grassland. Grassland painting with new life tension and humanized depth has become an important theme of figure painting, attracted many painters, but also created a lot of excellent works. More than 30,000 years ago, the Inner Mongolia prairie has appeared on the fine rock paintings, these rock paintings with simple and simple patterns to outline the colorful grassland life, can be said to be the germination of grassland painting art. In the 1980's, he put forward the saying "North grassland painting School". From then on, grassland painting art entered the creative climax. Northern grassland painting developed slowly in Wei, Jin and Southern and Northern dynasties, and reached its peak in Sui and Tang dynasties. After the founding of the people's Republic of China, the rapid development of social economy has brought great vitality to the painting creation of Mongolian theme, which also determines that the art creation needs to advance to the depth of art and the depth of spirit, and many excellent painting talents have emerged. Has created many outstanding fine arts works, the grassland painting art presents the new appearance unceasingly. In the course of the painting of grassland theme, the painter describes the customs, habits and life scenes of the northern ethnic minorities with a brush, starting with the unique national costumes and patterns, showing the ethnic characteristics and cultural features of the ethnic minorities. Express the unique aesthetic orientation and national feelings of the painter. However, in the process of creating grassland paintings, there are also many problems. For example, many paintings on this subject are too conceptualized and one-sided, thinking that as long as the life and clothing of the Mongolian people are described objectively and meticulously, They can show their national characteristics, but often ignore the deep expression, lose the unique cultural charm of ethnic minorities, and also lose the soul of the national theme works. This paper first explores the history of grassland nomadic theme painting, then analyzes the creative elements of grassland theme painting, and finally discusses and ponders the creative method and process of grassland theme art works through my own creative practice. The innovation of this paper is to emphasize the personal emotional experience and the unique understanding of the national characteristics in the artistic creation of the grassland, through the profound understanding of the relationship between the ethnic minorities and the grassland, as well as the rich use of clothing, modeling, decoration and color. Show the unique charm of grassland theme art works.
【學(xué)位授予單位】：沈陽(yáng)師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

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