宋代繪畫女性生活題材內(nèi)容探析
發(fā)布時(shí)間:2018-08-25 08:23
【摘要】:宋代是中國歷史上文化高度繁榮的時(shí)期之一,經(jīng)濟(jì)發(fā)展城鎮(zhèn)居民群體的擴(kuò)大,對繪畫出現(xiàn)了新的需求,題材更加風(fēng)俗化。畫家們對內(nèi)容題材的拓展與對表現(xiàn)手法的探索,使得宋代繪畫的數(shù)量和質(zhì)量非常高,是美術(shù)史上的高峰,有許多經(jīng)典傳世,其中就包括了女性生活題材內(nèi)容。 受到經(jīng)濟(jì)的繁榮和藝術(shù)氛圍的濃厚因素的影響,繪畫中的女性生活題材得到了發(fā)展,貼近普通女性日常生活,其題材內(nèi)容情景表現(xiàn)寬泛而細(xì)化,生動描繪了宋代女性的生活狀態(tài)及氣質(zhì)形象。本文試圖通過對現(xiàn)存圖像與文獻(xiàn)資料整理研究,闡述了宋代繪畫女性生活題材內(nèi)容與當(dāng)時(shí)女性生活的關(guān)聯(lián),宋代女性的生活是宋代繪畫女性生活題材內(nèi)容的來源,宋代繪畫女性生活題材內(nèi)容是宋代女性生活的圖像表現(xiàn)。 本文內(nèi)容包括以下三部分:第一部分是對宋代繪畫女性生活題材內(nèi)容取向及影響因素的分析,第二部分是女性社會生活題材內(nèi)容分析,第三部分是女性家庭生活題材內(nèi)容分析。
[Abstract]:The Song Dynasty was one of the periods of high cultural prosperity in the history of China. With the expansion of the economic development of urban residents, there appeared a new demand for painting, and the subject matter became more custom. The painters' expansion of the content and the exploration of the means of expression make the quantity and quality of the paintings of the Song Dynasty very high, which is the peak in the history of fine arts. There are many classics handed down, including the contents of women's life. Influenced by the prosperity of economy and the strong factors of artistic atmosphere, the subject matter of female life in painting has been developed, close to the daily life of ordinary women, and the content of the subject matter is broad and detailed. It vividly describes the living state and temperament of women in the Song Dynasty. Based on the analysis of the existing images and literature, this paper expounds the relationship between the life theme of female painting in Song Dynasty and the life of women at that time. The life of female in Song Dynasty is the source of the subject matter of life of female painting in Song Dynasty. The content of painting female life in Song Dynasty is the image expression of female life in Song Dynasty. The content of this paper includes the following three parts: the first part is the analysis of the Song Dynasty painting female life theme content orientation and the influence factor, the second part is the female social life theme content analysis, the third part is the female family life theme content analysis.
【學(xué)位授予單位】:首都師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J211.24
本文編號:2202316
[Abstract]:The Song Dynasty was one of the periods of high cultural prosperity in the history of China. With the expansion of the economic development of urban residents, there appeared a new demand for painting, and the subject matter became more custom. The painters' expansion of the content and the exploration of the means of expression make the quantity and quality of the paintings of the Song Dynasty very high, which is the peak in the history of fine arts. There are many classics handed down, including the contents of women's life. Influenced by the prosperity of economy and the strong factors of artistic atmosphere, the subject matter of female life in painting has been developed, close to the daily life of ordinary women, and the content of the subject matter is broad and detailed. It vividly describes the living state and temperament of women in the Song Dynasty. Based on the analysis of the existing images and literature, this paper expounds the relationship between the life theme of female painting in Song Dynasty and the life of women at that time. The life of female in Song Dynasty is the source of the subject matter of life of female painting in Song Dynasty. The content of painting female life in Song Dynasty is the image expression of female life in Song Dynasty. The content of this paper includes the following three parts: the first part is the analysis of the Song Dynasty painting female life theme content orientation and the influence factor, the second part is the female social life theme content analysis, the third part is the female family life theme content analysis.
【學(xué)位授予單位】:首都師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J211.24
【參考文獻(xiàn)】
相關(guān)期刊論文 前9條
1 魏娜娜;;宋代女性婚姻家庭生活狀況探悉[J];法制與社會;2008年30期
2 王墨;黃君萍;;淺論宋代婦女的社會地位[J];廣東民族學(xué)院學(xué)報(bào)(社會科學(xué)版);1988年01期
3 秦艷;;從墓志看宋代女性的佛教信仰[J];晉陽學(xué)刊;2009年06期
4 周東海;宋代閨閣繡興盛探究[J];開封大學(xué)學(xué)報(bào);2003年03期
5 李n\;宋代女畫家及其創(chuàng)作群[J];美術(shù)研究;2005年03期
6 邱才楨;;宋代繪畫中的女性形象與觀念——以《晉文公復(fù)國圖》中“懷贏”形象為例[J];美術(shù)研究;2010年03期
7 宋東俠;淺議宋代婦女在社會生產(chǎn)中的作用[J];青海社會科學(xué);2000年06期
8 黃鑫;;論宋代雜劇對宋詞傳播所起的推動作用[J];渤海大學(xué)學(xué)報(bào)(哲學(xué)社會科學(xué)版);2011年03期
9 王宗英;;宋代仕女畫風(fēng)與宋代社會風(fēng)氣[J];藝術(shù)百家;2009年S1期
,本文編號:2202316
本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/2202316.html