【摘要】：筆觸是油畫藝術(shù)中重要的語言形式，是藝術(shù)家抒情寫實的重要手段。筆觸的發(fā)展史經(jīng)歷了時間和空間的歷練，形成了豐富的多樣的表現(xiàn)形式。 通過對筆觸這一油畫藝術(shù)語言的研究和分析，我們可以清晰地看到，筆觸是展現(xiàn)藝術(shù)家個性化藝術(shù)修養(yǎng)的窗口，是色彩語言化的視覺見證，是生命情感傳遞的載體，，是材質(zhì)表現(xiàn)力的媒介；我們通過感悟筆觸的風(fēng)格之美，力度之美，精神之美以及肌理之美來理解它的生命盎然以及傳承和創(chuàng)新的意義。 不同的筆觸孕育著不同的風(fēng)格；不同的個性選擇了不同的運筆技巧，這都是人們在長期審美和創(chuàng)作活動中總結(jié)的結(jié)果。因萬千筆觸，而成迥異風(fēng)格，筆觸鑄就了多樣式的油畫藝術(shù)風(fēng)格。 創(chuàng)作繪畫作品的成功所在是因為藝術(shù)語言的凸顯，繪畫語言因其特質(zhì)性從而形成了大千世界不同的藝術(shù)流派不同的創(chuàng)作風(fēng)格。隨著時代的突飛猛進，藝術(shù)的創(chuàng)作也進入了新的時期，筆觸承載著時代精神，其萬千張揚卻又厚積薄發(fā)，通過對中國油畫藝術(shù)歷史進程的回顧和展望，我們分析多元化環(huán)境下筆觸發(fā)展的趨勢，筆觸的審美視角繼而拓展和提升。 我們在繪畫創(chuàng)作中表達自己內(nèi)心最為真實的信息，是創(chuàng)作最為樸實也是最難為之事。表面上亮麗的色彩所反映的真實是一種個體性的真實，更趨近于創(chuàng)作的主觀世界，而靈動的筆觸卻訴說著這個主觀世界里簡單而質(zhì)樸的情緒，消磨筆觸的痕跡，去筆觸之形，內(nèi)隱其中。 上述，均為本文所探討和關(guān)注的問題，同時結(jié)合在自身創(chuàng)作中對繪畫性筆觸的表現(xiàn)和理解，分析筆觸的藝術(shù)價值，分享藝術(shù)創(chuàng)作之體驗。
[Abstract]:Brush stroke is an important language form in oil painting art and an important means for artists to express their feelings and realism. The development history of brush strokes has experienced the experience of time and space, forming rich and diverse forms of expression. Through the research and analysis of the painting art language, we can clearly see that the brush stroke is the window to show the artist's individualized artistic accomplishment, the visual witness of color language, and the carrier of life emotion transmission. We understand the beauty of style, strength, spirit and texture of its life and the significance of its inheritance and innovation through understanding the beauty of style, strength, spirit and texture. Different strokes give birth to different styles and different personalities choose different skills of carrying pen, which is the result of people's long-term aesthetic and creative activities. Because of thousands of strokes, and into a completely different style, strokes cast a variety of oil painting style. The success of the creation of painting works is due to the prominence of the artistic language, and the painting language, because of its particularity, has formed different creative styles of different art schools in the world. With the rapid development of the times, the creation of art has entered a new period. The brushwork bears the spirit of the times. We analyze the development trend of brush strokes in diversified environment, and then expand and upgrade the aesthetic perspective of strokes. We express the truest message in painting, which is the most simple and difficult to create. The reality reflected by the bright colors on the surface is a kind of individual reality, which is closer to the subjective world of creation, while the vivid strokes tell the simple and simple emotions in this subjective world, wear away the traces of the strokes, and go to the shape of the strokes. Implicit in it. All of the above are the problems discussed and paid attention to in this paper. At the same time, we can analyze the artistic value of the brushwork and share the experience of the artistic creation by combining the expression and understanding of the painting brushwork in our own creation.
【學(xué)位授予單位】：沈陽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

【參考文獻】

相關(guān)期刊論文 前1條

1 吳永強;;繪畫中的筆觸與材質(zhì)[J];文藝研究;2007年08期

本文編號：2166618