【摘要】：莫奈油畫中筆觸所呈現(xiàn)出的不同樣式與面貌及他在捕捉視覺對色彩瞬間感受的同時不經(jīng)意間保留的偶然性,其繪畫技法的應(yīng)用,對于藝術(shù)實踐者創(chuàng)造出個性化的筆觸符號或特殊筆觸語言具有啟示性意義。本論文將莫奈的繪畫分為三個發(fā)展階段,對其獨特筆觸的形成,演變,特征,創(chuàng)新之處及其局限性等各方面進行深入探討,試圖通過對莫奈幾幅代表性作品的詳細解讀及對比分析,闡釋筆觸在表達其個人精神世界與內(nèi)心情感上的重要作用,本人希望這一研究能對當(dāng)下我國油畫界的創(chuàng)作有所裨益。
[Abstract]:The different styles and features of the brush strokes in Monet's oil painting, the chance that he unwittingly retained while capturing the instant feeling of color from his vision, and the application of his painting techniques, It has enlightening significance for artistic practitioners to create personalized stroke symbols or special stroke language. This paper divides Monet's painting into three stages of development, and probes into the formation, evolution, characteristics, innovations and limitations of his unique strokes. Through the detailed interpretation and comparative analysis of several representative works of Monet, this paper attempts to explain the important role of brush strokes in expressing his personal spiritual world and inner emotion. I hope this study will benefit the creation of oil painting circles in China.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

【參考文獻】

相關(guān)期刊論文 前3條

1 蘇曉虎;;油畫中筆觸的視覺特征[J];劍南文學(xué)(經(jīng)典教苑);2012年04期

2 牟p苊，

本文編號：2165183