【摘要】：一直以來,我的創(chuàng)作思維相對(duì)常態(tài),難以突破慣性思維的框架,因此,我試圖以“陌生化”理論,對(duì)我的藝術(shù)創(chuàng)作進(jìn)行指導(dǎo),這種做法的目的性就在于,對(duì)過往相對(duì)熟悉,常會(huì)產(chǎn)生漠然麻木的事物,產(chǎn)生新的可創(chuàng)造性發(fā)現(xiàn),讓其變得不同尋常。創(chuàng)作出具有陌生化效果的藝術(shù)作品。俄國(guó)形式主義特有的觀念,便是陌生化理論,什克洛夫斯基是俄國(guó)著名的文藝?yán)碚摷?他曾指出有關(guān)于“陌生化”的本質(zhì)特征,即對(duì)迂腐與陳舊的既定概念的事物的持續(xù)不斷的發(fā)現(xiàn)與創(chuàng)新。讓慣性的框架被解脫出來。無論是八大“白眼瞪青天”的奇特化藝術(shù)顯現(xiàn),亦或是杜尚,將平常之物小便池,搬到了美術(shù)館,還是現(xiàn)如今例如武藝,徐冰等藝術(shù)家,將中國(guó)傳統(tǒng)二十四孝歷史故事,或《芥子園畫譜》作為藝術(shù)題材的選取介入,都是對(duì)某些藝術(shù)題材的在現(xiàn)今語境下的陌生化的發(fā)現(xiàn)與利用,這種由于慣性而被忽視的經(jīng)驗(yàn),被藝術(shù)家察覺,通過藝術(shù)手段整理后,在受眾群體可以客觀感知的前提下,呈現(xiàn)那些由于慣性所導(dǎo)致的,被人們忽略的現(xiàn)實(shí),通過題材的陌生化選取,與受眾達(dá)成某種認(rèn)知上的交集,從而實(shí)現(xiàn)作品觀念的有效傳達(dá)。在某種程度上來講,藝術(shù)已經(jīng)衍釀成了一種關(guān)于選取藝術(shù)題材的哲思。藝術(shù)家利用陌生化手段發(fā)現(xiàn)藝術(shù),獲取題材,無論何種關(guān)系,何種方式或媒介,陌生化是動(dòng)態(tài)的,是離不開所處時(shí)代背景與生活系統(tǒng)的顯現(xiàn)。從這種程度上來說,所謂藝術(shù)中的陌生化,便是用新的眼光與方式,對(duì)過往忽略的,沒有新奇感的表象進(jìn)行察看,讓人們不再承受框架的制約。從見怪不怪的平常行動(dòng)中得以解脫,并獲取新的獨(dú)特化感受。這已經(jīng)成為了一種新的哲思。從麻痹的狀態(tài)中得以醒悟,具有陌生化藝術(shù)效果的感受也就此產(chǎn)生。
[Abstract]:All along, my creative thinking has been relatively normal and it is difficult to break through the framework of habitual thinking. Therefore, I try to guide my artistic creation with the theory of "strangeness". The purpose of this approach is to be relatively familiar with the past. Things that are often indifferent and numb, new and creative discoveries that make them unusual. Create works of art with a defamiliarization effect. The unique concept of Russian formalism is the theory of defamiliarization. Shklovsky is a famous Russian literary and art theorist. He once pointed out that there are essential characteristics of "defamiliarization". That is, the constant discovery and innovation of things that are pedantic and obsolete. Free the frame of inertia. Whether it is the bizarre artistic manifestation of the eight "white eyes staring at the sky," or Duchamp, who has moved ordinary objects and urinals to art galleries, or artists such as martial arts, Xu Bing, and so on, today, they have brought the historical story of 24 filial piety in Chinese tradition. Or "Mustard Garden Pictures" as the choice of art theme intervention, are some of the artistic themes in the current context of the strangeness of the discovery and use, because of inertia and ignored experience, the artist is aware, Through artistic means, under the premise that the audience can perceive objectively, the reality that is neglected by people due to inertia is presented. Through the strangeness selection of the subject matter, we can reach a certain cognitive intersection with the audience. In order to achieve the effective transmission of the concept of works. To a certain extent, art has evolved into a philosophy of selecting artistic themes. Artists use defamiliarization means to discover art, obtain subject matter, no matter what relationship, what way or media, strangeness is dynamic, is inseparable from the background of the era and life system. To this extent, the so-called defamiliarization in art, is to use new eyes and ways to ignore the past, no novelty of the surface, so that people are no longer subject to the constraints of the framework. Extricate from routine actions and gain new and unique feelings. This has become a new philosophy. From the state of paralysis to wake up, with the effect of the feeling of strangeness also emerged.
【學(xué)位授予單位】：魯迅美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J204

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