中國當(dāng)代水彩畫的發(fā)展困境與路徑選擇
發(fā)布時(shí)間：2018-08-03 15:59
【摘要】：當(dāng)代水彩畫藝術(shù)擁有豐富的表現(xiàn)形式。當(dāng)代中國水彩畫藝術(shù)是中國的傳統(tǒng)文化與外來文化結(jié)合后碰撞出新的精神火花，在中國發(fā)展一百年多年以后，水彩畫藝術(shù)已經(jīng)是中華文化語境下繪畫藝術(shù)的重要一員，是中國文化傳承的重要基因。當(dāng)下是中國水彩畫藝術(shù)機(jī)遇與挑戰(zhàn)并存的階段，水彩畫在中國有著良好的發(fā)展歷史和深厚的審美文化根基，上世紀(jì)八零年代之后中國水彩畫藝術(shù)在變革中崛起，從繪畫技法到創(chuàng)作思想再到作品的內(nèi)在藝術(shù)品質(zhì)都達(dá)到了一個(gè)新的高度。水彩畫藝術(shù)在中國普及度高，參與人員多，擁有諸多的實(shí)用價(jià)值。但是水彩畫藝術(shù)是一個(gè)發(fā)展不充分的畫種形式，自身藝術(shù)體系不健全，它在滿足當(dāng)代社會(huì)公共精神生活上不自覺，創(chuàng)作團(tuán)隊(duì)藝術(shù)素養(yǎng)參差不齊，學(xué)術(shù)水平不高，很多從事水彩畫創(chuàng)作的人濫用水性技法、依賴現(xiàn)成照片，導(dǎo)致水彩作品畫面僵硬呆板，缺少感人的情感，水彩畫藝術(shù)處在中國當(dāng)代藝術(shù)的邊緣地帶沒有話語權(quán)�，F(xiàn)實(shí)困境阻礙著水彩畫藝術(shù)的發(fā)展，我們只能從現(xiàn)實(shí)中尋求解決問題的方法，研究當(dāng)代中國水彩畫藝術(shù)，藝術(shù)品市場是我們的切入點(diǎn)，，中國藝術(shù)市場的發(fā)展，表明人們能夠比較正確的認(rèn)識(shí)藝術(shù)市場了，對(duì)藝術(shù)市場開始有了客觀公正的評(píng)價(jià)，可是水彩畫市場卻是比較冷清，畫作賣不上高價(jià)，同時(shí)水彩畫收藏還具有挑戰(zhàn)性。水彩畫藝術(shù)市場比較年輕問題比較多。本文首先從中國水彩畫的發(fā)展歷史入手，證實(shí)水彩畫藝術(shù)具有深刻的歷史文化價(jià)值和藝術(shù)價(jià)值；其次把水性材料作為研究對(duì)象探求當(dāng)代中國水彩畫藝術(shù)的發(fā)展方向；再次從中國水彩畫市場著手探究中國水彩畫藝術(shù)自身的缺陷從而找出促進(jìn)發(fā)展的內(nèi)在動(dòng)力。文章結(jié)尾處運(yùn)用比較分析的方法分析困境，探索總結(jié)中國水彩畫藝術(shù)發(fā)展的方向。
[Abstract]:Contemporary watercolor art has rich forms of expression. Contemporary Chinese watercolor art is a new spiritual spark after the combination of Chinese traditional culture and foreign culture. After more than 100 years of development in China, watercolor painting art has become an important member of painting art in the context of Chinese culture. It is an important gene of Chinese culture. The present is a stage in which Chinese watercolor art has both opportunities and challenges. Watercolor painting has a good history of development and profound aesthetic cultural foundation in China. After the 1980s, the art of Chinese watercolor painting rose in the process of transformation. From painting techniques to creative ideas to the internal artistic quality of works have reached a new height. Watercolor art in China has high popularity, many participants, has a lot of practical value. However, watercolor art is an underdeveloped form of painting, its own art system is not perfect, it is not conscious in meeting the public spiritual life of contemporary society, the artistic literacy of creative team is not uniform, and the academic level is not high. Many people engaged in watercolor painting abuse watercolor techniques, rely on ready-made photographs, resulting in watercolor works rigid, lack of emotional feelings, watercolor art in the edge of Chinese contemporary art has no right to speak. The difficult situation of reality hinders the development of watercolor art. We can only find a way to solve the problem from reality and study contemporary Chinese watercolor art. The art market is our starting point and the development of Chinese art market. It shows that people can understand the art market more correctly, and begin to have an objective and fair evaluation of the art market, but the watercolor market is relatively desolate, the paintings cannot be sold at a high price, and the collection of watercolor paintings is also challenging. Watercolor art market is relatively young more problems. This paper starts with the development history of Chinese watercolor painting, proves that watercolor painting art has profound historical and cultural value and artistic value, and then takes water-based materials as the research object to explore the development direction of contemporary Chinese watercolor painting art. Thirdly, it explores the defects of Chinese watercolor art from the Chinese watercolor market to find out the internal motive force to promote the development of Chinese watercolor art. At the end of the article, we use the method of comparative analysis to analyze the predicament and explore the direction of the development of Chinese watercolor art.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J215
本文編號(hào)：2162243
[Abstract]:Contemporary watercolor art has rich forms of expression. Contemporary Chinese watercolor art is a new spiritual spark after the combination of Chinese traditional culture and foreign culture. After more than 100 years of development in China, watercolor painting art has become an important member of painting art in the context of Chinese culture. It is an important gene of Chinese culture. The present is a stage in which Chinese watercolor art has both opportunities and challenges. Watercolor painting has a good history of development and profound aesthetic cultural foundation in China. After the 1980s, the art of Chinese watercolor painting rose in the process of transformation. From painting techniques to creative ideas to the internal artistic quality of works have reached a new height. Watercolor art in China has high popularity, many participants, has a lot of practical value. However, watercolor art is an underdeveloped form of painting, its own art system is not perfect, it is not conscious in meeting the public spiritual life of contemporary society, the artistic literacy of creative team is not uniform, and the academic level is not high. Many people engaged in watercolor painting abuse watercolor techniques, rely on ready-made photographs, resulting in watercolor works rigid, lack of emotional feelings, watercolor art in the edge of Chinese contemporary art has no right to speak. The difficult situation of reality hinders the development of watercolor art. We can only find a way to solve the problem from reality and study contemporary Chinese watercolor art. The art market is our starting point and the development of Chinese art market. It shows that people can understand the art market more correctly, and begin to have an objective and fair evaluation of the art market, but the watercolor market is relatively desolate, the paintings cannot be sold at a high price, and the collection of watercolor paintings is also challenging. Watercolor art market is relatively young more problems. This paper starts with the development history of Chinese watercolor painting, proves that watercolor painting art has profound historical and cultural value and artistic value, and then takes water-based materials as the research object to explore the development direction of contemporary Chinese watercolor painting art. Thirdly, it explores the defects of Chinese watercolor art from the Chinese watercolor market to find out the internal motive force to promote the development of Chinese watercolor art. At the end of the article, we use the method of comparative analysis to analyze the predicament and explore the direction of the development of Chinese watercolor art.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J215
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