當代新工筆花鳥畫的當代性表現(xiàn)研究
發(fā)布時間：2018-08-03 09:33
【摘要】：傳統(tǒng)工筆花鳥畫從古流傳至今已經(jīng)發(fā)展了兩千多年,成為中國傳統(tǒng)繪畫藝術(shù)中的重要一支,是中華民族文化的瑰寶。傳統(tǒng)的工筆花鳥畫經(jīng)過漫長歲月的洗禮,向我們展現(xiàn)了傳統(tǒng)工筆花鳥畫所經(jīng)歷過的時代變遷與改革,華麗與樸實、輝煌與低潮、繁盛與頹敗等等都可謂是傳統(tǒng)工筆花鳥畫在繪畫藝術(shù)改革的歷史長河中所展現(xiàn)過的樣貌。然而,在現(xiàn)今科技發(fā)達、崇尚潮流、迅速發(fā)展的當今時代里,當代新工筆花鳥畫卻一直是人們所關(guān)注和爭議的焦點,面對繼承傳統(tǒng)還是改革創(chuàng)新這一新時期的繪畫要求,畫家也處于不知所措的艱難窘境中,也因為時代的不斷發(fā)展,人們對文化的新需求也使傳統(tǒng)工筆花鳥畫被迫面臨著轉(zhuǎn)型的危機。因此,繼承傳統(tǒng)與發(fā)展創(chuàng)新成為了當代畫家們討論的焦點,也使得工筆花鳥畫再次在創(chuàng)新中走入世人的眼中,有了新的生命。當今時代的背景下,思想的解放與多元化文化的融合使得人們的審美觀念也越來越復(fù)雜化,不再拘泥于過去傳統(tǒng)繪畫所表現(xiàn)出的特定形式,這種思想的轉(zhuǎn)變沖破了傳統(tǒng)工筆花鳥畫的局限性,開闊了畫家的視野,也為當代工筆花鳥畫開辟了一條新道路。而當代新工筆花鳥畫發(fā)展的前景也成為學(xué)者所要研究的主題,具有時代意義。本文主要研究近二十年的工筆花鳥畫家以及各自的代表作品入手,依次介紹畫家在新時代特征的影響下,其繪畫創(chuàng)作觀念、繪畫語言和繪畫技法上等方面對當代特征的理解與表現(xiàn),在繼承傳統(tǒng)繪畫優(yōu)點的同時又吸收符合當今時代特征的外來文化元素,賦予了工筆花鳥畫的“新”與當代性的特點,同時也是推動工筆花鳥畫發(fā)展的精神動力。當代新工筆花鳥畫的發(fā)展離不開傳統(tǒng)工筆花鳥畫,宋代工筆花鳥畫的發(fā)展達到了鼎盛時期,其作品中所表現(xiàn)的技法與內(nèi)涵都可謂是繪畫藝術(shù)中的精髓,此時的工筆花鳥畫力求形似、生動逼真且精細華麗,注重寫生,展現(xiàn)出宮廷貴族繪畫的特點,對當代新工筆花鳥畫的發(fā)展起著至關(guān)重要的作用。同時外來文化的沖擊也使得新工筆花鳥畫的形式語言也更加廣泛,包容性也越來越強,對新工筆花鳥畫多樣化表現(xiàn)也提供了有利條件,為其帶來了新的觀念與理解。本文還將二者與新工筆花鳥畫做一個全面的對比分析,從中探索出新工筆花鳥畫自身的當代特征,并闡述當代新工筆花鳥畫的可開拓性,在本文的最后,我會結(jié)合自己在學(xué)習(xí)工筆花鳥畫中所體會到的經(jīng)歷和在創(chuàng)作過程中的產(chǎn)生的情感體驗,提出一些自己對當代工筆花鳥畫發(fā)展的觀點,也希望能為該領(lǐng)域的學(xué)術(shù)研究及未來發(fā)展略盡綿薄之力。
[Abstract]:Traditional fine brushwork flower-and-bird painting has been developed for more than two thousand years since ancient times. It has become an important part of Chinese traditional painting art and a treasure of Chinese culture. After a long years of baptism, the traditional meticulous brushwork flower-and-bird painting shows us the changes and reforms of the times experienced by the traditional meticulous flower-and-bird paintings, which are gorgeous and simple, brilliant and low. Prosperity and decay can be said to be the traditional fine brushwork flower-and-bird painting in the history of painting art reform has shown the appearance. However, in today's era of advanced science and technology, advocating the trend and developing rapidly, the contemporary fine brushwork flower-and-bird painting has always been the focus of attention and controversy, facing the requirements of painting in the new period of inheriting tradition or reforming and innovating. Painters are also in a difficult predicament, but also because of the continuous development of the times, the new demand for culture has forced the traditional fine brushwork flower-and-bird painting to face the crisis of transformation. Therefore, inheriting tradition and developing innovation has become the focus of contemporary painters' discussion, and it also makes fine brushwork flower-and-bird painting come into the eyes of the world again and have a new life. Under the background of the present era, the combination of ideological emancipation and pluralistic culture makes people's aesthetic concept more and more complicated and no longer stuck to the specific forms of traditional painting in the past. This kind of change of thought breaks through the limitation of the traditional fine brushwork flower-and-bird painting, broadens the painter's field of vision, and opens a new way for the contemporary meticulous flower-and-bird painting. And the prospect of the development of contemporary fine brushwork flower-and-bird painting has become the subject of study by scholars and has the significance of the times. This paper mainly studies the painters of meticulous brushwork and birds and their representative works in the past two decades, and then introduces the painters' concept of painting creation under the influence of the characteristics of the new era. The understanding and expression of contemporary characteristics in painting language and painting techniques, while inheriting the advantages of traditional painting, and absorbing foreign cultural elements in line with the characteristics of today's times, have given the "new" and contemporary characteristics of meticulous brushwork and bird painting. At the same time, it is also the spiritual power to promote the development of fine brushwork flower-and-bird painting. The development of modern fine brushwork flower-and-bird painting can not be separated from the traditional meticulous brushwork, the development of the Song Dynasty's fine brushwork has reached its peak, and the techniques and connotations in its works can be described as the quintessence of painting art. At this time the fine brushwork flower-and-bird painting strive to be similar, vivid and fine and gorgeous, pay attention to sketching, show the characteristics of court aristocratic painting, play a vital role in the development of contemporary fine brushwork flower-and-bird painting. At the same time, the impact of foreign culture also makes the formal language of the new fine brushwork flower-and-bird painting more and more extensive and inclusive. It also provides favorable conditions for the diversified performance of the new fine brushwork flower-and-bird painting, and brings new ideas and understanding to it. This article also makes a comprehensive comparative analysis between the two and the new fine brushwork flower-and-bird painting, from which to explore the contemporary characteristics of the new fine brushwork flower-and-bird painting itself, and expound the pioneering nature of the contemporary fine brushwork flower-and-bird painting. At the end of this paper, I will combine my experience in the study of fine brushwork flower-and-bird painting and my emotional experience in the process of creation, and put forward some of my views on the development of contemporary flower-and-bird painting. I also hope to contribute a little bit to the academic research and future development in this field.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212
本文編號：2161330
[Abstract]:Traditional fine brushwork flower-and-bird painting has been developed for more than two thousand years since ancient times. It has become an important part of Chinese traditional painting art and a treasure of Chinese culture. After a long years of baptism, the traditional meticulous brushwork flower-and-bird painting shows us the changes and reforms of the times experienced by the traditional meticulous flower-and-bird paintings, which are gorgeous and simple, brilliant and low. Prosperity and decay can be said to be the traditional fine brushwork flower-and-bird painting in the history of painting art reform has shown the appearance. However, in today's era of advanced science and technology, advocating the trend and developing rapidly, the contemporary fine brushwork flower-and-bird painting has always been the focus of attention and controversy, facing the requirements of painting in the new period of inheriting tradition or reforming and innovating. Painters are also in a difficult predicament, but also because of the continuous development of the times, the new demand for culture has forced the traditional fine brushwork flower-and-bird painting to face the crisis of transformation. Therefore, inheriting tradition and developing innovation has become the focus of contemporary painters' discussion, and it also makes fine brushwork flower-and-bird painting come into the eyes of the world again and have a new life. Under the background of the present era, the combination of ideological emancipation and pluralistic culture makes people's aesthetic concept more and more complicated and no longer stuck to the specific forms of traditional painting in the past. This kind of change of thought breaks through the limitation of the traditional fine brushwork flower-and-bird painting, broadens the painter's field of vision, and opens a new way for the contemporary meticulous flower-and-bird painting. And the prospect of the development of contemporary fine brushwork flower-and-bird painting has become the subject of study by scholars and has the significance of the times. This paper mainly studies the painters of meticulous brushwork and birds and their representative works in the past two decades, and then introduces the painters' concept of painting creation under the influence of the characteristics of the new era. The understanding and expression of contemporary characteristics in painting language and painting techniques, while inheriting the advantages of traditional painting, and absorbing foreign cultural elements in line with the characteristics of today's times, have given the "new" and contemporary characteristics of meticulous brushwork and bird painting. At the same time, it is also the spiritual power to promote the development of fine brushwork flower-and-bird painting. The development of modern fine brushwork flower-and-bird painting can not be separated from the traditional meticulous brushwork, the development of the Song Dynasty's fine brushwork has reached its peak, and the techniques and connotations in its works can be described as the quintessence of painting art. At this time the fine brushwork flower-and-bird painting strive to be similar, vivid and fine and gorgeous, pay attention to sketching, show the characteristics of court aristocratic painting, play a vital role in the development of contemporary fine brushwork flower-and-bird painting. At the same time, the impact of foreign culture also makes the formal language of the new fine brushwork flower-and-bird painting more and more extensive and inclusive. It also provides favorable conditions for the diversified performance of the new fine brushwork flower-and-bird painting, and brings new ideas and understanding to it. This article also makes a comprehensive comparative analysis between the two and the new fine brushwork flower-and-bird painting, from which to explore the contemporary characteristics of the new fine brushwork flower-and-bird painting itself, and expound the pioneering nature of the contemporary fine brushwork flower-and-bird painting. At the end of this paper, I will combine my experience in the study of fine brushwork flower-and-bird painting and my emotional experience in the process of creation, and put forward some of my views on the development of contemporary flower-and-bird painting. I also hope to contribute a little bit to the academic research and future development in this field.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212
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