聊城張秋木版年畫研究
發(fā)布時間：2018-08-02 12:27
【摘要】：聊城張秋木版年畫特點鮮明、色彩獨到、刻工認(rèn)真、種類繁多、自成發(fā)展系統(tǒng)，它既是一種百姓日常生活中喜聞樂見的藝術(shù)形式，又具有一定的藝術(shù)價值，因而文史專家曾把它和天津楊柳青、蘇州桃花塢、開封朱仙鎮(zhèn)合稱為明清全國四大木版年畫基地。也是與東昌葫蘆雕刻、剪紙、泥塑、東昌毛筆等齊名的聊城地區(qū)民間工藝美術(shù)代表。2006年被列為聊城市第一批市級非物質(zhì)文化遺產(chǎn)保護(hù)名錄，同年被列為山東省第一批省級非物質(zhì)文化遺產(chǎn)保護(hù)名錄，2008年被國務(wù)院列為第二批國家級非物質(zhì)文化遺產(chǎn)名錄。 張秋木版年畫自元代由山西晉南傳入山東陽谷縣張秋鎮(zhèn)，至今已有600余年歷史，尤其到明清時期，年畫發(fā)展高度繁榮。當(dāng)時張秋鎮(zhèn)的畫店一年印畫達(dá)兩千八百多令紙，，數(shù)量極為可觀；并且張秋鎮(zhèn)的畫店歷來只坐莊賣畫，陰歷八月底開始印畫，十一月初掛牌子出售，一冬來此鎮(zhèn)購畫商販達(dá)數(shù)千人，年畫除銷往本省西部和泰安、濟南等地外，還遠(yuǎn)銷山西、河南、河北、東北等地。從中可以看出張秋木版年畫影響之廣泛及當(dāng)時群眾歡迎的程度。 保護(hù)利用、發(fā)展傳承非物質(zhì)文化遺產(chǎn)是繼承和發(fā)揚民族優(yōu)秀文化傳統(tǒng)，繁榮社會主義先進(jìn)文化，構(gòu)建文化藝術(shù)多樣化的需要，是一項刻不容緩的歷史任務(wù)。但是，迄今，對張秋木版年畫研究沒有系統(tǒng)展開。隨著現(xiàn)代化、城市化、信息化的迅速發(fā)展和外來文化的交融侵蝕，人們的生活方式、行為方式、思維方式尤其是藝術(shù)鑒賞、審美方式都在發(fā)生著變化；也由于有關(guān)職能部門認(rèn)識不到位，保護(hù)意識欠缺，保護(hù)經(jīng)費緊缺；同時，由于現(xiàn)代社會中人們普遍追求利益的最大化，民間藝人傳承乏人，造成包括張秋木版年畫在內(nèi)的一些非物質(zhì)文化遺產(chǎn)面臨著失傳的危險境地。 該課題通過對張秋木版年畫的探究，基本理清張秋木版年畫的起源與發(fā)展、種類與數(shù)量、分布狀況與傳承脈絡(luò)、生存與保護(hù)現(xiàn)狀，以期待能夠引起政府和社會對該民間藝術(shù)發(fā)展和傳承足夠重視，使這項古老的民間藝術(shù)在保護(hù)的基礎(chǔ)上進(jìn)行創(chuàng)新和改革，吸收現(xiàn)代藝術(shù)元素、利用現(xiàn)代材料，創(chuàng)造出既有傳統(tǒng)，又符合現(xiàn)代人審美趣味的年畫，使其永葆青春的活力。
[Abstract]:Liaocheng Zhangqiu woodblock New year painting is characterized by its distinctive features, unique color, earnest engraving, various types and self-developed system. It is not only a popular art form in the daily life of the people, but also has certain artistic value. As a result, literature and history experts and Tianjin Yangliuqing, Suzhou Taohuawu, Kaifeng Zhu Xianzhen as the Ming and Qing Dynasty four large woodcut New year base. Also known as Dongchang gourd carving, paper-cutting, clay sculpture, Dongchang brush, etc. Liaocheng folk arts and crafts representatives. 2006 was listed as Liaocheng the first batch of municipal intangible cultural heritage protection list, In the same year, it was listed as the first batch of provincial intangible cultural heritage protection list in Shandong Province, and in 2008 it was listed as the second batch of national intangible cultural heritage list by the State Council. Zhangqiu wooden New year Pictures were introduced into Zhangqiu Town, Yanggu County, Shandong Province from the Yuan Dynasty to the south of Shanxi Province. It has a history of more than 600 years, especially in the Ming and Qing dynasties, the development of the New year Pictures is highly prosperous. At that time, the shop in Zhangqiu had printed more than 2800 liters of paper a year, a considerable amount of paper. Moreover, the shop in Zhangqiu had always been selling paintings only in a village. The lunar calendar began to print at the end of August. In early November, signs were put up for sale. Over the past winter, thousands of people have bought and sold paintings in this town. In addition to selling New year's paintings to the western part of the province and to Tai'an and Jinan, they are also exported to Shanxi, Henan, Hebei, Northeast and other places. From this we can see the influence of Zhang Qiu woodblock New year paintings and the popularity of the people at that time. To protect and utilize, develop and inherit the intangible cultural heritage is the need to inherit and carry forward the excellent cultural tradition of the nation, prosper the advanced socialist culture, and construct the diversity of culture and art, which is an urgent historical task. However, so far, there is no systematic research on Zhangqiu woodcut New year Pictures. With the rapid development of modernization, urbanization, information technology and the combination and erosion of foreign culture, people's way of life, behavior, thinking, especially art appreciation and aesthetic style are all changing. Also due to the lack of understanding of the relevant functional departments, the lack of protection awareness, and the shortage of protection funds; at the same time, due to the widespread pursuit of the maximization of interests in modern society, folk artists are lacking in inheritance. Some intangible cultural heritages, including Zhang Qiu's wooden New year paintings, are in danger of being lost. Through the exploration of Zhangqiu woodplate New year Pictures, this topic basically clarifies the origin and development of Zhangqiu woodplate New year Pictures, the species and quantity, the distribution and the inheritance, the survival and the protection of the present situation. In the expectation that the development and inheritance of this folk art will be given sufficient attention by the Government and society, so that this ancient folk art can be innovated and reformed on the basis of protection, absorbing elements of modern art, utilizing modern materials and creating existing traditions, The New year Pictures, which accord with the aesthetic taste of modern people, keep their vitality forever.
【學(xué)位授予單位】：聊城大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J218.3
本文編號：2159436
[Abstract]:Liaocheng Zhangqiu woodblock New year painting is characterized by its distinctive features, unique color, earnest engraving, various types and self-developed system. It is not only a popular art form in the daily life of the people, but also has certain artistic value. As a result, literature and history experts and Tianjin Yangliuqing, Suzhou Taohuawu, Kaifeng Zhu Xianzhen as the Ming and Qing Dynasty four large woodcut New year base. Also known as Dongchang gourd carving, paper-cutting, clay sculpture, Dongchang brush, etc. Liaocheng folk arts and crafts representatives. 2006 was listed as Liaocheng the first batch of municipal intangible cultural heritage protection list, In the same year, it was listed as the first batch of provincial intangible cultural heritage protection list in Shandong Province, and in 2008 it was listed as the second batch of national intangible cultural heritage list by the State Council. Zhangqiu wooden New year Pictures were introduced into Zhangqiu Town, Yanggu County, Shandong Province from the Yuan Dynasty to the south of Shanxi Province. It has a history of more than 600 years, especially in the Ming and Qing dynasties, the development of the New year Pictures is highly prosperous. At that time, the shop in Zhangqiu had printed more than 2800 liters of paper a year, a considerable amount of paper. Moreover, the shop in Zhangqiu had always been selling paintings only in a village. The lunar calendar began to print at the end of August. In early November, signs were put up for sale. Over the past winter, thousands of people have bought and sold paintings in this town. In addition to selling New year's paintings to the western part of the province and to Tai'an and Jinan, they are also exported to Shanxi, Henan, Hebei, Northeast and other places. From this we can see the influence of Zhang Qiu woodblock New year paintings and the popularity of the people at that time. To protect and utilize, develop and inherit the intangible cultural heritage is the need to inherit and carry forward the excellent cultural tradition of the nation, prosper the advanced socialist culture, and construct the diversity of culture and art, which is an urgent historical task. However, so far, there is no systematic research on Zhangqiu woodcut New year Pictures. With the rapid development of modernization, urbanization, information technology and the combination and erosion of foreign culture, people's way of life, behavior, thinking, especially art appreciation and aesthetic style are all changing. Also due to the lack of understanding of the relevant functional departments, the lack of protection awareness, and the shortage of protection funds; at the same time, due to the widespread pursuit of the maximization of interests in modern society, folk artists are lacking in inheritance. Some intangible cultural heritages, including Zhang Qiu's wooden New year paintings, are in danger of being lost. Through the exploration of Zhangqiu woodplate New year Pictures, this topic basically clarifies the origin and development of Zhangqiu woodplate New year Pictures, the species and quantity, the distribution and the inheritance, the survival and the protection of the present situation. In the expectation that the development and inheritance of this folk art will be given sufficient attention by the Government and society, so that this ancient folk art can be innovated and reformed on the basis of protection, absorbing elements of modern art, utilizing modern materials and creating existing traditions, The New year Pictures, which accord with the aesthetic taste of modern people, keep their vitality forever.
【學(xué)位授予單位】：聊城大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J218.3
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 謝昌一;;素樸豪邁的張秋木版年畫[J];中國文化遺產(chǎn);2011年01期
2 薄松年;興衰存亡中的年畫藝術(shù)[J];美術(shù)觀察;2005年02期
本文編號：2159436
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