嶺南畫派的源流與當(dāng)代廣東花鳥畫研究
發(fā)布時間：2018-08-02 07:50
【摘要】：自二十世紀(jì)中期以后，西方文化對中國藝術(shù)影響逐漸加深，作為傳統(tǒng)中堅力量的工筆繪畫也開始新的探索。在嶺南地區(qū)，以二高一陳為代表的嶺南畫派，對傳統(tǒng)的中國畫的革新起了很重要的作用，，在繪畫理論上有了結(jié)合時代特色的轉(zhuǎn)變。在其之后，一方面嶺南派以師徒傳承和外來畫家學(xué)習(xí)研究的方式繼續(xù)發(fā)揚(yáng)光大，同時美術(shù)學(xué)院的建立和國畫教學(xué)體系的創(chuàng)立也使得工筆花鳥重新呈現(xiàn)出一片繁榮的景象。加之改革開放下的文化政策的引導(dǎo)，在藝術(shù)領(lǐng)域形成思想大解放的局面。以上種種原因使得工筆花鳥在九十年代出現(xiàn)了繁榮的景象，工筆花鳥從傳統(tǒng)的摹古仿古發(fā)展到有了一片新境界。在這一時期出現(xiàn)了一批代表畫家，取得了明顯的成績，比如蘇百鈞、方楚雄、林若熹、周彥生等等。他們其中的大部分受過傳統(tǒng)嶺南畫派的影響，與嶺南畫派有著密切的關(guān)系，但在藝術(shù)語言的多樣性、審美意識的現(xiàn)代性上富有自己的創(chuàng)見。
[Abstract]:Since the middle of the 20th century, the influence of western culture on Chinese art has gradually deepened. In Lingnan area, Lingnan painting School, represented by Ergao and Chen, plays an important role in the innovation of traditional Chinese painting, and has a change in painting theory combined with the characteristics of the times. After that, on the one hand, Lingnan School continued to carry forward the study and research of masters and disciples and foreign painters, while the establishment of the Academy of Fine Arts and the establishment of the teaching system of traditional Chinese painting also made fine brushwork flowers and birds take on a prosperous scene again. In addition, the cultural policy under the reform and opening-up led to the great emancipation of thought in the field of art. All these reasons make the fine brushwork flowers and birds flourish in the nineties, and the fine brushwork flowers and birds have developed from the traditional imitation of ancient times to a new realm. In this period, a number of representative painters, such as Su Baijun, Fang Chuxiong, Lin Ruoxi, Zhou Yansheng and so on. Most of them were influenced by the traditional Lingnan painting school and had a close relationship with the Lingnan painting school, but they had their own creative ideas on the diversity of artistic language and the modernity of aesthetic consciousness.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212;J209.9
本文編號：2158710
[Abstract]:Since the middle of the 20th century, the influence of western culture on Chinese art has gradually deepened. In Lingnan area, Lingnan painting School, represented by Ergao and Chen, plays an important role in the innovation of traditional Chinese painting, and has a change in painting theory combined with the characteristics of the times. After that, on the one hand, Lingnan School continued to carry forward the study and research of masters and disciples and foreign painters, while the establishment of the Academy of Fine Arts and the establishment of the teaching system of traditional Chinese painting also made fine brushwork flowers and birds take on a prosperous scene again. In addition, the cultural policy under the reform and opening-up led to the great emancipation of thought in the field of art. All these reasons make the fine brushwork flowers and birds flourish in the nineties, and the fine brushwork flowers and birds have developed from the traditional imitation of ancient times to a new realm. In this period, a number of representative painters, such as Su Baijun, Fang Chuxiong, Lin Ruoxi, Zhou Yansheng and so on. Most of them were influenced by the traditional Lingnan painting school and had a close relationship with the Lingnan painting school, but they had their own creative ideas on the diversity of artistic language and the modernity of aesthetic consciousness.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212;J209.9
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 黎明;;憶高劍父與嶺南畫派[J];嶺南文史;2011年04期
本文編號：2158710
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