水墨符號在現(xiàn)代插畫中的應(yīng)用研究
發(fā)布時間：2018-07-30 07:17
【摘要】：本論文詳細(xì)介紹了現(xiàn)代插畫設(shè)計的概念及應(yīng)用范圍的多樣性、功能與作用以及國內(nèi)外插畫發(fā)展的現(xiàn)狀,并通過多種表現(xiàn)形式及表現(xiàn)風(fēng)格進(jìn)行深入研究、舉列論證,并收集整理大量的插畫書籍資料、作品案例以及對優(yōu)秀插畫設(shè)計師的作品進(jìn)行探究分析,對比水墨插畫設(shè)計的視覺語言、文化內(nèi)涵、屬性特征、設(shè)計要素的可變性創(chuàng)造,總結(jié)其應(yīng)用范圍和社會價值。力求能以全新的視角對插畫多元性進(jìn)行深入研究,水墨符號應(yīng)用到現(xiàn)代插畫設(shè)計中能夠賦予現(xiàn)代插畫設(shè)計獨(dú)特的視覺語言,更直觀、形象地服務(wù)于平面設(shè)計。新時代發(fā)展與成熟在一定程度上顛覆了插畫設(shè)計創(chuàng)作的模式,改變了插畫師的創(chuàng)作意識與觀念,使插畫藝術(shù)的視覺表現(xiàn)力日趨豐富。找出傳承水墨的創(chuàng)作手法的優(yōu)勢,深入挖掘水墨符號個性的表現(xiàn)力,讓觀者在審美過程中體驗(yàn)到各種不相同的視覺感受,使觀者體會到新時代下水墨插畫帶來的獨(dú)特的視覺美感與視覺體驗(yàn),由此加速視覺信息的傳達(dá),推動視覺傳達(dá)的進(jìn)程。文章以水墨符號在現(xiàn)代插畫設(shè)計中的應(yīng)用作為設(shè)計元素運(yùn)用為切入點(diǎn),同時借用于視覺傳播及視覺文化現(xiàn)象的理論,來結(jié)合實(shí)際的案例展開全文的論述。進(jìn)一步探究和研討當(dāng)代插畫中水墨符號在更廣泛、多元化、多空間領(lǐng)域的應(yīng)用。
[Abstract]:This paper introduces in detail the concept of modern illustration design and the diversity of its application scope, functions and functions, as well as the current situation of the development of illustration at home and abroad. And collect and sort out a large number of illustrator books, work cases and excellent illustrator works to explore and analyze, contrast the design of ink visual language, cultural connotations, attribute features, design elements of the variability of creation, Summarize its application scope and social value. Strive to be able to study the diversity of illustration with a new perspective, ink symbols can be used in modern illustration design to endow modern illustration design with a unique visual language, more intuitive, visual services in graphic design. The development and maturity of the new era has subverted the mode of illustration design to some extent, changed the creative consciousness and concept of illustrator, and made the visual expression of illustration art more and more abundant. To find out the advantages of inheriting the creative techniques of ink and wash, and to dig deeply into the expressive power of the characters of the ink and wash symbols, so that the viewer can experience various kinds of different visual feelings in the aesthetic process. It makes the viewer realize the unique visual aesthetic and visual experience brought by the ink illustration in the new era, which accelerates the transmission of visual information and promotes the process of visual communication. This paper takes the application of ink and wash symbols in modern illustration design as the breakthrough point of design elements, at the same time borrowing from the theory of visual communication and visual cultural phenomena, combining with the actual cases to expand the full text of the discussion. Further explore and study the contemporary illustration of ink symbols in a broader, more diverse, multi-space applications.
【學(xué)位授予單位】：沈陽航空航天大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J218.5
本文編號：2154254
[Abstract]:This paper introduces in detail the concept of modern illustration design and the diversity of its application scope, functions and functions, as well as the current situation of the development of illustration at home and abroad. And collect and sort out a large number of illustrator books, work cases and excellent illustrator works to explore and analyze, contrast the design of ink visual language, cultural connotations, attribute features, design elements of the variability of creation, Summarize its application scope and social value. Strive to be able to study the diversity of illustration with a new perspective, ink symbols can be used in modern illustration design to endow modern illustration design with a unique visual language, more intuitive, visual services in graphic design. The development and maturity of the new era has subverted the mode of illustration design to some extent, changed the creative consciousness and concept of illustrator, and made the visual expression of illustration art more and more abundant. To find out the advantages of inheriting the creative techniques of ink and wash, and to dig deeply into the expressive power of the characters of the ink and wash symbols, so that the viewer can experience various kinds of different visual feelings in the aesthetic process. It makes the viewer realize the unique visual aesthetic and visual experience brought by the ink illustration in the new era, which accelerates the transmission of visual information and promotes the process of visual communication. This paper takes the application of ink and wash symbols in modern illustration design as the breakthrough point of design elements, at the same time borrowing from the theory of visual communication and visual cultural phenomena, combining with the actual cases to expand the full text of the discussion. Further explore and study the contemporary illustration of ink symbols in a broader, more diverse, multi-space applications.
【學(xué)位授予單位】：沈陽航空航天大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J218.5
【相似文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前1條
1 張希儒;水墨符號在現(xiàn)代插畫中的應(yīng)用研究[D];沈陽航空航天大學(xué);2017年
，本文編號：2154254
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