【摘要】：京劇與油畫，是兩種截然不同的藝術(shù)形式，但二者的共通性和獨特性卻可以架起一座藝術(shù)融合的橋梁。西方油畫是一門空間造型藝術(shù)，而京劇是一門超時空表演的綜合性藝術(shù)，他們在時間和空間的某些藝術(shù)觀念上有著異曲同工的相似性和特殊性。用油畫來表現(xiàn)京劇藝術(shù)，通過色彩、形式、線條的詮釋，可以較大程度的再現(xiàn)或升華京劇舞臺表演帶給觀眾的視覺享受。 京劇藝術(shù)的視覺元素主要包括人物的服飾、化妝，舞臺道具等方面，在油畫創(chuàng)作中，通過對京劇視覺元素在不同表現(xiàn)形式上的研究探索，，深度剖析京劇藝術(shù)的審美特征和油畫語言的表現(xiàn)力。通過京劇的視覺元素與立體主義表現(xiàn)方式的“混搭”，做到對傳統(tǒng)形象與時空的顛覆，把不同視角的物象分割打破，再重構(gòu)畫面新秩序，深度研究繪畫的表現(xiàn)形式、造型美原則和時空觀念的語言轉(zhuǎn)換問題；受抽象表現(xiàn)主義的影響，探究京劇藝術(shù)中的抽象元素，以及人物造型和色彩形式語言的“抽象化”處理運用。 作為研究探索的成果，最終是以油畫作品的形式呈現(xiàn)給觀眾，通過對代表作品的深度解讀，分析畫面內(nèi)容和形式方面的長與短、優(yōu)與劣，給大眾以直觀的審美評價。某些作品在畫面結(jié)構(gòu)、語言表達等方面的不足之處，更待進一步的學(xué)習(xí)探究。
[Abstract]:Peking Opera and oil painting are two distinct artistic forms, but their commonality and uniqueness can build a bridge of art fusion. Western oil painting is a kind of spatial plastic arts, while Peking Opera is a comprehensive art of transcending time and space performance. They have similarities and particularities in some artistic concepts of time and space. Using oil painting to express the art of Beijing Opera, through the interpretation of color, form, line, can reproduce or sublimate the visual enjoyment of the audience. The visual elements of Beijing Opera art mainly include costumes, makeup, stage props and so on. In oil painting, the visual elements of Peking Opera are studied in different forms of expression. Deeply analyze the aesthetic characteristics of Beijing Opera art and the expressive power of oil painting language. Through the combination of the visual elements of Beijing Opera and the expression of cubism, we can subvert the traditional image and space-time, break the segmentation of objects from different angles of view, reconstruct the new order of the picture, and deeply study the forms of expression of painting. Under the influence of abstract expressionism, this paper probes into the abstract elements in the art of Peking Opera and the treatment and application of the abstract language of characters' modeling and color form. As the result of research and exploration, it presents to the audience in the form of oil painting, through the deep interpretation of the representative works, analyzes the long and short, good and bad of the picture content and form, and gives the masses an intuitive aesthetic evaluation. Some works in the picture structure, language expression and other aspects of deficiencies, but also further study.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

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