時(shí)尚題材水墨人物畫的唯美表現(xiàn)
發(fā)布時(shí)間：2018-07-25 17:08
【摘要】：中國繪畫藝術(shù)同中華文明一樣源遠(yuǎn)流長，最早的藝術(shù)形式有巖畫、陶繪、漆畫、帛畫、壁畫等，到隋唐五代時(shí)期，形成了人物、山水、花鳥三大類。雖然，人物畫出現(xiàn)最早，但水墨人物畫的歷史相對(duì)來說比較短。20世紀(jì)以來中國畫發(fā)生很大變化，在借古開今與中西方文化融合的兩大創(chuàng)新追求推動(dòng)下，出現(xiàn)了前所未有多樣化的新風(fēng)格，獨(dú)立于當(dāng)代藝術(shù)之中。隨著時(shí)代的發(fā)展，中國水墨人物畫的繪畫語言正逐步完善并呈現(xiàn)出多元化的發(fā)展趨向。 每個(gè)畫家都有獨(dú)特的個(gè)性，呈現(xiàn)出來的繪畫作品，顯示出程度不一的時(shí)代特征。當(dāng)代水墨畫家很好的發(fā)揮筆墨特有的靈性，融合豐富多樣的繪畫語言，不僅拓展了創(chuàng)作的題材，而且也創(chuàng)新了繪畫藝術(shù)語言，當(dāng)代水墨人物畫呈現(xiàn)出多元融合共同發(fā)展的面貌，在新時(shí)期中國水墨人物畫的探索中有深刻意義。時(shí)尚作為一種與現(xiàn)代社會(huì)相伴而生的現(xiàn)象,是當(dāng)時(shí)社會(huì)政治、經(jīng)濟(jì)和文化發(fā)展?fàn)顩r的縮影，是人們對(duì)審美追求和價(jià)值取向的生動(dòng)表達(dá)，是短暫、迅速消逝并具有強(qiáng)大社會(huì)影響力的一種變化形式,是一個(gè)時(shí)代和一個(gè)社會(huì)中的趣味最直接明確的表達(dá)。時(shí)尚精神很大程度上是一種娛樂的。傳統(tǒng)水墨畫所缺少或不具備的時(shí)尚生活這種題材水墨畫的表現(xiàn)，水墨人物畫題材向時(shí)尚拓展是時(shí)代的必然。 雖然由西方文化藝術(shù)提出美學(xué)這一概念，但并不等于東方?jīng)]有美，，只是東方的美不直接稱為“美”，因?yàn)檫@不是東方主流所關(guān)注的，就像詩寫得好不好，美不美，不是同一個(gè)標(biāo)準(zhǔn)，而是以思想、情境、內(nèi)心放在第一位。 傳統(tǒng)寫意人物畫最開始的題材樣式比較單一，以仕女、道釋、高士人物畫為主�，F(xiàn)當(dāng)代社會(huì)是多元融合，包羅萬象的時(shí)代，繪畫的題材趨于多元化，豐富多彩的現(xiàn)實(shí)生活為進(jìn)行人物畫創(chuàng)作提供了豐富而廣闊的題材空間，現(xiàn)實(shí)生活是孕育靈感和激情的沃土，由此來表現(xiàn)現(xiàn)當(dāng)代現(xiàn)實(shí)生活的時(shí)代氣息和現(xiàn)代感。打破傳統(tǒng)繪畫語言方式，用水墨淋漓盡致地來表現(xiàn)當(dāng)代生活中的時(shí)尚女性，更能透露出時(shí)尚的意蘊(yùn)。在探究傳統(tǒng)時(shí)尚題材繪畫與現(xiàn)當(dāng)代時(shí)尚題材繪畫的同時(shí)結(jié)合自己的實(shí)踐創(chuàng)作，來深入追究當(dāng)代的意義。
[Abstract]:The art of Chinese painting has a long history with Chinese civilization. The earliest art forms include rock painting, pottery painting, lacquer painting, silk painting, mural painting and so on. By the Sui, Tang and five dynasties, there were three kinds of people, mountains and rivers, flowers and birds. Although figure painting is the earliest, the history of Chinese figure painting is relatively short. Since the 20th century, great changes have taken place in Chinese painting, driven by the two innovative pursuits of combining ancient and modern Chinese and Western cultures. The emergence of unprecedented diversity of new styles, independent of contemporary art. With the development of the times, the painting language of Chinese ink figure painting is gradually improving and showing a diversified development trend. Each painter has a unique personality, showing paintings, showing varying degrees of characteristics of the times. Contemporary ink and wash painters play well the unique spirituality of pen and ink, integrate rich and diverse painting languages, not only expand the subject matter of creation, but also innovate the artistic language of painting. Contemporary ink painting shows the appearance of pluralistic fusion and common development. In the new period of Chinese ink figure painting exploration has profound significance. Fashion, as a phenomenon concomitant with modern society, is a microcosm of the political, economic and cultural development of the society at that time. It is also a vivid expression of people's aesthetic pursuit and value orientation. A form of change rapidly disappearing and having strong social influence is the most direct and explicit expression of interest in an era and a society. The spirit of fashion is largely entertaining. The traditional ink painting lacks or does not have the fashion life this kind of theme ink painting performance, the ink figure painting theme expands to the fashion is the times inevitable. Although the concept of aesthetics is put forward by western culture and art, it does not mean that there is no beauty in the east, but that the beauty of the east is not directly called "beauty", because this is not what the mainstream of the East is concerned about, just like whether a poem is written well or not, whether it is beautiful or not. It is not the same standard, but the thought, the situation, the heart put first. Traditional freehand figure painting at the beginning of the subject style is relatively single, to women, Taoism, Gao Shi figure painting. In modern and contemporary society, the subjects of painting tend to be diversified, and the rich and colorful realistic life provides rich and broad subject space for the creation of figure painting. The real life is the fertile ground for inspiration and passion. From this to show the contemporary reality of the atmosphere of the times and modern sense. Break the traditional painting language way, with the ink to express the fashion women in contemporary life, more can reveal the meaning of fashion. While exploring traditional painting and contemporary painting, combined with their own practical creation, to investigate the significance of contemporary.
【學(xué)位授予單位】：中南民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212
本文編號(hào)：2144478
[Abstract]:The art of Chinese painting has a long history with Chinese civilization. The earliest art forms include rock painting, pottery painting, lacquer painting, silk painting, mural painting and so on. By the Sui, Tang and five dynasties, there were three kinds of people, mountains and rivers, flowers and birds. Although figure painting is the earliest, the history of Chinese figure painting is relatively short. Since the 20th century, great changes have taken place in Chinese painting, driven by the two innovative pursuits of combining ancient and modern Chinese and Western cultures. The emergence of unprecedented diversity of new styles, independent of contemporary art. With the development of the times, the painting language of Chinese ink figure painting is gradually improving and showing a diversified development trend. Each painter has a unique personality, showing paintings, showing varying degrees of characteristics of the times. Contemporary ink and wash painters play well the unique spirituality of pen and ink, integrate rich and diverse painting languages, not only expand the subject matter of creation, but also innovate the artistic language of painting. Contemporary ink painting shows the appearance of pluralistic fusion and common development. In the new period of Chinese ink figure painting exploration has profound significance. Fashion, as a phenomenon concomitant with modern society, is a microcosm of the political, economic and cultural development of the society at that time. It is also a vivid expression of people's aesthetic pursuit and value orientation. A form of change rapidly disappearing and having strong social influence is the most direct and explicit expression of interest in an era and a society. The spirit of fashion is largely entertaining. The traditional ink painting lacks or does not have the fashion life this kind of theme ink painting performance, the ink figure painting theme expands to the fashion is the times inevitable. Although the concept of aesthetics is put forward by western culture and art, it does not mean that there is no beauty in the east, but that the beauty of the east is not directly called "beauty", because this is not what the mainstream of the East is concerned about, just like whether a poem is written well or not, whether it is beautiful or not. It is not the same standard, but the thought, the situation, the heart put first. Traditional freehand figure painting at the beginning of the subject style is relatively single, to women, Taoism, Gao Shi figure painting. In modern and contemporary society, the subjects of painting tend to be diversified, and the rich and colorful realistic life provides rich and broad subject space for the creation of figure painting. The real life is the fertile ground for inspiration and passion. From this to show the contemporary reality of the atmosphere of the times and modern sense. Break the traditional painting language way, with the ink to express the fashion women in contemporary life, more can reveal the meaning of fashion. While exploring traditional painting and contemporary painting, combined with their own practical creation, to investigate the significance of contemporary.
【學(xué)位授予單位】：中南民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212
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