【摘要】：隨著文化環(huán)境的改善和人們觀念的更新，水彩藝術(shù)逐漸向多元化繁榮發(fā)展。肌理作為現(xiàn)代繪畫作品重要的繪畫語言之一，越來越受到人們的重視，繪畫技術(shù)的革新及新型繪畫材料的使用，使得當(dāng)今畫面中的肌理比以往更加豐富多彩。水彩畫畫家對畫面肌理的研究與實(shí)踐，為他們更準(zhǔn)確、更豐富的表達(dá)內(nèi)心情感提供了契機(jī)，藝術(shù)家們在形式、內(nèi)容、技法、創(chuàng)新上對水彩畫肌理進(jìn)行深入細(xì)致的探索與實(shí)踐。肌理在畫面中的使用充實(shí)了畫面的表現(xiàn)力，更加深層次的傳達(dá)了畫家飽滿的情感。好的肌理在畫面中豐富了畫面的視覺效果，體現(xiàn)了藝術(shù)趣味、傳達(dá)了藝術(shù)思想，在塑造形象方面也能起到事半功倍的效果，同時也是構(gòu)成個人風(fēng)格的重要因素。因此對現(xiàn)代畫面中的肌理進(jìn)行分析研究，摸清楚它的材料特性、制作方法和審美特點(diǎn)，了解它在作品中的表現(xiàn)功能就顯得尤為必要。 本論文題為水彩畫肌理研究。第一章為緒論部分，由選題背景與研究意義、國內(nèi)外現(xiàn)狀研究、主要研究內(nèi)容和運(yùn)用了怎樣的研究方法進(jìn)行探討三個部分組成。第二章闡述肌理了的內(nèi)涵，其中包括肌理的概念、肌理的分類與肌理的美感。第三章是肌理在水彩畫中的具體運(yùn)用研究，從肌理在水彩畫中得到廣泛運(yùn)用的原因；肌理的運(yùn)用在水彩畫中的表現(xiàn)形式；肌理在水彩畫中個體特色上的運(yùn)用：即工具材料上的運(yùn)用分析、技法上的運(yùn)用分析、創(chuàng)新上的運(yùn)用分析三部分進(jìn)行的探討。第四章主要內(nèi)容是對肌理在當(dāng)代水彩畫創(chuàng)作創(chuàng)作中的運(yùn)用進(jìn)行了思考：合理運(yùn)用肌理在水彩畫中的內(nèi)涵特質(zhì)；充分考慮水彩畫中肌理的情感思想。
[Abstract]:With the improvement of cultural environment and the renewal of people's ideas, watercolor art is gradually developing towards pluralism and prosperity. Texture as one of the most important painting languages in modern painting works has been paid more and more attention to. The innovation of painting technology and the use of new painting materials make the texture of today's pictures more colorful than ever before. The research and practice of watercolor painters on the texture of watercolor painting provide them with a more accurate and abundant expression of inner emotion. The artists deeply and meticulously explore and practice the texture of watercolor painting in form, content, technique and innovation. The use of texture in the picture enriches the expressive power of the picture and conveys the painters' full feelings at a deeper level. Good texture enriches the visual effect of the picture, reflects the artistic interest, conveys the artistic thought, can also play a double effect in shaping the image, and is also an important factor of personal style. Therefore, it is particularly necessary to analyze and study the texture of modern pictures, to find out its material characteristics, production methods and aesthetic characteristics, and to understand its performance function in the works. This paper is entitled the study of watercolor texture. The first chapter is the introduction, which consists of three parts: the background and significance of the topic, the current situation at home and abroad, the main research content and how to use the research methods. The second chapter describes the connotation of texture, including the concept of texture, texture classification and texture aesthetic. The third chapter is the concrete application of texture in watercolor painting, from the reason that texture is widely used in watercolor painting, the expression form of texture in watercolor painting; The application of texture in watercolor painting is discussed in three parts: the application analysis of tool material, the application analysis of technique and the application analysis of innovation. The fourth chapter is the main content of the application of texture in contemporary watercolor painting: reasonable use of texture in watercolor painting connotation characteristics; fully consider the texture of watercolor in the emotional thought.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J215

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