【摘要】：意象一詞來源于中國傳統(tǒng)美學(xué)。隨著近幾年國內(nèi)藝術(shù)家對本土油畫的不斷探索，提出了意象油畫這一定義。中國傳統(tǒng)藝術(shù)一直沒有放棄對意象的追求，表意一直以來都是我國傳統(tǒng)藝術(shù)的核心。而在西方印象主義以前繪畫一直在服務(wù)于對客觀事物的記錄，即使有浪漫主義卻也忠于“藝術(shù)模仿自然”的邏輯起點。同時，中國獨特的傳統(tǒng)色彩——“五色”以及傳統(tǒng)儒家在制定禮制時對色彩的獨特運用，，道家“道”的哲學(xué)思想使我國的傳統(tǒng)繪畫在用色上區(qū)別于西方繪畫。 油畫源自西方，筆者認(rèn)為既然要運用西方的藝術(shù)形式來表達(dá)東方的審美趣味，油畫作為藝術(shù)創(chuàng)作的載體絕對不能與西方現(xiàn)在藝術(shù)割裂開來看待。表現(xiàn)主義作為西方現(xiàn)代藝術(shù)的一個重要組成部分，它在畫面整體氛圍控制和表現(xiàn)主義藝術(shù)家追求通過畫面來表達(dá)某種精神情感跟我國意象繪畫有很多相似之處。那么它對色彩的運用必然有意象繪畫值得借鑒之處。 本文通過對德國表現(xiàn)主義的認(rèn)識，與當(dāng)代意象油畫的用色方法對比。試圖總結(jié)出一套意象油畫中色彩運用的方法來指導(dǎo)自己的油畫創(chuàng)作。
[Abstract]:The word image comes from Chinese traditional aesthetics. With the continuous exploration of local oil painting by domestic artists in recent years, the definition of image oil painting has been put forward. Chinese traditional art has never given up the pursuit of image, and idealism has always been the core of Chinese traditional art. Before western impressionism, painting has been serving for the record of objective things, even if there is romanticism, it is also loyal to the logical starting point of "art imitating nature". At the same time, the unique traditional color of China-"five colors" and the unique use of color by traditional Confucianism in the formulation of etiquette system, the Taoist philosophy of "Tao" makes the traditional painting in our country different from the western painting in terms of color. Oil painting originated from the West, the author believes that since the use of Western art form to express the aesthetic taste of the East, oil painting as a carrier of artistic creation must not be separated from the Western art now. Expressionism, as an important part of modern western art, has a lot of similarities with image painting in the control of the whole picture atmosphere and the pursuit by expressionist artists to express a certain spiritual emotion through the picture. Then its use of color must have image painting to draw lessons from. Through the understanding of German expressionism, this paper contrasts with the methods of contemporary image oil painting. Try to sum up a set of image oil painting in the use of color to guide their oil painting creation.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 葉朗;說意境[J];文藝研究;1998年01期

本文編號：2139179