【摘要】：本文前半部分以記敘的形式講述自己望葵,畫葵。首先進行實地采風,搜集有關葵的素材圖片,接著自己構思繪制有關葵的創(chuàng)作小稿,最后對自己葵系列的繪畫作品進行分析。這部分從繪畫的角度以日記的方式記錄了整個繪畫創(chuàng)作的過程。本文的重點主要在文章后半部分,以《悟道》為主。如何在創(chuàng)作中重組和實驗油畫藝術語言,在本文中我以構成語言,色彩語言,造形語言和材質語言這四種繪畫語言作為重點,這個點可以從具象主義到抽象主義之間巨大的跨越,在這四大繪畫語言中融合變通,從而在產生多種藝術元素中創(chuàng)新整合,使其變?yōu)闊o限的可能,它可以為我們展現(xiàn)出一個新的極具極具發(fā)展?jié)摿Φ乃囆g空間。無論是重組,還是實驗繪畫語言,都要明確的表現(xiàn)創(chuàng)作意圖,準確再現(xiàn)表現(xiàn)意義的精神世界,而無論是精細的寫實還是粗放的表現(xiàn)和無形的抽象等語言,都要滿足視覺的品質要求。在當下,中國油畫的發(fā)展需要一個不斷滲透、遞進、創(chuàng)新的過程,需要對中華民族歷史和未來精神家園的關注,將中國繪畫的精神融入在油畫表現(xiàn)中。對繪畫實踐的探索是一個漫長而艱辛的過程,需要一批執(zhí)著的藝術家盡心盡力,默默的探索,尋找與自己心中理念相吻合的繪畫精神,展延自己所向往的視覺意象在體驗中獲得藝術生命存在的意義。
[Abstract]:The first half of this article is narrating in the form of narration of his own sunflower and painting sunflower. First of all, it is on the ground to collect the wind, collect the pictures of the material of the sunflower, and then draw up a small draft about the creation of the sunflower, and finally analyze the paintings of his own sunflower series. This part records the whole painting from the angle of the painting. The focus of this article is mainly in the second half of the article, mainly in the "Wu Dao", how to reorganize and experiment the language of oil painting in the creation. In this article, I focus on the four kinds of painting language, which constitute language, color language, form language and material language. This point can be a great leap from idealism to abstract, in this four In the language of great painting, the integration of changes in the creation of a variety of artistic elements makes it possible to make it infinite. It can show us a new artistic space with great potential for development. Whether it is a reorganization or the experimental painting language, it is necessary to express the creative intention and accurately reproduce the spiritual world of the expression meaning. In the present, the development of Chinese oil painting needs a continuous infiltration, progressive and innovative process, which needs the attention of the Chinese history and the future spiritual home, and the spirit of Chinese painting in the oil painting performance. The exploration of the practice of painting is a long and difficult process. It needs a group of persistent artists to try their best to find out the spirit of painting that is consistent with their own ideas, and to develop the meaning of the existence of artistic life in the experience of the visual images that they yearn for.
【學位授予單位】：新疆師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J213

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