【摘要】：蔣兆和是我國美術(shù)領(lǐng)域成就卓越的人物畫家和教育家,開創(chuàng)了中國水墨人物畫新局面,是中國水墨人物畫奠基人之一。他的藝術(shù)思想影響卓越,在執(zhí)教于中央美術(shù)學(xué)院的期間,開創(chuàng)了中國畫基礎(chǔ)教學(xué)體系,直接培養(yǎng)了一大批畫家。通過對蔣兆和藝術(shù)道路的研究得出,其繪畫作品之所以如此感人,皆因?qū)Ξ嬛兴枥L的貧苦百姓,有著真切的悲憫與關(guān)愛。在當(dāng)下藝術(shù)語境中,人物畫創(chuàng)作與教學(xué)中存在一些問題,有些人過于追求形式的花樣翻新與感官的刺激,而忽略了人與人的交流,遠(yuǎn)離了生活與思考,自然也就缺少對人自身的表達(dá)。本文通過對蔣兆和藝術(shù)思想及部分形式語言的研究,闡述了一些當(dāng)代水墨人物畫創(chuàng)作和教學(xué)中出現(xiàn)的問題。論述了“態(tài)度”、“生活”、“情感”、“形式”這四個因素之間在創(chuàng)作中的辯證關(guān)系,著重強(qiáng)調(diào)了“情感”在創(chuàng)作中的靈魂作用。
[Abstract]:Jiang Zhaohe is an outstanding figure painter and educator in the field of fine arts in China. He has created a new situation of Chinese ink figure painting and is one of the founders of Chinese ink figure painting. During his teaching in the Central Academy of Fine Arts, he pioneered the basic teaching system of Chinese painting and trained a large number of painters directly. Through the study of Jiang Zhaohe's art path, it is concluded that his paintings are so moving because of their genuine compassion and love for the poor people depicted in the paintings. In the present artistic context, there are some problems in the creation and teaching of figure painting. Some people are too much in pursuit of the renovation of the form and the stimulation of the senses, while neglecting the communication between people and keeping away from life and thinking. Nature also lacks the expression of man himself. Based on the study of Jiang Zhaohe's artistic thought and some formal languages, this paper expounds some problems in the creation and teaching of contemporary ink figure painting. This paper discusses the dialectical relationship between "attitude", "life", "emotion" and "form" in creation, and emphasizes the soul function of "emotion" in creation.
【學(xué)位授予單位】：吉林藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J212-4
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本文編號：2135962