【摘要】：本文從吳宏的山水畫創(chuàng)作背景、山水畫的特點以及結(jié)合吳宏山水畫研究展開的“黃土高原主題創(chuàng)作”實踐等三方面著手,進而對其山水畫進行研究。旨在對吳宏的山水畫有較全面的分析論述。吳宏,字“遠度”。在多部歷史文獻記載中他都被稱為“金陵八家”之一。在金陵八家中,他的畫風(fēng)最為粗放,與時風(fēng)相距最遠。吳宏山水畫多取材于自然景觀及其仰慕的桃花源仙境。本文通過對吳宏現(xiàn)存作品與相關(guān)文獻資料的梳理,首先,對吳宏山水畫創(chuàng)作的繪畫背景和生平游歷進行分析,加強了對其人品與畫品的了解與認(rèn)識;其次,對吳宏的山水畫成因進行研究,總結(jié)出是與“金陵派”雅集描繪金陵盛景、與“雪苑社”探討師法宋元古意、與“武林畫派”切磋嘗試山水新法等三方面有關(guān);然后,運用史料及圖像分析法對吳宏的山水畫特點進行研究,得出了其山水畫的三個基本特點,分別是:“氣勢雄渾的金陵盛景描繪、新舊并存的村虛景觀表現(xiàn)、不拘一格的作畫紙張選擇”。最后,從吳宏山水畫研究成果出發(fā),論述了結(jié)合吳宏山水畫展開的“黃土高原主題創(chuàng)作實踐”,歸納出“用黃土畫黃土塬”的研究思路與“就地取材、就地取形、就地創(chuàng)作”的創(chuàng)作思路,用所獲理論知識指導(dǎo)了山水畫創(chuàng)作實踐。
[Abstract]:This article starts from Wu Hong's landscape painting creation background, the landscape painting characteristic as well as unifies Wu Hong landscape painting research to launch "the loess plateau theme creation" the practice and so on three aspects, then carries on the research to its landscape painting. The purpose of Wu Hong's landscape painting has a more comprehensive analysis and discussion. Wu Hong, the word "distance". In many historical records, he is known as one of the eight Jinling families. In Jinling eight homes, his painting style is the most extensive, and the longest distance between the wind. Wu Hong landscape paintings from the natural landscape and admire the Taoyuan Wonderland. Through combing the existing works and related documents of Wu Hong, first of all, it analyzes the painting background and life experience of Wu Hong's landscape painting creation, and strengthens the understanding and understanding of his character and painting. By studying the causes of Wu Hong's landscape painting, it is concluded that it is related to three aspects: the elegant collection of "Jinling School" depicts the prosperous scenery of Jinling, the discussion of the ancient meaning of "Xue Yuan Society", and the discussion of "Wulin painting School" on the new method of landscape painting, and so on. The characteristics of Wu Hong's landscape paintings are studied by using historical data and image analysis, and three basic characteristics of his landscape paintings are obtained. They are as follows: "the vigorous description of Jinling prosperity, the village virtual landscape performance of the coexistence of the new and the old," Don't stick to the drawing of paper choice "." Finally, starting from the research results of Wuhong landscape painting, this paper discusses the "practice of creating the theme of Loess Plateau" combined with Wuhong's landscape painting, and sums up the research ideas of "drawing Loess Plateau with Loess" and "drawing material locally and taking shape on the spot." The creative idea of local creation guided the practice of landscape painting creation with the acquired theoretical knowledge.
【學(xué)位授予單位】：渤海大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212

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相關(guān)期刊論文 前2條

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本文編號：2131696