中國古代書畫中的半字編號與明代勘合制
發(fā)布時間:2018-07-17 02:48
【摘要】:半字編號是中國古代書畫上的一種特殊編號,其書寫位置與筆跡相對統(tǒng)一,王耀庭先生認(rèn)為可能是查抄嚴(yán)嵩書畫時留下的“騎縫籍記掛號”,還有一些學(xué)者認(rèn)為是明代內(nèi)府書畫編號。但從籍沒嚴(yán)氏書畫的程序和籍官簿的登記情況,以及山東朱檀墓出土的明代內(nèi)府書畫編號看,半字編號很難與“籍記掛號”和內(nèi)府編號產(chǎn)生聯(lián)系,F(xiàn)存?zhèn)魇罆嬛械陌胱志幪柡芸赡苁欠旅鞔ブ贾械陌胱挚焙暇幪?這些編號不符合明代半印勘合制,不具有判斷遞藏鏈的鑒定學(xué)意義。
[Abstract]:The half-character number is a special number on ancient Chinese calligraphy and painting. Its writing position and handwriting are relatively unified. Mr. Wang Yaoting thinks it may be the "hanging number" left by the painting and calligraphy of Yan Song. Some scholars believe that the number of calligraphy and painting in the Ming Dynasty. However, from the procedures of calligraphy and painting and the registration of official books, and the number of calligraphy and painting in the Ming Dynasty unearthed from the tomb of Zhu Tan in Shandong Province, it is very difficult for the half-character number to be related to the number of the book attached to the book and the number of the inner government. It is very possible that the number of half character in the present handed down calligraphy and painting is a copy of the number of half character in the imperial decree of the Ming Dynasty. These numbers do not accord with the system of half India in the Ming Dynasty, and have no significance in judging the identification of the chain of collection.
【作者單位】: 華東師范大學(xué)藝術(shù)研究所;
【分類號】:J209
,
本文編號:2128674
[Abstract]:The half-character number is a special number on ancient Chinese calligraphy and painting. Its writing position and handwriting are relatively unified. Mr. Wang Yaoting thinks it may be the "hanging number" left by the painting and calligraphy of Yan Song. Some scholars believe that the number of calligraphy and painting in the Ming Dynasty. However, from the procedures of calligraphy and painting and the registration of official books, and the number of calligraphy and painting in the Ming Dynasty unearthed from the tomb of Zhu Tan in Shandong Province, it is very difficult for the half-character number to be related to the number of the book attached to the book and the number of the inner government. It is very possible that the number of half character in the present handed down calligraphy and painting is a copy of the number of half character in the imperial decree of the Ming Dynasty. These numbers do not accord with the system of half India in the Ming Dynasty, and have no significance in judging the identification of the chain of collection.
【作者單位】: 華東師范大學(xué)藝術(shù)研究所;
【分類號】:J209
,
本文編號:2128674
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