【摘要】：我國自改革開放以來，國內(nèi)的各種藝術(shù)形式正不斷受西方現(xiàn)代藝術(shù)流派的影響，油畫也以嶄新的面貌得到快速發(fā)展，藝術(shù)家的創(chuàng)作已不在受一家之法的拘束，油畫在中國出現(xiàn)了多元發(fā)展的藝術(shù)新格局，中國鄉(xiāng)土題材的油畫作品表現(xiàn)語言更加豐富。藝術(shù)家們正積極用油畫這一繪畫語言來講述發(fā)生在自己身邊的事，來表現(xiàn)本民族的思想情感，以及人們在一定環(huán)境中的生活狀況、現(xiàn)實(shí)、理想等。其深刻意義在于，在某一時代中表現(xiàn)出中國人的精神面貌和生存狀態(tài)，這同時也是鄉(xiāng)土油畫永盛不衰的原因之一。本文先闡述所選課題的背景及意義和今后的發(fā)展前景，國內(nèi)有關(guān)鄉(xiāng)土油畫的研究現(xiàn)狀及發(fā)展趨勢，再對我國鄉(xiāng)土油畫背后所表現(xiàn)出的本土情感與人文關(guān)懷進(jìn)行思考。然后通過對國內(nèi)鄉(xiāng)土油畫中不同風(fēng)格的分析研究，探知那個時代人們的社會情感，并總結(jié)出自己將在藝術(shù)創(chuàng)作中所要吸取的東西及不足，再結(jié)合自身特點(diǎn)找到符合自己創(chuàng)作路線的情感表達(dá)。其次，結(jié)合自身的藝術(shù)體驗，運(yùn)用現(xiàn)實(shí)主義繪畫技巧，把自己內(nèi)心獨(dú)特的藝術(shù)感受通過油畫這一繪畫語言展現(xiàn)出來，反映出當(dāng)代的社會現(xiàn)象和社會問題，并且引導(dǎo)人們的精神取向。最后得出結(jié)論，藝術(shù)家的生活體驗對其創(chuàng)作所產(chǎn)生的影響是巨大的，不僅僅是個人情感的表達(dá)，也是對社會客觀現(xiàn)象的客觀反映，在人們?nèi)粘Ｉ钪�，人與人之間的愛始終伴隨著人們前行的腳步。而人們的鄉(xiāng)土情結(jié)，對鄉(xiāng)土油畫的發(fā)展打下了堅實(shí)的情感基礎(chǔ)。人們在對鄉(xiāng)土的表現(xiàn)中，找到了屬于自己的精神價值取向，，真實(shí)地情感表達(dá)，對農(nóng)民美好生活的關(guān)注，對簡單生活的向往。所有這一切都是對藝術(shù)本質(zhì)的體現(xiàn)，揭示了藝術(shù)與生活的內(nèi)在聯(lián)系。
[Abstract]:Since China's reform and opening up, various forms of art in China have been constantly influenced by modern western art schools, oil paintings have also developed rapidly with a new face, and the creation of artists is no longer bound by one law. Oil painting in China has emerged a diversified development of the new pattern of art, the Chinese local subject matter of oil paintings more rich expression of language. Artists are actively using oil painting as a painting language to tell what happened around them, to express the thoughts and feelings of their own nation, as well as the living conditions, reality and ideals of people in a certain environment. Its profound significance lies in showing the Chinese spiritual outlook and living state in a certain era, which is one of the reasons why the local oil painting is always prosperous. This paper first describes the background and significance of the selected topics and the future development prospects, domestic research on the status quo and development trend of local oil painting, and then reflect on the local emotion and humanistic concern behind the local oil painting. Then through the analysis and study of different styles of local oil paintings in China, we can find out the social feelings of people in that era, and sum up the things and shortcomings that we will absorb in our artistic creation. Combined with their own characteristics to find their own creative line of emotional expression. Secondly, combining with one's own artistic experience and using realistic painting techniques, the unique artistic feeling of one's heart is displayed through the painting language of oil painting, which reflects the contemporary social phenomenon and social problems. And guide people's spiritual orientation. Finally, it is concluded that the influence of the artist's life experience on his creation is enormous, not only the expression of personal emotion, but also the objective reflection of the social objective phenomenon. The love between people is always accompanied by the pace of people moving forward. And people's local complex, the development of local oil painting laid a solid emotional foundation. People in the performance of the local, found their own spiritual value orientation, true emotional expression, concern for the good life of farmers, the yearning for simple life. All these are the embodiment of the essence of art and reveal the inner relation between art and life.
【學(xué)位授予單位】：河北科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李艷青;;淺析陳逸飛繪畫的藝術(shù)特色[J];大眾文藝;2012年01期

本文編號：2126761