【摘要】：構(gòu)圖是繪畫中的第一步,且在視覺藝術(shù)中也是不可或缺的要素之一。構(gòu)圖是藝術(shù)家為了表現(xiàn)作品的主題思想和美的效果,在畫面中的空間和位置關(guān)系的處理,把個(gè)別或局部的形象組成藝術(shù)整體。南齊謝赫的著名的《六法》中,第五法是“經(jīng)營位置”,用今天的話來說,這就是“構(gòu)圖”�？梢娮怨乓詠�.構(gòu)圖被認(rèn)為是美術(shù)創(chuàng)作的一個(gè)重要的因素,是構(gòu)成繪畫形式的一個(gè)組成部分,為學(xué)習(xí)繪畫和進(jìn)行視覺藝術(shù)創(chuàng)作不可缺少的知識。無論是中國繪畫還是西方繪畫無論是肖像畫還是靜物畫還是風(fēng)景畫都存在著構(gòu)圖問題。構(gòu)圖的成功與否直接影響到整個(gè)作品的成敗。中國的繪畫與西方的繪畫都有著非常深邃的內(nèi)蘊(yùn),但是又有著極大的不同,讓人一眼就可以看出哪個(gè)是中國的繪畫,哪個(gè)是西方的繪畫,這很大程度上是因?yàn)橹形鞣嚼L畫構(gòu)圖的極大差別。本文運(yùn)用文獻(xiàn)研究法,主要通過以下六個(gè)方面來探索及研究中西方繪畫構(gòu)圖形式：一、中西繪畫構(gòu)圖概念的由來；二、中國繪畫構(gòu)圖的特點(diǎn)及形式內(nèi)容；三、西方繪畫構(gòu)圖的特點(diǎn)及形式內(nèi)容；四、中西繪畫構(gòu)圖要素及其特點(diǎn)的比較；五、造成中西方構(gòu)圖差異的原因；六、中西方繪畫構(gòu)圖的啟示。本人希望經(jīng)過筆者一段時(shí)間的悉心研究與探索能對中西繪畫構(gòu)圖形式的比較、意義及其探索做出一定貢獻(xiàn),為后來學(xué)者提供一定的參考依據(jù)。
[Abstract]:Composition is one of the first steps in painting and one of the indispensable elements in visual art. Composition is an artist in order to show the theme of the work and the beauty of the effect, the processing of space and position in the picture, the image of the individual or local composition of the whole art. "Camp position", in today's words, is "composition". It is seen since ancient times that composition is considered an important factor in art creation, an integral part of the form of painting, and indispensable knowledge for painting and visual art creation. Whether it is Chinese painting or western painting, it is a portrait, whether it is a portrait or a portrait. There is a problem of composition in still life painting or landscape painting. The success or failure of the composition directly affects the success or failure of the whole work. Both Chinese painting and Western painting have a very profound connotation, but there are great differences. One can see which is Chinese painting, which is western painting, this is a great extent. It is because of the great difference between Chinese and Western painting composition. By using the literature research method, this paper mainly through the following six aspects to explore and study the form of Chinese and Western painting composition: first, the origin of the concept of the composition of Chinese and Western painting; two, the characteristics and form content of the composition of Chinese painting; three, the characteristics and form content of Western painting composition; four, The comparison of the elements and characteristics of the composition of the Chinese and Western paintings; five, the reasons for the differences in the composition of the Chinese and western composition; six, the inspiration of the composition of Chinese and Western paintings. I hope that after a period of time, the author's careful study and exploration can make some contributions to the comparison, significance and exploration of the form of the composition of Chinese and Western paintings, and provide some reference for the later scholars. Basis.
【學(xué)位授予單位】：大連工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J206

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 吳覓;;論繪畫創(chuàng)作中的構(gòu)圖與錘煉[J];科技信息;2007年08期

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本文編號：2124801