本文選題：任伯年 + 線��； 參考：《云南師范大學(xué)》2013年碩士論文

【摘要】：線有直線和曲線之分，無(wú)論是直線還是曲線都是中國(guó)繪畫(huà)中最基本的表現(xiàn)手段，是中國(guó)繪畫(huà)的骨架和支點(diǎn)。中國(guó)畫(huà)的藝術(shù)表現(xiàn)主要是通過(guò)線來(lái)表達(dá)的，將自然界中各種物象直接明了的表現(xiàn)出來(lái)莫過(guò)于用線勾勒出物象的外輪廓線，這種用線來(lái)表現(xiàn)物象的方式就是線描。 任伯年是我國(guó)近代杰出的畫(huà)家，由于他所處時(shí)代以及環(huán)境的關(guān)系，他在線條的運(yùn)用的技法和創(chuàng)新方面都是自成一家，在線條的運(yùn)用中把自我的個(gè)性、時(shí)代的精神和民族傳統(tǒng)的藝術(shù)美都融入進(jìn)去了，并且不見(jiàn)斧鑿之跡，渾然天成。 任伯年人物畫(huà)中的用線特色，一是其獨(dú)具特色的“裝飾”線，二是自成特色的“釘頭鼠尾描”。在人物肖像畫(huà)中，任伯年對(duì)于線的組織表現(xiàn)了線條之間恰當(dāng)?shù)脑煨完P(guān)系，體現(xiàn)了線的速度、節(jié)奏和韻律的秩序和美感特色。任伯年對(duì)于傳統(tǒng)藝術(shù)孜孜不倦的追求，讓他深深領(lǐng)悟到了傳統(tǒng)藝術(shù)的精髓所在，在此基礎(chǔ)上進(jìn)行自我轉(zhuǎn)化，將線的表現(xiàn)烙上自己的印記，，他是中國(guó)畫(huà)史上的一座豐碑，為我們的學(xué)習(xí)以及自我修養(yǎng)的提升提供了一個(gè)良好范本。 任伯年藝術(shù)功底深厚，在繪畫(huà)領(lǐng)域取得了極大的成就，并得到許多畫(huà)壇巨匠的好評(píng)。任伯年獨(dú)具特色的用線方法和表現(xiàn)形式也對(duì)后世產(chǎn)生了深刻影響，尤其是他用筆、用色、章法、造型和構(gòu)圖等特色對(duì)后世畫(huà)家影響較大。今天的中國(guó)繪畫(huà)藝術(shù)盡管受到西方藝術(shù)的深刻影響，但線的裝飾性特點(diǎn)依然十分活躍，線在中國(guó)繪畫(huà)中所表現(xiàn)出的審美追求不但沒(méi)有因此而受到削弱，反而在一定程度上還得到了加強(qiáng)，這是和我們傳統(tǒng)畫(huà)法以及先輩們的努力和成就是分不開(kāi)的。
[Abstract]:Lines are divided into straight lines and curves, both straight lines and curves are the most basic means of expression in Chinese painting, is the skeleton and fulcrum of Chinese painting. The artistic expression of Chinese painting is mainly expressed by lines. The direct expression of all kinds of objects in nature is to draw out the outer contour lines of the objects with lines, which is the way to express the object images by line drawing. Ren Bonian is an outstanding painter in modern China. Because of the relationship of his time and environment, he has established his own family in the technique and innovation of the use of lines. The spirit of the times and the traditional artistic beauty of the nation have been integrated, and without the trace of the axe. The features of using line in Ren Bonian figure painting are its unique "decorative" line, and its "nail head and mouse tail drawing" with its own characteristics. In the portrait, Ren Bonian shows the proper relationship between lines and reflects the order and aesthetic characteristics of the speed, rhythm and rhythm of the line. Ren Bonian's tireless pursuit of traditional art, let him deeply understand the essence of traditional art, on the basis of self-transformation, the performance of the line branded their own mark, he is a monument in the history of Chinese painting, It provides a good model for our study and self-cultivation. Ren Bonian has a deep foundation of art, has made great achievements in the field of painting, and has been praised by many painters. Ren Bonian's unique methods and forms of expression also had a profound impact on the later generations, especially his characteristics of pen, color, composition, modeling and composition, which had a great influence on the painters of later generations. Although today's Chinese painting art is deeply influenced by western art, the decorative features of the line are still very active, and the aesthetic pursuit shown by the line in Chinese painting has not been weakened as a result. But to some extent, it has been strengthened, which is inseparable from our traditional painting and the efforts and achievements of our predecessors.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

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