本文選題：倫勃朗 + 用光　； 參考：《中央美術(shù)學(xué)院》2014年碩士論文

【摘要】：選取對(duì)荷蘭畫家倫勃朗繪畫用光與體積的研究來(lái)展現(xiàn)中國(guó)古代經(jīng)典文人之一的孔子形象，用油畫這種西方的藝術(shù)語(yǔ)言來(lái)展現(xiàn)古典中華的歷史和精神。倫勃朗的諸多油畫、版畫作品中，人物的光線采用了強(qiáng)烈的聚光燈般的效果，使畫面產(chǎn)生了強(qiáng)烈的視覺(jué)沖擊力，，突出了畫面的主體和人物的精神內(nèi)涵。倫勃朗發(fā)展了光線的明暗對(duì)比和豐富色調(diào)的表達(dá)，畫面的用光奇特，極具魅力。我將倫勃朗作品里對(duì)光線與體積及空間的研究用在自己的油畫孔子創(chuàng)作中來(lái)，我的兩幅畢業(yè)創(chuàng)作的題目分別是《圣道——孔子與顏回》和《圣殤——哀麟》，這兩幅油畫選取的都是以中國(guó)古代經(jīng)典文化中的孔子形象作為繪畫的對(duì)象，用西方的油畫來(lái)展現(xiàn)中國(guó)古代經(jīng)典文人的孔子形象及其崇高的精神境界。孔子一生述而不作，而《春秋》這本書是孔子唯一作的一書。孔子曾經(jīng)說(shuō)過(guò)：“后世知我者唯春秋，罪我者亦唯春秋”。我這兩幅油畫創(chuàng)作都是以《春秋》孔子為主線來(lái)進(jìn)行描繪的，展現(xiàn)了孔子為何作《春秋》以及何時(shí)作《春秋》的重要?dú)v史時(shí)刻。以便更豐富精彩動(dòng)人地表現(xiàn)孔子跌宕起伏的人生和事業(yè)中綻放出的思想光輝。
[Abstract]:This paper selects the study of the Dutch painter Rembrandt to show the image of Confucius, one of the classical literati in ancient China, and the western artistic language of oil painting to show the history and spirit of classical China. Rembrandt's many oil paintings, printmaking works, the character's light has adopted the intense spot lamp effect, causes the picture to produce the intense visual impact, has highlighted the picture main body and the character's spirit connotation. Rembrandt developed the contrast of light and dark and the rich tone expression. I used the study of light, volume and space in Rembrandt's work in my own oil painting Confucius. The titles of my two graduation creations are "Shengdao Confucius and Yan Hui" and "Shengmao-Ai Lin". These two paintings are both selected from the image of Confucius in ancient Chinese classical culture as the object of painting. The western oil painting is used to show the image of Confucius and the lofty spiritual realm of the classical literati in ancient China. Confucius wrote nothing in his life, and this book is the only one Confucius has written. Confucius once said: "the future knows me only the Spring and Autumn, I also sin the Spring and Autumn." My two oil paintings are described by Confucius, which shows why Confucius made Spring and Autumn and when he made Spring and Autumn. In order to more colorful and moving performance of Confucius's ups and downs of life and career blooming thought brilliance.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

【共引文獻(xiàn)】

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1 鐘云瑞;;先秦禮器概貌研究[J];陜西職業(yè)技術(shù)學(xué)院學(xué)報(bào);2014年03期

2 鐘云瑞;;先秦禮器類舉及其演化研究[J];普洱學(xué)院學(xué)報(bào);2014年05期

3 宋杰;;漢代“棄市”與“殊死”辨析[J];中國(guó)史研究;2015年03期

4 鐘云瑞;;孔子后學(xué)之《尚書》學(xué)研究芻議[J];信陽(yáng)師范學(xué)院學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2015年05期

相關(guān)碩士學(xué)位論文 前2條

1 任新;《春秋》禮學(xué)研究[D];廣西師范大學(xué);2011年

2 方麗萍;先秦至兩漢子路形象的變遷及文化意義[D];西南大學(xué);2014年

本文編號(hào)：2092457