本文選題：裝飾性繪畫語言 + 繪畫語言特征��； 參考：《內蒙古師范大學》2013年碩士論文

【摘要】：當代內蒙古許多畫家在油畫創(chuàng)作中不斷探索著具有裝飾趣味的油畫。他們都曾經(jīng)對外來及本土藝術進行深入研究、借鑒并使之融合，并以自己獨特的方式運用著不同趨向的裝飾性繪畫語言，述說著畫家內心的自我感受。盡管當代東西方文化交流日趨頻繁，文化相互滲透，使民族的意識語言的界限有所淡化而模糊，但其作品的色彩語言所表現(xiàn)出的藝術靈魂不會變，所折射出的這個民族的時代精神不會變。我們應認識到現(xiàn)代不是傳統(tǒng)的否定和斷裂，現(xiàn)代藝術是傳統(tǒng)藝術的延續(xù)和演變，努力發(fā)現(xiàn)民族的繪畫藝術精髓，在創(chuàng)造既有傳統(tǒng)又是現(xiàn)代的，既有油畫精髓又具民族精神作品的努力過程中，將傳統(tǒng)藝術與現(xiàn)代油畫結合起來，將大眾需求和文化品位結合起來，去探索有自己風格的作品。在一定程度上使用裝飾性語言的油畫絕不能等同于裝飾畫，否則就會變味跑調，不利于油畫藝術的研究和發(fā)展。在繪畫作品中適當注入裝飾性因素，對油畫的表現(xiàn)形式與意境是一種開拓，是有益的創(chuàng)新途徑之一。內蒙古油畫前途要靠內蒙古油畫家對自身的民族文化精神的覺悟，自身的思考智慧與艱辛的探索才能獲得。同時構建有益于民族文明進步的文化價值觀，為之奮斗的人生觀。我們要站在歷史的高度和世界的寬度，在發(fā)揚本民族優(yōu)秀傳統(tǒng)文化和吸取外來文化的精華的創(chuàng)造中堅持自尊、自信、自強和自立的精神。促進當代內蒙古美術創(chuàng)作的繁榮，，創(chuàng)造具有鮮明的民族特色，飽滿的時代精神和真誠的個性特征的內蒙古風格油畫。內蒙古當代油畫表現(xiàn)語言所傳達出的地域文化內涵、民族情感、時代氣息及多民族群體文化審美思想等諸多方面,都是值得我們關注和研究的。
[Abstract]:Many contemporary artists in Inner Mongolia have been exploring oil paintings with decorative taste in oil painting creation. They have studied foreign and native art deeply, used it for reference and combined it, and used the decorative painting language with different trends in their own unique way to describe the painter's inner feelings. Although the cultural exchanges between the East and the West are becoming more and more frequent and the cultures infiltrate each other, the boundaries of the national consciousness and language are diluted and blurred, but the artistic soul of the color language of his works will not change. The spirit of the times reflected in this nation will not change. We should realize that modern art is not the negation and rupture of tradition, modern art is the continuation and evolution of traditional art, and strive to discover the essence of the national painting art, which is both traditional and modern in creating, In the process of both the essence of oil painting and the work of national spirit, the combination of traditional art and modern oil painting, the combination of popular demand and cultural taste, to explore the work with its own style. To a certain extent, the use of decorative language oil painting can not be equated with decorative painting, otherwise it will change the tone, which is not conducive to the research and development of oil painting art. Properly injecting decorative factors into painting works is one of the beneficial innovative ways to develop the expression and artistic conception of oil painting. The future of Inner Mongolia oil painting depends on the inner Mongolia oil painters' awareness of their own national cultural spirit, their own thinking wisdom and hard exploration. At the same time, the construction of cultural values conducive to the progress of national civilization, fighting for the outlook on life. We should stand at the height of history and the width of the world, and persist in the spirit of self-esteem, self-confidence, self-improvement and self-reliance in the creation of carrying forward our nation's excellent traditional culture and absorbing the essence of foreign culture. To promote the prosperity of contemporary Inner Mongolia fine arts creation, to create a distinctive national characteristics, full of the spirit of the times and sincere personality characteristics of Inner Mongolia style oil painting. The regional cultural connotation, national emotion, the atmosphere of the times and the cultural aesthetic thoughts of multi-ethnic groups conveyed by the contemporary oil painting of Inner Mongolia are worthy of our attention and study.
【學位授予單位】：內蒙古師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J213

【參考文獻】

相關期刊論文 前1條

1 方舟;內蒙古美術40年巡禮[J];美術;1987年09期

本文編號：2091496