本文選題：女性油畫家 + 創(chuàng)作思想�。� 參考：《渤海大學(xué)》2013年碩士論文

【摘要】：在當(dāng)代中國社會中，女性意識不斷覺醒，女性話語權(quán)的問題不斷被提起，因此關(guān)于女性的話題也成為了當(dāng)今文化的熱點話題，女性油畫家在當(dāng)代受到了越來越多的關(guān)注，并不斷的被藝術(shù)界探討與研究。有關(guān)女性的文化也終于從歷史的重重迷霧中走出來，同時產(chǎn)生了越來越多的女性油畫家。她們通過自我體驗和自我思考表現(xiàn)出了她們特有的思考問題的方式，通過繪畫的方式再現(xiàn)她們的情感并通過一定的藝術(shù)語言表達(dá)出來，女性油畫家們以其獨特的思維方式和對人性的思考照亮人類心靈的每個角落。 在漫長的歷史歲月中女性藝術(shù)被歷史的塵沙所淹沒，沒有被人們發(fā)現(xiàn)也沒有受到應(yīng)有的重視，一直被隱藏在以男性藝術(shù)為主流藝術(shù)的陰影里。直到20世紀(jì)受西方女權(quán)主義的影響被忽略的女性藝術(shù)才得到關(guān)注并且開始進(jìn)行研究。90年代以后，女性繪畫才得到迅速的發(fā)展，并呈現(xiàn)出一種不同于男性藝術(shù)的獨特視角。女性藝術(shù)不再是作為男性藝術(shù)的附屬品而存在，開始了對自身的認(rèn)識并且在性別差異中發(fā)現(xiàn)自身的價值。由于女性在心里和生理上的差異，使得女性藝術(shù)家創(chuàng)作的藝術(shù)作品在題材和表現(xiàn)上都有獨特之處，并且對藝術(shù)有著不同于男性的認(rèn)識。 女性油畫家是作為一個特殊的群體而存在的，她們有著特殊的生理和心理特征。她們的繪畫創(chuàng)作更側(cè)重于內(nèi)心情感的表達(dá)，表達(dá)方式也更加細(xì)膩，，關(guān)注自身和日常生活中的人或事物，注重自我情感體驗的表達(dá)和對生命的獨特感悟，而很少去關(guān)注社會中的重大歷史事件和國家大事。女性畫家受女性意識和女性視角的指導(dǎo)，用不同于男性的繪畫方式和審美眼光去描繪世界。在表現(xiàn)手法上，喜愛獨特的構(gòu)圖形式，優(yōu)美的人物造型和絢麗的色彩。當(dāng)代女性油畫家們以其特有的女性視角、女性經(jīng)驗、女性繪畫語言、女性意識，構(gòu)成了女性藝術(shù)不同于主流藝術(shù)即男性藝術(shù)的獨特魅力和藝術(shù)內(nèi)涵，她們是這個時代的代言人。
[Abstract]:In contemporary Chinese society, the consciousness of women has been awakened and the issue of women's right to speak has been raised constantly. Therefore, the topic of women has also become a hot topic in today's culture. More and more attention has been paid to female oil painters in the contemporary era. And continue to be the art community to explore and research. The culture of women has finally emerged from the fog of history, and a growing number of female oil painters have emerged. They express their unique way of thinking through self-experience and self-thinking, reproduce their feelings through the way of painting and express them through a certain artistic language. Female oil painters illuminate every corner of human mind with their unique way of thinking and thinking about human nature. In the long historical years, female art has been submerged by the dust of history, has not been found by people and has not received due attention, has been hidden in the shadow of male art as the mainstream art. It was not until the 20th century, when the influence of western feminism was neglected, that the female art was concerned and began to study. After the 1990s, the female painting developed rapidly and presented a unique angle of view different from that of the male art. Female art no longer exists as an accessory to male art, but begins to recognize itself and find its value in gender differences. Because of the difference between women's mind and physiology, the artistic works created by female artists are unique in subject matter and performance, and they have different understanding of art from men. As a special group, female oil painters have special physiological and psychological characteristics. Their paintings focus more on the expression of their inner feelings, the expression of more delicate ways, pay attention to themselves and the daily life of people or things, pay attention to the expression of their own emotional experience and the unique feelings of life, Little attention is paid to major historical events and state events in society. Female painters, guided by female consciousness and perspective, paint the world differently from men. In the expression technique, likes the unique composition form, the graceful personage modelling and the gorgeous color. Contemporary female oil painters, with their unique female perspective, female experience, female painting language, and female consciousness, constitute the unique charm and artistic connotation of female art, which is different from mainstream art, that is, male art, and they are the spokesmen of this era.
【學(xué)位授予單位】：渤海大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 陶詠白;走向自覺的女性繪畫[J];美術(shù)觀察;1997年03期

2 午言;藝術(shù)分性別嗎?[J];美術(shù)觀察;1999年03期

本文編號：2089300