本文選題：都市題材 + 水墨人物畫�。� 參考：《中央美術(shù)學(xué)院》2013年碩士論文

【摘要】：第一章首先對(duì)水墨人物畫的發(fā)展歷程進(jìn)行了一個(gè)簡短的梳理,并通過對(duì)徐悲鴻,蔣兆和,周思聰?shù)戎T多藝術(shù)家的分析將整個(gè)論文從藝術(shù)發(fā)展史以及學(xué)術(shù)史的梳理中直接帶入到“水墨人物與都市題材相遇并融合”這個(gè)主題上來。 第二章則主要分三個(gè)部分來闡釋當(dāng)代都市水墨人物畫的發(fā)展?fàn)顩r： 首先分析了其發(fā)展的背景和原因：西方先進(jìn)的藝術(shù)思潮是外在助推力,它促使了對(duì)多元化的藝術(shù)語言的探索,為新時(shí)代關(guān)注當(dāng)下的都市水墨人物畫的發(fā)展提供了條件；而社會(huì)內(nèi)部結(jié)構(gòu)的變革則成為藝術(shù)發(fā)展的內(nèi)在動(dòng)因。 其次分析了其形式語言特征：都市水墨人物畫家在探索中發(fā)展出一套與當(dāng)代社會(huì)價(jià)值體系和他們自身價(jià)值體系相吻合的形式語言。它的兩個(gè)特點(diǎn)：即“當(dāng)下性”與“民族性”。 最后分析了其與傳統(tǒng)水墨人物畫的區(qū)別：即造型上的靈動(dòng)性、構(gòu)圖上的隨意性、以及材料上的豐富性,如此在增強(qiáng)圖像本身的視覺沖擊力的同時(shí),也擴(kuò)展了傳統(tǒng)繪畫的表現(xiàn)空間。而在時(shí)代風(fēng)格上,積極尋求并適應(yīng)大眾的審美需要,直達(dá)生活的地面。 繼而有針對(duì)性的對(duì)當(dāng)代都市水墨藝術(shù)家的實(shí)踐探索進(jìn)行了個(gè)案分析：即田黎明在畫面呈現(xiàn)上的純凈淡雅、劉慶和在形象塑造上的生動(dòng)詼諧、以及王彥萍以其女性視角再現(xiàn)心境與生活的交織。 第三章則談到了其對(duì)創(chuàng)作的啟示和影響,包括如下四個(gè)方面：首先是創(chuàng)作態(tài)度上的真誠；其次是創(chuàng)作方法上要注重交流,既有與模特兒四目相對(duì)的觀察與溝通,更是畫家自身通過模特兒反觀自身,對(duì)自己心靈的對(duì)話；第三是對(duì)自己的要求,那就是在熟練掌握繪畫特性的基礎(chǔ)上要多練,量的積累永遠(yuǎn)都重要；第四是一個(gè)展望,筆者堅(jiān)信,都市題材與水墨人物畫的結(jié)合已經(jīng)起了諸多的關(guān)注,而在探索繪畫與當(dāng)下社會(huì)、文化的對(duì)話中,都市水墨人物畫必將貢獻(xiàn)其獨(dú)特的力量。
[Abstract]:In the first chapter , a brief review is made on the development course of the ink and ink painting , and through the analysis of many artists such as Xu Beihong , Jiang Zhaohe and Zhou Siong , the whole paper is brought directly into the theme of " Meeting and merging the characters of the ink and the city " from the combing of the history of art development and the academic history .

Chapter 2 is divided into three parts :

Firstly , the background and reasons of its development are analyzed : the advanced western art trend is the external boost , it promotes the exploration of the pluralistic art language , and provides the conditions for the new era to pay attention to the development of the contemporary Chinese ink and ink painting .
The change of the internal structure of society becomes the intrinsic motivation of art development .

Secondly , it analyses the characteristics of its formal language : the urban water - ink figure painter developed a formal language which accords with the contemporary social value system and their own value system in the exploration . It has two characteristics : " current " and " nationality " .

At last , the differences between traditional Chinese ink and ink painting are analyzed : the flexibility on the model , the randomness of the composition and the richness of the material , so as to enhance the visual impact force of the image itself , it also expands the expression space of the traditional painting , and in the times style , actively seek and adapt to the aesthetic needs of the public and reach the living ground .

Then , the author makes a case study on the practical exploration of contemporary urban water - ink artists : the pure and elegant appearance of Tian Li Ming in the picture , Liu Qing and the vivid witty humor in the image shaping , and Wang Yanping ' s interweave of the mood and life with its female perspective .

Chapter Three discusses its inspiration and influence on creation , including the following four aspects : Firstly , it is the sincerity of creative attitude ;
Secondly , it should pay attention to the communication in the creation method , not only the observation and communication with the four eyes of the model , but also the dialogue between the painter himself and the model .
The third is to ask oneself , that is to master the painting characteristic on the basis of practice , the accumulation of quantity is always important ;
The fourth is a perspective , the author firmly believes that the combination of urban theme and ink - ink painting has attracted many attention , while in exploring the dialogue between painting and the present society and culture , urban water and ink figure painting will contribute its unique power .
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 隋惠婷;淺析當(dāng)代都市水墨人物畫[D];曲阜師范大學(xué);2011年

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本文編號(hào)：2087726