本文選題：倪貽德 + 水彩風景畫　； 參考：《內(nèi)蒙古師范大學》2014年碩士論文

【摘要】：水彩畫作為一門外來畫種，傳入中國只有百年的歷史，卻在中國的大地上漸漸成長為一種具有民族特色的畫種，在其成長的過程中，畫家倪貽德為中國特色的水彩畫體系做出了巨大的貢獻。 倪貽德是著名的水彩畫家，在水彩畫領(lǐng)域中他親身的探索與實踐，編寫了水彩畫理論著作，，對當時水彩畫的普及與學習產(chǎn)生了重大的影響。 倪貽德曾深受西方現(xiàn)代主義繪畫的影響，他深入的鉆研西方現(xiàn)代主義的各種風格。但沒有被西方現(xiàn)代派的形式主義束縛而突破形式美的研究。他對自然的風景有深刻的情感，但沒有照抄照搬自然的一切，他對風景構(gòu)圖取舍有度，意在傳達風景背后的意境之美。倪貽德的作品表現(xiàn)出單純、明快、堅實的風格。 本文以個案研究法分三部分論述倪貽德的水彩畫藝術(shù)研究。其結(jié)構(gòu)如下：一、倪貽德先生繪畫藝術(shù)形成的背景，二、倪貽德水彩風景畫的特點，三、倪貽德先生的藝術(shù)成就和影響。
[Abstract]:Watercolor painting, as a kind of exotic painting, has been introduced into China for only a hundred years, but it has gradually grown into a kind of painting with national characteristics in the land of China, and in the process of its growth, The painter Ni Yide has made great contributions to the watercolor painting system with Chinese characteristics. Ni Yide is a famous watercolor painter, in the field of watercolor painting, he personally explored and practiced, wrote the watercolor painting theory works, which had a great influence on the popularization and study of watercolor painting at that time. Ni Yide was deeply influenced by western modernism painting, and he deeply studied various styles of western modernism. However, it is not restricted by the formalism of western modernism to break through the study of formal beauty. He has deep feelings for the natural scenery, but does not copy everything of nature. He chooses and chooses the landscape composition to convey the beauty of the artistic conception behind the scenery. Ni Yide's works show a simple, bright, solid style. In this paper, case study method is divided into three parts to discuss Ni Yide's watercolor art research. Its structure is as follows: first, the background of the formation of Mr. Ni Yide's painting art; secondly, the characteristics of Ni Yide's watercolor landscape painting; thirdly, the artistic achievement and influence of Mr. Ni Yide.
【學位授予單位】：內(nèi)蒙古師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J215

【參考文獻】

相關(guān)期刊論文 前2條

1 陽穎明;;關(guān)于小幅水彩再度“時髦”的分析思考[J];美術(shù)教育研究;2011年11期

2 楊成寅;;倪貽德的藝術(shù)理論[J];新美術(shù);1982年02期

本文編號：2081340