發(fā)布時(shí)間：2018-06-29 05:16

  本文選題：當(dāng)代工筆畫 + 黑白形式�。� 參考：《江西師范大學(xué)》2014年碩士論文

【摘要】：唐宋時(shí)期的工筆畫設(shè)色艷麗，畫風(fēng)雅致工細(xì)，元明清時(shí)期重寫意，設(shè)色淡雅，近現(xiàn)代則受到中西文化交流的影響色彩豐富，形式多元。集合了前人藝術(shù)成果，當(dāng)代工筆畫的發(fā)展則可謂是在色彩、內(nèi)容、形式上極具創(chuàng)新性的發(fā)展時(shí)期。 本文從傳統(tǒng)黑白設(shè)色工筆畫和當(dāng)代黑白設(shè)色工筆畫著手，論述古今黑白設(shè)色工筆畫在形式與內(nèi)容上的不同，立足近五屆全國美展的黑白設(shè)色工筆畫和當(dāng)代黑白設(shè)色工筆畫作品（以北禪寫真院畫家和當(dāng)代工筆畫家喻慧、竇建波、楊宇）這一藝術(shù)現(xiàn)象入手，分析“黑白”在作品形式與內(nèi)容中的協(xié)調(diào)關(guān)系以及畫家對黑白的選擇依據(jù)、表現(xiàn)手法，揭示人們的審美心理需求，探討黑白極色在當(dāng)代黑白設(shè)色工筆畫中的使用淵源，，主要從老子的“五色令人目盲”和“陰陽圖”等傳統(tǒng)哲學(xué)和美學(xué)思想、“少即是多”的西方設(shè)計(jì)理念和以黑白關(guān)系為主的素描藝術(shù)這三方面來探討黑白極色的使用淵源。探索當(dāng)代黑白設(shè)色工筆畫中的黑白在藝術(shù)創(chuàng)作活動中的形式規(guī)律，認(rèn)識黑白極色在傳統(tǒng)文化中的特殊性，關(guān)注其在當(dāng)今畫壇的存在現(xiàn)象并加強(qiáng)人們對傳統(tǒng)形態(tài)新的探索，結(jié)合時(shí)代審美心理在黑白的藝術(shù)中尋找一條樸實(shí)的藝術(shù)道路。
[Abstract]:The fine brushwork of Tang and Song dynasties was colorful, elegant and fine. During the Yuan, Ming and Qing dynasties, the painting was easy and elegant, but in modern times it was influenced by the cultural exchange between China and the West in rich colors and diversified forms. Collection of previous artistic achievements, the development of contemporary fine brushwork can be described as color, content, form is a very innovative period of development. Starting from the traditional black and white painting and contemporary black and white painting, this paper discusses the difference between the form and content of the black and white painting. Based on the art phenomenon of black and white painting and contemporary black and white painting (North Zen Photography Academy painter and contemporary meticulous painters Yu Hui, Dou Jianbo, Yang Yu) of the National Art Exhibition of recent five years, This paper analyzes the harmonious relationship between the form and content of "black and white" and the basis of the painter's choice of black and white, reveals the aesthetic psychological needs of people, and probes into the origin of the use of black and white polar color in contemporary black and white painting. This paper mainly discusses the use of black and white color from the three aspects of Laozi's traditional philosophy and aesthetics such as "five colors are blinding" and "Yin and Yang Pictures", "less is more" and "less is more" and drawing art is mainly black and white. To explore the form law of black and white in contemporary black and white painting, to understand the particularity of black and white color in traditional culture, to pay attention to the existence of black and white color in the contemporary painting world and to strengthen people's new exploration of traditional form. Combine the aesthetic psychology of the times to seek a simple art road in black and white art.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

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本文編號：2081013