發(fā)布時(shí)間：2018-06-29 02:14

  本文選題：鋼筆淡彩 + 動(dòng)畫場(chǎng)景�。� 參考：《湖南師范大學(xué)》2014年碩士論文

【摘要】：動(dòng)畫產(chǎn)業(yè)作為新興產(chǎn)業(yè),發(fā)展迅速,具有從兒童到老年人的跨年齡受眾群體。隨著動(dòng)畫產(chǎn)業(yè)的深入發(fā)展,動(dòng)畫場(chǎng)景的設(shè)計(jì)也開始進(jìn)入到復(fù)雜化與多樣化的階段。受眾對(duì)于動(dòng)畫主題以及故事情節(jié)具有嚴(yán)格要求的同時(shí),也開始要求動(dòng)畫場(chǎng)景的表達(dá)效果。 鋼筆淡彩是以鋼筆作為主要?jiǎng)?chuàng)作工具,以線條作為主要造型方法,用色彩加強(qiáng)視覺效果,烘托氛圍的的藝術(shù)創(chuàng)作形式。鋼筆淡彩表現(xiàn)技法具有準(zhǔn)確性、概括性、真實(shí)性、藝術(shù)性的特點(diǎn),其尤其適合一些景物繁多的綜合性場(chǎng)景的描繪。 鋼筆畫的創(chuàng)作特點(diǎn)能夠滿足受眾對(duì)于動(dòng)畫場(chǎng)景的需求,快捷的表現(xiàn)出真實(shí)性高的景觀。但是對(duì)于國內(nèi)外的動(dòng)畫場(chǎng)景研究發(fā)現(xiàn),鋼筆淡彩在動(dòng)畫場(chǎng)景中的使用并不是很豐富,其主要是作為輔助性手法使用�；诖�,筆者選擇鋼筆淡彩表現(xiàn)技法在動(dòng)畫場(chǎng)景中的應(yīng)用進(jìn)行研究。 本文首先對(duì)鋼筆淡彩和動(dòng)畫場(chǎng)景設(shè)計(jì)進(jìn)行了概述分析,詳細(xì)解釋了鋼筆淡彩的基本特點(diǎn)、表現(xiàn)工具與材料,提出鋼筆淡彩常用的技法表現(xiàn)形式與藝術(shù)內(nèi)涵；概括了動(dòng)畫場(chǎng)景設(shè)計(jì)的概念,并分析了動(dòng)畫場(chǎng)景設(shè)計(jì)的內(nèi)容、作用、分類及審美特性,為下文的研究做好鋪墊。 其次對(duì)于鋼筆淡彩形式美的單純與凝練和藝術(shù)真實(shí)在動(dòng)畫場(chǎng)景設(shè)計(jì)中的作用進(jìn)行了詳細(xì)的論述,提出了寫實(shí)、裝飾、寫意三種應(yīng)用方法。隨之綜合所有因素對(duì)鋼筆淡彩表現(xiàn)技法在動(dòng)畫場(chǎng)景設(shè)計(jì)中線條、色彩、肌理的具體實(shí)踐應(yīng)用進(jìn)行了深入的分析。 最后提出了幾點(diǎn)鋼筆淡彩表現(xiàn)技法應(yīng)用在動(dòng)畫場(chǎng)景設(shè)計(jì)中的啟示。雖說鋼筆淡彩有其局限性,使用范圍并不廣泛,但它也具備獨(dú)有的特點(diǎn)與魅力,是其它藝術(shù)形式不可替代的,在今后的發(fā)展過程中鋼筆淡彩技法將會(huì)與更多的新興繪畫材料相結(jié)合,從而以新的方式應(yīng)用到動(dòng)畫場(chǎng)景的設(shè)計(jì)中。
[Abstract]:Animation industry, as a new industry, has a cross-age audience from children to the elderly. With the development of animation industry, the design of animation scene has entered the stage of complexity and diversification. Audience has strict requirements for animation themes and storylines, but also began to require animation scene expression effect. Pen light color is a form of artistic creation in which the pen is the main creative tool, the line is the main modeling method, the visual effect is strengthened with color, and the atmosphere is footed. Pen light color performance technique has the characteristics of accuracy, generality, authenticity and artistry, which is especially suitable for the comprehensive scene description of various scenery. The creation characteristics of steel strokes can meet the needs of the audience for the animation scene, and quickly show the high authenticity of the landscape. But for the domestic and foreign animation scene research found that the pen light color in the animation scene is not very rich, it is mainly used as a supplementary technique. Based on this, the author chooses the pen light color expression technique in the animation scene application to carry on the research. In this paper, the design of pen light color and animation scene is summarized and analyzed, the basic characteristics, performance tools and materials of pen light color are explained in detail, and the expression forms and artistic connotations of pen light color are put forward. This paper summarizes the concept of animation scene design, and analyzes the content, function, classification and aesthetic characteristics of animation scene design. Secondly, the paper discusses in detail the function of pen light color formal beauty and artistic reality in the animation scene design, and puts forward three application methods: realism, decoration and freehand brushwork. Combined with all the factors, the paper deeply analyzes the practical application of pen light color expression technique in the animation scene design of line, color and texture. Finally, several points of pen light color performance techniques applied in the animation scene design inspiration. Although the pen has its limitations, it is not widely used, but it also has unique characteristics and charm, which can not be replaced by other art forms. In the future development process, the pen light color technique will be combined with more new drawing materials, so it can be applied to the animation scene design in a new way.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J218.7

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