本文選題：“殘破感” + 敦煌壁畫��； 參考：《上海師范大學(xué)》2017年碩士論文

【摘要】：我的創(chuàng)作與主題是圍繞著自己內(nèi)心世界的傷痛感以及敦煌壁畫中剝落的殘破形式研究展開。選擇這個(gè)主題一方面是出于我個(gè)人對(duì)生命的不安而產(chǎn)生的各種情緒,另一方面是因?yàn)槲曳浅Ｃ詰俣鼗捅诋嬛薪?jīng)過“歲月浸染”的褪色變色后的顏色以及剝落的殘破的畫面效果。在中國原有的藝術(shù)中,漢代美術(shù)大多表達(dá)現(xiàn)世的安樂,五代遨游于山水之間,只有敦煌壁畫,帶給我強(qiáng)烈的內(nèi)心共鳴,直指心靈深處。也許,正是因?yàn)樵挤饌鞴适录氨旧?jīng)變故事中充滿了對(duì)生命極悲慘強(qiáng)烈的敘述與描寫,導(dǎo)致我無形中將內(nèi)心的悲涼寄情于壁畫“殘破”中。在我的印象中,接觸過的西方文化(繪畫、音樂、詩歌、電影)遠(yuǎn)多于中國傳統(tǒng)文化。雖然一直接受傳統(tǒng)學(xué)院教育,奇怪的是我一直向“外”擴(kuò)張好奇心,然后停留在中國古代壁畫與當(dāng)代藝術(shù)中吸收些許養(yǎng)分�？釔蹚�(qiáng)烈的藝術(shù)表現(xiàn)手法,注重表達(dá)直觀感受與內(nèi)心情緒。文章從三大塊論述主題,首先是研究的背景及意義,關(guān)于殘破感的界定。接著是對(duì)自己內(nèi)心世界的剖析及表達(dá)方式的探索。最后是結(jié)合自己的創(chuàng)作,總結(jié)創(chuàng)作感想及領(lǐng)悟的要點(diǎn)。
[Abstract]:My creation and theme revolve around the feeling of pain in my inner world and the broken form of the Dunhuang frescoes. The choice of this theme is based, on the one hand, on my personal uneasiness with life, on the other hand, on my fascination with the faded and discolored color and the dilapidated image of the Dunhuang frescoes. In the original art of China, the Han Dynasty art mostly expresses the peace of the present world, the five dynasties roam between the mountains and rivers, only Dunhuang murals bring me strong inner resonance, pointing directly to the deep heart. Perhaps, it is precisely because the original stories of Buddhism and the story of the changes in this life are full of very tragic and intense narration and description of life, which leads me to imperceptibly place my inner sadness in the murals "broken". In my impression, there are far more Western cultures (painting, music, poetry, movies) than traditional Chinese culture. Although I have been educated in traditional colleges, it is strange that I have been expanding my curiosity towards "outside", and then staying in ancient Chinese murals and contemporary art to absorb some nutrients. Love strong artistic expression, pay attention to express intuitive feelings and inner emotions. This paper discusses the theme from three parts, first of all, the background and significance of the study, the definition of the sense of fragmentation. Then is the analysis of their inner world and the exploration of the way of expression. Finally, combined with their own creation, summary of creative feelings and understanding of the main points.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J205
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本文編號(hào)：2073712