本文選題：荷蘭繪畫 + 時代性　； 參考：《江蘇第二師范學(xué)院學(xué)報》2016年08期

【摘要】：黑格爾認為荷蘭繪畫在題材上從單一莊嚴的宗教虔敬轉(zhuǎn)到了現(xiàn)時代的世俗生活,表現(xiàn)的范圍大大擴展了,引導(dǎo)這一轉(zhuǎn)變的是新喚醒的心靈的自由活潑,因而其作品呈現(xiàn)出一種快樂和明朗氣氛。為了對荷蘭繪畫做出更完滿的評價,黑格爾仔細考察了它的起源,民族生存發(fā)展的歷史成了解釋荷蘭繪畫最切近的資源,他還具體地指出了自然環(huán)境對繪畫的影響,并且盛贊荷蘭人是德意志民族精神的體現(xiàn)。此外,黑格爾的論述還包含著繪畫是人心靈勞作的產(chǎn)物,具有高貴神圣性,是實現(xiàn)精神自我提升的方式等思想,并且部分地論及了人的本質(zhì)和主體生成。
[Abstract]:Hegel believed that Dutch painting had changed from a single solemn religious religion to a secular life of the present era, and the scope of expression had been greatly expanded. It was the freedom and vivacity of the newly awakened mind that led to this change. Therefore, his works show a happy and bright atmosphere. In order to make a more complete evaluation of Dutch painting, Hegel carefully examined its origin. The history of national survival and development became the closest resource to explain Dutch painting. He also specifically pointed out the impact of natural environment on painting. And praised the Dutch is the embodiment of the German national spirit. In addition, Hegel's exposition also contains the idea that painting is the product of human mind work, has noble sanctity, is the way to achieve spiritual self-improvement, and partly discusses the essence of human beings and the formation of subject.
【作者單位】： 華中師范大學(xué)馬克思主義學(xué)院;
【分類號】：J205
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本文編號：2071863