本文選題：東北油畫 + 油畫風景�。� 參考：《吉林大學》2017年碩士論文

【摘要】：油畫(oil painting)是在15世紀以前的歐洲蛋彩畫的基礎(chǔ)之上發(fā)展而來,從起源時期到近現(xiàn)代時期一直是西洋畫的主要畫種之一。油畫是在亞麻布、紙板或木板上使用松節(jié)油和干性的亞麻仁油等主要材料作畫的畫種,其畫面顏料具有較強的硬度,材料干燥后畫面也能在較長時間內(nèi)保持光澤,因此油畫能夠憑借著顏料的遮蓋力和透明性能充分地表現(xiàn)描繪對象的各種特征,并且色彩豐富、立體質(zhì)感強。油畫藝術(shù)作為西洋畫的主要畫種,其在我國東北地區(qū)的發(fā)展時間較短,但是這并不影響油畫藝術(shù)同東北地區(qū)本土繪畫藝術(shù)之間的相互融合、借鑒與發(fā)展。東北油畫在幾代東北油畫藝術(shù)家的共同努力和艱苦探索中逐漸形成了自成一脈的繪畫內(nèi)容和藝術(shù)風格。東北地區(qū)的油畫藝術(shù)也逐漸成為東北地區(qū)油畫家和廣大群眾的獨特藝術(shù)語言,在多樣與質(zhì)樸的藝術(shù)氛圍之中,東北油畫在藝術(shù)水平、表現(xiàn)層次上有了很大的提升。東北風景油畫是我國風景畫的重要組成部分,而風景畫不僅僅是對特定事物的特定狀態(tài)的固定保存,更是一個地區(qū)在特定時期的發(fā)展特征的記錄,代表著特定地區(qū)在一定時期內(nèi)的社會發(fā)展程度和時代的更迭,同時藝術(shù)形式和內(nèi)容上的選擇也展現(xiàn)了不同時代的審美標準和精神面貌。因此為了了解不同時期東北地區(qū)的社會狀態(tài)和當時群眾的精神面貌、生活狀態(tài),研究不同時期東北風景油畫中所具備的時代特征就尤為必要。在文中,主要通過分析建國后、文革時期、改革開放后三個時期東北油畫中所具備的時代特征,以此來獲取與當時人民生活、社會發(fā)展相關(guān)的有效信息。通過分析不同時期油畫創(chuàng)作風格與內(nèi)容上的差異,來了解東北社會的發(fā)展與變遷,從而對東北地區(qū)以及東北風景油畫產(chǎn)生更深層次的認識。通過分析不同時期東北風景油畫中所蘊含的深層次內(nèi)涵,學習不同時期東北風景油畫的創(chuàng)作手法和藝術(shù)表現(xiàn)技巧,吸取其中對現(xiàn)代油畫創(chuàng)作有指導意義的內(nèi)容。
[Abstract]:Oil painting (oil painting) was developed on the basis of European egg painting before the 15th century. It has been one of the main paintings of Western painting from the origin period to the modern period. Oil painting is used on linens, cardboard or planks to paint with turpentine and dried flax seed oil. The paint has a strong hardness, and the picture can keep its luster for a long time after the material is dried. Therefore, oil painting can fully express the various characteristics of the object by means of the shading power and transparency of the pigment, and the color is rich and the three-dimensional texture is strong. As the main painting of Western painting, the development of oil painting in Northeast China is relatively short, but this does not affect the integration of oil painting art and local painting art in Northeast China, reference and development. Northeast oil painting has gradually formed its own painting content and artistic style in the joint efforts and hard exploration of several generations of Northeast oil painting artists. Oil painting art in Northeast China has gradually become the unique artistic language of oil painters and the masses in Northeast China. In the diverse and simple artistic atmosphere, the art level and performance level of oil painting in Northeast China has been greatly improved. Northeast landscape painting is an important part of Chinese landscape painting, and landscape painting is not only a fixed preservation of the specific state of a particular thing, but also a record of the development characteristics of a region in a specific period. It represents the degree of social development and the change of times in a certain period of time. Meanwhile, the choice of artistic form and content also shows the aesthetic standards and spiritual outlook of different times. Therefore, in order to understand the social state of the Northeast region in different periods, the spiritual outlook and life state of the masses at that time, it is particularly necessary to study the characteristics of the times in the northeast landscape oil painting of different periods. In this paper, mainly through the analysis of the three periods after the founding of the people's Republic of China, the Cultural Revolution period, the reform and opening up period Northeast oil painting has the characteristics of the times, in order to obtain effective information related to people's life and social development at that time. By analyzing the differences in the style and content of oil painting in different periods, we can understand the development and changes of the Northeast society, and thus produce a deeper understanding of the Northeast region and Northeast landscape oil painting. By analyzing the deep connotation of northeast landscape oil painting in different periods, we can learn the creative techniques and artistic expression skills of Northeast landscape oil painting in different periods, and absorb the contents of guiding significance to modern oil painting creation.
【學位授予單位】：吉林大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J213

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相關(guān)期刊論文 前1條

1 敖琳;;地域特征影響下的東北油畫的人文情感[J];美術(shù)教育研究;2016年04期

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本文編號：2067979