淺論油畫風(fēng)景創(chuàng)作中的詩(shī)意化表現(xiàn)
發(fā)布時(shí)間:2018-06-25 22:12
本文選題:意境 + 詩(shī)意化。 參考:《湖南師范大學(xué)》2013年碩士論文
【摘要】:油畫風(fēng)景作為一種獨(dú)立的派別出現(xiàn),也是近兩個(gè)世紀(jì)的事情。本文將從多個(gè)方面對(duì)油畫風(fēng)景創(chuàng)作中的詩(shī)意化表現(xiàn)進(jìn)行闡述;從西方油畫風(fēng)景的歷史背景,技法,材料,風(fēng)格流派到中國(guó)油畫風(fēng)景的發(fā)展歷程,當(dāng)代中國(guó)油畫風(fēng)景畫家積極自覺(jué)地進(jìn)行一系列的艱苦學(xué)習(xí)研究,并以詩(shī)意和意境作為追求的目標(biāo)對(duì)象。從材料技法,繪畫語(yǔ)言到構(gòu)成形成,思維感情,意境營(yíng)造等方面研究探索并受益很大,從而創(chuàng)作出中國(guó)油畫風(fēng)景“中西融合”獨(dú)特的中國(guó)式風(fēng)格,把我國(guó)的油畫風(fēng)景推向一個(gè)全新的空間平臺(tái)。 本文通過(guò)以下幾個(gè)章節(jié)來(lái)闡述中國(guó)油畫風(fēng)景創(chuàng)作中的詩(shī)意化的表現(xiàn)。從歐洲油畫風(fēng)景在詩(shī)意化方面的演變到當(dāng)代中國(guó)油畫風(fēng)景創(chuàng)作中的詩(shī)意化發(fā)展?fàn)顩r再到中國(guó)油畫風(fēng)景詩(shī)意發(fā)展的思考,從中列舉有關(guān)的畫家及其作品來(lái)證實(shí)中國(guó)油畫風(fēng)景創(chuàng)作中的詩(shī)意化表現(xiàn);其實(shí)就是對(duì)中國(guó)傳統(tǒng)文化藝術(shù)的肯定和繼承。
[Abstract]:Oil painting landscape as an independent faction, is also a matter of nearly two centuries. This article will expound the poetic expression in oil painting landscape creation from many aspects, from the historical background, technique, material and style of western oil painting landscape to the development course of Chinese oil painting landscape. Contemporary Chinese oil painting landscape painters actively and consciously carry out a series of painstaking study, and take poetic and artistic conception as the target. From material techniques, painting language to formation, thinking feelings, artistic conception construction and other aspects of research and exploration and great benefits, thus creating a Chinese oil painting landscape "Chinese and Western integration" unique Chinese style, Oil painting landscape will be pushed to a new space platform. This paper expounds the poetic expression of Chinese oil painting landscape creation through the following chapters. From the evolution of European oil painting landscape in poetic aspect to the poetic development in contemporary Chinese oil painting landscape creation, and then to the poetic development of Chinese oil painting landscape, Enumerating the relevant painters and their works from the middle to prove the poetic expression in Chinese oil painting landscape creation; in fact, it is the affirmation and inheritance of Chinese traditional culture and art.
【學(xué)位授予單位】:湖南師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J213
【參考文獻(xiàn)】
相關(guān)期刊論文 前7條
1 榮生;法國(guó)近代風(fēng)景畫[J];外國(guó)文學(xué);2003年03期
2 鄭紹德;;淺談當(dāng)代中國(guó)油畫風(fēng)景畫地域性問(wèn)題[J];大眾文藝;2011年12期
3 李靈紅;;當(dāng)代中國(guó)油畫創(chuàng)作與民族精神[J];科技信息;2009年18期
4 張新權(quán);思索與實(shí)踐——油畫風(fēng)景創(chuàng)作談[J];美術(shù)觀察;2003年03期
5 喬蘭;;中國(guó)油畫的“民族化”移植和改造[J];青海師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2009年04期
6 張晶;;淺談當(dāng)代中國(guó)油畫風(fēng)景畫中的“筆墨情趣”[J];文藝評(píng)論;2007年01期
7 姜松華;;中華傳統(tǒng)文化精神對(duì)中國(guó)油畫發(fā)展的作用[J];藝術(shù)百家;2010年03期
,本文編號(hào):2067715
本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/2067715.html