本文選題：明代書籍 + 圖繪��； 參考：《南京藝術(shù)學(xué)院》2013年碩士論文

【摘要】：我們的世界到處都是信息,充斥著我們的視覺。把信息視覺化,我們就能看出其中的規(guī)律和聯(lián)系。這種視覺化的圖像可以代表萬(wàn)物,大到太陽(yáng)系,小到生命起源,圖像能夠用最簡(jiǎn)單、智慧及藝術(shù)美的形式,表達(dá)出事物本身蘊(yùn)含的復(fù)雜機(jī)理,它令人敬畏,卻又開闊了我們的視野。 本文將明代書籍為主要研究對(duì)象,著重探討了明代圖書中圖文的信息,建構(gòu)關(guān)系,時(shí)代特點(diǎn)。通過(guò)運(yùn)用現(xiàn)代設(shè)計(jì)理念與方法,透析了其中的傳統(tǒng)設(shè)計(jì)文化的基本特性和現(xiàn)代價(jià)值。 明代在科技上承繼了宋元的優(yōu)勢(shì)。與此前不同,這一時(shí)期的圖書具有總結(jié)性的特征。如1578年李時(shí)珍編撰的《本草綱目》是對(duì)傳統(tǒng)中藥學(xué)的總結(jié)。宋應(yīng)星撰寫的1637年的《天工開物》,是世界上第一部關(guān)于農(nóng)業(yè)和手工業(yè)生產(chǎn)的綜合性著作。 明代在藝術(shù)方面,主要是以描繪世俗人情的市民文藝為代表,盛行的圖繪本以簡(jiǎn)練的構(gòu)圖,突兀的造型,奇特的畫面,描繪社會(huì)風(fēng)習(xí)的獨(dú)特風(fēng)貌,散發(fā)著強(qiáng)烈感染力。 學(xué)術(shù)界以古籍插圖為專門對(duì)象研究?jī)H僅只有短短數(shù)百年,且大多偏向美術(shù)史的研究方向,探討其版畫類插圖的藝術(shù)性特征。本文則偏重以設(shè)計(jì)史的視角,以中國(guó)明代(1368-1644)圖繪本為主題,即考察書籍插圖中的設(shè)計(jì)意圖與形式特征。通過(guò)對(duì)當(dāng)時(shí)圖書面貌變革的考察,梳理科學(xué)技術(shù)類著作插圖繪制及普及的來(lái)龍去脈,并作出完整與合理的辨析。書籍不僅是歷史文化遺存的寶庫(kù),亦是文明前行的推動(dòng)力。
[Abstract]:Our world is full of information and vision. By visualizing information, we can see the laws and connections. This visual image can represent everything, from the solar system to the origin of life, and it can express the complex mechanism of things in the simplest, wisest and artistic form, and it's awesome. But it broadens our horizons. This paper takes the books of the Ming Dynasty as the main research object, and probes into the information, the construction relationship and the characteristics of the times of the books in the Ming Dynasty. The basic characteristics and modern value of traditional design culture are analyzed by using modern design ideas and methods. The Ming Dynasty inherited the advantages of the Song and Yuan dynasties in science and technology. Unlike before, the books of this period have summative characteristics. For example, Compendium of Materia Medica, compiled by Li Shizhen in 1578, is a summary of traditional Chinese medicine. Song Ying-xing, 1637, is the world's first comprehensive work on agriculture and handicraft production. In the aspect of art in Ming Dynasty, it is mainly represented by civil literature and art that depict worldly customs. The popular picture books are characterized by concise composition, sudden modeling, strange pictures, and the unique style and features of social customs, which exudes a strong appeal. The academic circles take the ancient book illustration as the special object to study only just a few hundred years, and mostly inclines to the research direction of the art history, discusses the artistic characteristic of its printmaking type illustration. This paper focuses on the design history of the Chinese Ming Dynasty (1368-1644) picture book as the theme, that is, to investigate the book illustrations in the design intention and formal characteristics. Through the investigation of the changes of the book appearance at that time, this paper combs the background of drawing and popularizing the illustrations of scientific and technological works, and makes a complete and reasonable discrimination and analysis. Books are not only a treasure house of historical and cultural relics, but also the driving force of civilization.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J218.5

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本文編號(hào)：2045263