油畫《初冬》:對高更色彩對比與夸張的探索
發(fā)布時間:2018-06-20 15:44
本文選題:油畫《初冬》創(chuàng)作 + 高更油畫; 參考:《新西部(理論版)》2016年22期
【摘要】:本文介紹了筆者的油畫作品《初冬》的創(chuàng)作過程,詳細(xì)闡述了油畫《初冬》創(chuàng)作對高更藝術(shù)語言及構(gòu)圖的借鑒。包括構(gòu)圖版式的確定、對高更色彩的理解與借鑒、色調(diào)面積對比與統(tǒng)一、對比色的調(diào)和、色彩明度與純度的運(yùn)用等五個方面。并特別強(qiáng)調(diào),繪畫不應(yīng)只是單純運(yùn)用主觀色彩來描繪客觀事物,更應(yīng)該加入畫者自己的主觀感情與情緒。
[Abstract]:This paper introduces the creative process of the author's oil painting "early Winter", and expounds in detail the reference of oil painting "early Winter" to Gauguin's artistic language and composition. It includes the determination of composition layout, the understanding and reference of Gauguin color, the contrast and unification of hue area, the harmony of contrast color, the application of color brightness and purity. In particular, painting should not only use subjective color to describe the objective things, but also add the subjective feelings and emotions of the painters.
【作者單位】: 寶雞職業(yè)技術(shù)學(xué)院;
【分類號】:J213
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本文編號:2044773
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