本文選題：觀念 + 中國油畫�。� 參考：《南昌大學》2013年碩士論文

【摘要】：中國油畫的發(fā)展由來,是西方藝術體系中表現(xiàn)媒介的一類。在油畫起源的早期,油畫創(chuàng)作的意義的支撐,都是服務于宗教的神圣信仰,然后發(fā)展至為貴族,再到以人為本,以人追求他自身個人的特質(zhì),他思想為主導的創(chuàng)作方向。 今天,油畫藝術的創(chuàng)作意識已發(fā)生了一些變化,觀念思想在油畫藝術作品中的注入,頓然使得油畫藝術的思想性得到了提升,對于作品的思想、文化深度有了更耐人細嚼的部分。 本論文選題就是由觀念思想出發(fā),對油畫藝術的發(fā)展、演變到當下的文化現(xiàn)象的脈絡進行梳理,解析觀念意識的注入,在當下油畫藝術領域創(chuàng)作運用中的特殊性。為從事油畫藝術創(chuàng)作的同志們,提供一份對觀念意識透析的理論支撐,希望能為他們的油畫藝術創(chuàng)作提供有意義的思想梳理,實現(xiàn)更好的創(chuàng)作方向的認識。
[Abstract]:The development of Chinese oil painting is a kind of expression medium in the western art system. In the early days of the origin of oil painting, the significance of oil painting creation was supported by the sacred belief serving religion, and then developed to the aristocrat, then to the people-oriented, to pursue his own personal characteristics, his thoughts as the leading direction of creation. Today, some changes have taken place in the creative consciousness of oil painting art. The injection of ideas into oil painting works has made the ideological content of oil painting art improve. The depth of the culture has become more chewy. This thesis is based on the idea of thinking, the development of oil painting art, evolution to the current cultural phenomenon to sort out, analysis of the concept of consciousness injection, in the field of oil painting art in the application of the particularity. For the comrades engaged in oil painting art creation, to provide a theoretical support to the concept of consciousness analysis, hoping to provide their oil painting art creation with meaningful ideas combing, to achieve a better understanding of the direction of creation.
【學位授予單位】：南昌大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J213

【參考文獻】

相關期刊論文 前1條

1 魯虹;;對“當代藝術”一詞的理解[J];美術觀察;2007年12期

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本文編號：2044527