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試論油畫藝術(shù)中的樸拙美

發(fā)布時間:2018-06-16 12:29

  本文選題:油畫作品 + 樸拙美 ; 參考:《新疆師范大學(xué)》2014年碩士論文


【摘要】:莊子用“樸素而天下莫能與之爭美”昭示了其獨特而又高深的審美觀,“樸素而天下莫能與之爭美”同時闡述出了“樸素”美學(xué)觀的的基本思想內(nèi)涵。 樸拙美是一種自然高妙的藝術(shù)美,即真摯、質(zhì)樸、天真,是眾多美感中獨特高深而出類拔萃的美。“樸”強調(diào)美的不露雕飾,不加外飾,是不現(xiàn)雕鑿痕跡的“第二自然”。而以“拙”為巧、以“拙”為工,“拙”是有意識的單純!白尽斌w現(xiàn)出一種輕人為、師造化的藝術(shù)創(chuàng)作觀與審美觀!皹阕尽敝浪w現(xiàn)出的是自然渾成、不露雕飾的藝術(shù)美。這一命題包括去機心重偶然,去技巧重天然等內(nèi)容!独献印に氖逭轮小芬彩翘岢觥按笾比羟,大巧若拙,,大辯若訥”的觀點。這種辯證的哲學(xué)觀,雖本意并非在審美,但美學(xué)處于哲學(xué)的分支,這種辯證法同時適用于審美范疇,老子所說的“巧”與“拙”,體現(xiàn)的是藝術(shù)的和諧觀,道出了“巧”與“拙”在藝術(shù)創(chuàng)作中相互依存、相滲相融的辯證關(guān)系。 樸拙美是真摯是樸實,是藝術(shù)領(lǐng)域所遵循亙古不變的永恒準(zhǔn)則,它在繪畫領(lǐng)域中的重要性尤為突出,古今中外眾多深具樸拙美這一審美特征的經(jīng)典油畫作品以它獨特的藝術(shù)張力以及藝術(shù)感染力,帶給我們前所未有的共鳴與感動。深入這些經(jīng)典油畫作品,不難發(fā)現(xiàn),他們的共同點,題材上貼近平實的生活,造型上率真、質(zhì)樸,色彩上更是隨性、爛漫,還有藝術(shù)家藝術(shù)情感的真誠表達(dá)。“樸拙”之美在油畫中給予了畫面淳樸自然的美感,樸素、真實的主觀情感表達(dá)加之藝術(shù)家們對生活中樸實題材的描繪,和藝術(shù)家們各自獨特的藝術(shù)張力和藝術(shù)感染力,使得這些油畫作品格外的打動人心。藝術(shù)家們誠實的再現(xiàn)內(nèi)心感受,這些作品無一不透露出藝術(shù)家們真摯、質(zhì)樸的藝術(shù)情感。 這種高妙的藝術(shù)美感無論在何時代,也無論在何地都不曾過時,也不因地域差異而有所不同。只要是真摯的就是能打動人的,而今這種美感出舊而入新,經(jīng)歷了時間的積淀而更顯得熠熠生輝,這些油畫作品在紛擾躁動的時代帶給觀摩者的不僅僅是藝術(shù)上的感動,也帶給觀摩者自身對生活的感悟。這些油畫作品帶給我們的是從視覺上的沖擊到心靈的撼動,這也正是藝術(shù)家“樸拙”的品質(zhì)才賦予了作品永不殞滅的魅力。
[Abstract]:Zhuangzi showed his unique and profound aesthetic sense by "simple but the world can not compete for beauty", and elaborated the basic ideological connotation of the aesthetic view of "simplicity" at the same time. Simple beauty is a kind of natural and exquisite artistic beauty, that is, sincere, simple, naive, and unique and outstanding beauty among many aesthetic senses. "Park" emphasizes the beauty of the sculpture, no external decoration, is not carved chisel trace of the "second nature." And to the "clumsy" as a skillful, "clumsy" for the work, "clumsy" is conscious simplicity. "Bad" embodies a kind of light man-made, teacher-made view of artistic creation and aesthetics. The beauty of simplicity embodies the artistic beauty of nature and unexposed sculptures. This proposition includes the following contents: to take advantage of chance, to lay stress on skill, and so on. Chapter 45 of Laozi also puts forward the point of view of "being outspoken, skillful and clumsy, arguing like a dull man". This dialectical philosophy is not intended to be aesthetic, but aesthetics is a branch of philosophy. This dialectics is applicable to aesthetic category at the same time. What Laozi said "skillful" and "clumsy" embodies the harmonious view of art. The dialectical relationship between skillful and clumsy in artistic creation is described. The beauty of simplicity is sincere and simple, and it is an everlasting norm in the field of art, and its importance in the field of painting is particularly prominent. With its unique artistic tension and artistic appeal, many classic oil paintings with profound aesthetic characteristics have brought us unprecedented resonance and emotion. Go deep into these classic oil paintings, it is not difficult to find that their common ground, the subject matter close to the plain life, the shape of the straightforward, simple, color is more random, artless, and the artist's artistic feelings of sincere expression. The beauty of "simplicity" in the oil painting gives the picture simple and natural beauty, simplicity, real subjective emotion expression and the artist's depiction of the simple subject matter in life, and the artists' respective unique artistic tension and artistic appeal. Make these oil paintings particularly touching the hearts of the people. Artists truthfully reproduce their inner feelings, all of which reveal their sincere and simple artistic feelings. This exquisite aesthetic sense of art has never been out of date, no matter where it is, and it does not vary from region to region. As long as it is sincere, it can move people, but now this aesthetic feeling is old and new, and has experienced the accumulation of time and is even more brilliant. These oil paintings bring not only artistic touch to the viewers in the turbulent and restless times, It also brings to the viewer his own perception of life. These paintings bring us from the impact of vision to the mind, this is the artist's "honest" quality of the work endlessly enchanted.
【學(xué)位授予單位】:新疆師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 段正渠;踏實的感覺[J];美術(shù)觀察;2002年08期

2 舒可文;;喻紅敘事——與女畫家喻紅的對話[J];藝術(shù).生活;2007年04期



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