王子武水墨人物畫研究
發(fā)布時間:2018-06-16 10:00
本文選題:水墨人物畫 + 中西融合。 參考:《曲阜師范大學(xué)》2017年碩士論文
【摘要】:20世紀(jì)是中西方藝術(shù)相互融合的時代,由于西方繪畫思想的引入,越來越多的藝術(shù)家受到了西方繪畫藝術(shù)的影響,把西方繪畫理念運用到了中國畫的創(chuàng)作當(dāng)中,中國的繪畫藝術(shù)呈現(xiàn)出一片生機(jī)勃勃的景象。50年代以后,現(xiàn)實主義的創(chuàng)作思想傳入了中國水墨人物畫,中國畫家們逐漸采取多種多樣的藝術(shù)形式,來尋求中國水墨人物畫的進(jìn)一步發(fā)展。他們開始注重對現(xiàn)實人物形象的寫生,通過親身深入到現(xiàn)實的社會生活當(dāng)中去發(fā)現(xiàn)更多的表現(xiàn)題材,拓寬了水墨人物畫的表現(xiàn)形式。在中西融合的道路上,有很多的藝術(shù)家都取得了重要的成就。雖然他們對西方藝術(shù)借鑒的著眼點不同,但都在一定程度上推動了中國水墨人物畫的發(fā)展進(jìn)程。王子武的水墨人物畫藝術(shù)風(fēng)格,也是在這一時期逐步形成的,他把傳統(tǒng)人物畫注重筆墨的這一特點與西方的人物畫注重造型的特點成功的結(jié)合,在中國人物畫的變革創(chuàng)新方面取得了顯著成就。像王子武這樣在中西融合的藝術(shù)道路上依然堅守中國傳統(tǒng)筆墨精神,并且進(jìn)行變革創(chuàng)新的畫家,是我們進(jìn)行藝術(shù)創(chuàng)作的標(biāo)榜,非常值得當(dāng)代人研究和學(xué)習(xí)。本文將重點研究王子武在水墨人物畫方面所取得的成就,通過對他藝術(shù)經(jīng)歷的檢視尋找形成他水墨人物畫藝術(shù)特色的歷史成因,進(jìn)而深刻剖析其水墨人物畫中獨特的造型與筆墨語言,闡釋他對于中國水墨人物畫發(fā)展的價值和意義,以及對于我藝術(shù)創(chuàng)作的啟發(fā)和指導(dǎo)。
[Abstract]:The 20th century is a time when Chinese and western art converge. As a result of the introduction of Western painting ideas, more and more artists are influenced by Western painting art and apply the western painting concept to the creation of Chinese painting. After the 1950s, the realistic creation thought was introduced into the Chinese ink figure painting, and the Chinese painters gradually adopted a variety of artistic forms. To seek the further development of Chinese ink figure painting. They began to pay attention to the portrayal of the real characters, through the reality of social life to find more subjects, broaden the expression of ink figure painting form. On the road of Chinese and Western integration, many artists have made important achievements. Although they have different points of view on western art, to some extent, they have promoted the development of Chinese ink figure painting. Prince Wu's artistic style of ink painting was also gradually formed in this period. He successfully combined the traditional figure painting with the western figure painting focusing on the style. Remarkable achievements have been made in the reform and innovation of Chinese figure painting. The artists such as Prince Wu who still stick to the spirit of Chinese traditional pen and ink on the road of Chinese and Western integration and carry out innovation and innovation are the flaunts of our artistic creation and are worthy of study and study by contemporary people. This paper will focus on the achievements of Prince Wu in ink figure painting, through the examination of his artistic experience to find out the historical cause of formation of the artistic characteristics of his ink figure painting. Furthermore, it deeply analyzes the unique modeling and the language of strokes and ink in his ink figure painting, explains his value and significance for the development of Chinese ink figure painting, as well as his inspiration and guidance for my artistic creation.
【學(xué)位授予單位】:曲阜師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J212
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 閆森;;不懈的追求與探索——感悟王子武先生的水墨藝術(shù)[J];美術(shù)大觀;2011年04期
2 王金嶺;;致廣大盡精微——王子武其人其畫[J];國畫家;1995年01期
相關(guān)碩士學(xué)位論文 前1條
1 李靜靜;王子武水墨人物畫繪畫思想研究[D];河南大學(xué);2014年
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